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10 Great Shots with the Canon Rebel T1i

September 20, 2009 By Eric Reagan

Canon Rebel T1i

Last week, we took a look at shots from the Nikon D5000.  This week, we’re going to look at 10 great shots from the Canon Rebel T1i.  As you can see, there are plenty of photographers getting the most out of this great entry-level camera. [Read more…]

Filed Under: Canon Tagged With: canon rebel t1i, digital cameras, photography, Photos

 

Embellishing Prints for Protection and Added Value

September 19, 2009 By Eric Reagan

Admittedly, I know very little about the print-making process. I usually order my prints by uploading my digital files to MyPhotopipe or Mpix – and I’m plenty happy with those results. However, I’m always intrigued by those who make their own prints and the processes they use to get from digital files to finished prints.

The above video comes from Randy Hufford, a Hawaii-based photographer with a wealth of knowledge and skill in getting those finished prints just right.  In the video, Randy discusses embellishing for canvas prints and how that process is used to add value to his images.  The coating that he uses comes from Premier Imaging Products and produces some interesting results.

Check out the video and let the rest of us know how you add value or something extra to your finished prints.  I would be particularly interested in hearing from anyone that uses embellishing or similar finishing processes in their prints.

Also, you should seriously check out Randy’s site.  There’s a lot of great content on there, particularly with regard to spicing up your prints.

Filed Under: Learn Tagged With: Eco Print Shield, embellishing, finishing, printing, Randy Hufford

Nikon D3S Reviews and Resources

September 18, 2009 By Eric Reagan

Nikon D3s

The Nikon D3S is a flagship follow-up to the Nikon D3.  The D3S features a 12.1-megapixel sensor (as did the Nikon D3) but extends sensitivity up to ISO 102,400 and adds HD video capture in 720p resolution at 24 fps.

Nikon D3S Key Specs

  • 12.1-megapixels
  • ISO 200-12800 (expandable up to ISO 102,400 equivalent)
  • 9 fps (11 fps in DX mode)
  • 720p HD video recording at 24fps
  • Buffer increased to 48 RAW images
  • Improved contrast-detect AF
  • In-camera RAW image processing
  • Same 51-point AF, 3D Matrix Metering and dual CF slots

Nikon D3S Availability

Amazon

B&H Photo

Adorama

Photography Bay Resources

Nikon D3s Hands-On Review

Nikon D3S vs. Canon 1D Mark IV ISO Comparison

Nikon D3S vs. Canon 1D Mark IV  ISO Comparison – Part II

Nikon D3S vs. Canon 1D Mark IV – Evaluating Prints

Nikon D3S Reviews

Digital Camera Review

Imaging Resource

Thom Hogan

Photo Radar

PhotographyBLOG

Digital Photographer (hands-on)

Tech Radar (hands-on)

Amateur Photographer (hands-on)

Let’s Go Digital (hands-on)

Pocket-Lint (hands-on)

Nikon D3s Official Resources

Product Brochure
Sample Images
D3s Microsite

Nikon D3s Accessories

En-EL4 Battery
MH-22 Dual Quick Charger
MH-21 Quick Charger
EH-6 AC Adapter
WT-4a Wireless Transmitter
GP-1 GPS Unit
ML-3 Modulite Remote Control Set
MC-36 Multi-function Remote Cord
MC-35 GPS Cable
MC-30 Remote Trigger Release
B Type Focusing Screen
E Type Focusing Screen
WG-AS1 Water Guard
DR-5 Rectangular Right Angle FinderDK-19 Rubber Eyecup
DK-17M Magnifying Eyepiece
SB-900 Speedlight
SB-600 Speedlight

Nikon D3s News Release

MELVILLE, N.Y. (Oct. 14, 2009) – Today, Nikon Inc. announced the FX-format D3S D-SLR, providing professional photographers with a powerful tool that redefines the boundaries of digital SLR versatility, while maintaining the strength of superior image quality and high speed performance inherited from the groundbreaking D3. The D3S enables not only new opportunities in low-light photography, but also provides photographers with added shutter speed and aperture freedom with a base ISO sensitivity range from ISO 200 to a remarkable 12,800. Additionally, expanded ISO equivalent settings up to a staggering 102,400 are available, enabling photographers to create images previously thought impossible.

The Nikon D3S builds upon the success of the Nikon D3—the professional digital SLR that set new standards for D-SLR performance and utilizes a newly designed, Nikon original 12.1-megapixel FX-format CMOS sensor that also integrates its amazing low-light ability to High Definition (HD) video, creating a uniquely capable multi-media tool to meet the needs of a changing imaging landscape.

“When the Nikon D3 was released, it ushered in a new era of professional digital imaging. Today, the D3S will further reinforce Nikon’s leadership role in the photographic industry as a pioneer in performance-driven technologies that will again break once-rigid picture-taking barriers,” said Edward Fasano, general manager for Marketing, SLR Systems Products at Nikon Inc. “The ruggedly constructed D3S was engineered to address the real-world needs of professional photographers and provides them with a tool that, when combined with their skills, delivers stunning images in a broad range of shooting conditions and assignment requirements.”

Creative Vision Beyond the Human Eye

The Nikon D3s, with a base ISO sensitivity from ISO 200 to 12,800 makes it possible to capture previously impossible images—image opportunities which were often ignored because of low light levels. Now, in even more demanding lighting conditions, photographers can select expanded sensitivity settings of ISO equivalent 25,600, ISO equivalent 51,200 and an incredible ISO equivalent sensitivity of 102,400 which reveals detail in extreme low-light environments that challenge even the human eye’s ability to discern subject content. In addition, a setting of ISO equivalent 100 is provided.

This industry-first, groundbreaking ISO sensitivity range will make the D3S the camera of choice for photographers who typically face extreme lighting challenges, such as indoor or nighttime sports, spot news, wedding receptions and ambitious nature photography. This broad ISO sensitivity also affords the ability to shoot at faster, action-stopping shutter speeds. D3S shooters will enjoy a major advantage in any situation where light is limited and the use of supplemental lighting is not an option. For the photojournalist, even the highest ISO setting delivers image quality to satisfy the needs of offset printing.

Big Pixels Equal Greater ISO Capabilities

The amazing low-light ability of the D3S, as well as its astounding image quality can be attributed in large part to the engineering behind the newly designed, Nikon original 12.1-megapixel FX-format CMOS sensor, which measures 36×23.9mm. While the pixel size and count that served the D3 were maintained to deliver the pinnacle of image quality, dynamic range, phenomenal tonal gradation and outstanding color, other aspects were engineered to add versatility through broader low-noise ISO sensitivity. Individual pixels measure a large 8.45 microns, which support enhanced sensitivity to light and other qualities leading to superior image fidelity. The D3S captures light and renders images in a way that no other Nikon camera has yet to achieve, with a higher signal-to-noise ratio and an unmatched dynamic range for both stills and HD video throughout its broadened ISO range.

The Nikon D3S adds the extra benefit of an Image Sensor Cleaning function to reduce instances of image degradation resulting from dust accumulation on the optical low pass filter (OLPF) in front of the image sensor. The OLPF oscillates at four specific frequencies to release particles that would disrupt image quality. Sensor Cleaning can be set by the user to cycle automatically when the camera is powered on, turned off, or on demand.

Share the Vision with D-Movie Creativity

Whether on the frontlines or sidelines, the amazing ISO range of the D3S can also be applied while recording HD video clips to give unprecedented low-light ability for movie clips. The refined D-Movie mode for the FX-format offers smooth 1280×720 video at a cinematic 24fps, with a new algorithm that severely reduces the phenomenon of “rolling shutter” typical to D-SLRs while panning. The motion JPEG codec allows for easy extraction of single frames from a video clip and the ability to save it as a JPEG file, while the 720p HD format eases storage, provides faster wireless transfers, and offers video files that are generally easier to use in the field. Photographers can also trim movie clips on the fly by revising the start and end points, and save the edited clip as a copy while maintaining the original. Additionally, the D3S features a built-in monaural microphone, augmented by a stereo microphone input, which is perfect for hot-shoe microphone mounting or the use of wireless microphones for interviews or spot news.

Photographers and film makers alike will appreciate the full aperture control from a wide f/1.4 to f/16, as the FX-format sensor renders low-noise movie clips with outstanding clarity, aided by the large selection of renowned NIKKOR lenses to produce a dramatic depth of field. High Sensitivity Movie Mode allows the utilization of the entire ISO range to capture otherwise hidden details in challenging lighting conditions, more effectively than cameras with smaller sensors. Now, users can benefit from available natural light for applications such as telling a story in a journalistic style in the field or to create a gritty film noir masterpiece without CGI post production. While recording, users also have the ability to control exposure, and will enjoy the added benefits of improved contrast-detect type AF while in Tripod Live View mode.

Performance and Features Defining Versatility

The emergence of the D3 in 2007 provided photographers with a unique fusion of ruggedness, speed, versatility and image quality—characteristics which the D3S now takes even further. Photographers are able to capture images at 9 frames per second (fps) in the FX-format or at up to 11 fps in the DX crop mode, while data is transferred through a 16-bit pipeline for optimal processing speed. Additionally, the buffer has been increased, enabling continuous bursts approximately twice that of the D3 in the JPEG, TIFF or NEF (RAW) formats. Files can also be captured in either 12- or 14-bit compressed or uncompressed formats to maintain the images data integrity. Photographers can also select the new 1.2x crop mode for a modest telephoto effect, while minimally impacting resolution, as photos are captured at approximately 8.4 megapixels (9 fps).

The D3S also features two UDMA compatible CompactFlash™ card slots that can be used for consecutive recording (overflow), simultaneous recording (backup), separating recording of RAW and JPEG files or even copying pictures between the two cards. One or both can also be designated for data-heavy D-Movie recording. Images can be displayed directly from the camera to a High Definition monitor using the camera’s HDMI port and an optional cable.

The D3S features Nikon’s exclusive Multi-CAM 3500FX focus module, with 51 AF points, 15 cross type sensors and 36 horizontal sensors that easily track and lock onto moving subjects, delivering the same fast and accurate AF performance that helped make the D3 immediately successful. Users can select any of the AF points, making it easy to consistently attain accurate focus, frame after frame. Additionally, three AF-area modes – Single point, Dynamic-area AF and Auto-area AF – are available to maximize the use of the 51 focus points by selecting the most suitable one to match subject conditions. AF is also available in one of two Live View modes, including a phase detection handheld mode and a tripod mode. While in Live View, the graphic indication of a virtual horizon is also available, making it easier than ever to confirm camera orientation.

To alleviate another kind of noise, the D3S also features a Quiet Shutter Mode which substantially reduces the sound of the camera’s mirror-down cycle, which is perfect for shooting in sensitive environments, such as movie sets, meetings, ceremonies, or while photographing wildlife.

Technologies Engineered for Professionals

The D3S’ speed and performance is the culmination of many Nikon core technologies including the latest generation of the EXPEED™ Image Processing System. The latest iteration of this system is specially designed to keep pace with the D3S’ blazing performance to provide amazing image quality, faster processing speeds and lower power consumption. This advanced system is able to achieve extremely precise color reproduction for a broad spectrum of hues, in addition to vivid saturation and smooth gradation. Nikon’s advanced noise processing function is engineered to minimize noise at all sensitivities and operate seamlessly without interfering with other image color parameters.

The D3S’ accelerated Scene Recognition System analyzes information from the 1,005-pixel RGB light sensor for use in auto exposure, auto white balance detection and autofocus calculations. The Scene Recognition System also assists autofocus by tracking subject position and automatically shifts the AF points used to match the subject’s movement within the frame.

Nikon’s exclusive 3D Color Matrix Metering II assists in ensuring accurate exposures, even in the most challenging lighting conditions. Instantly evaluating each scene before capture, input data from the system’s sensor is automatically referenced against an internal database of more than 30,000 images derived from actual photographs to calculate correct exposure values. Active D-Lighting (ADL), used in combination with 3D Matrix Metering II, helps to determine proper exposure, and creates realistic contrast while compensating for lost shadows and highlights. Photographers can also use ADL bracketing for up to five frames of ADL compensation.

To further enhance each photographer’s expression of personal style, Nikon’s Picture Control System allows selection of Picture Control settings including Standard, Neutral, Vivid and Monochrome. Additionally, adjustment can be made to Picture Controls to image sharpening, contrast, brightness, saturation, hue and more. Photographers then have the flexibility to save up to nine personalized Picture Controls on camera and 99 additional Picture Controls externally.

Ready for Work

Engineered for real-world functionality, the D3S is ruggedly constructed with moisture, dust and shock resistance that has become a hallmark of flagship Nikon D-SLRs, while preserving the usability and ergonomics that allow the camera to remain an extension of the photographer’s vision. Attention to detail goes so far as to include a self-diagnostic shutter system that is tested to 300,000 cycles for maximum accuracy and longevity. Rigid and precise magnesium alloy construction and the familiar form factor of the D3 extend consistent Nikon system synergy.

A bright and accurate viewfinder provides 100-percent coverage with 0.7x magnification. The body also houses Nikon’s acclaimed 921,000-dot, 3.0-inch super density LCD monitor which is viewable up to 170 degrees, and is safeguarded by a tempered glass cover. Thanks to incredibly efficient internal circuitry, the D3S can capture up to 4200* shots per single charge of the camera’s Lithium-ion battery.

System Strength Withstands the Test of Time

The D3S is fully compatible with Nikon’s Creative Lighting System (CLS) affording photographers a mobile lighting solution that is easy to manage. D3S is also compatible with Nikon’s GP-1 GPS receiver to gather information such as latitude, longitude, altitude and (satellite) date of shooting. Photographers can shoot tethered via USB, or use the WT-4A wireless transmitter to send images wirelessly when speed and mobility are essential. D3S users will also enjoy the system strength bolstered by a comprehensive selection of NIKKOR interchangeable lenses—long heralded for their optical superiority.

Price and Availability

The Nikon D3S digital SLR is scheduled to be available at Nikon Authorized dealers beginning in late November 2009 at an estimated selling price of $5,199.95**. For more information, please visit www.nikonusa.com. Users can see the new D3S, along with Nikon’s entire line of photographic, optical and digital imaging solutions, including the recently announced new AF-S DX Micro NIKKOR 85mm f/3.5G ED VR lens, on display at the Nikon booth (#501) at the PhotoPlus Expo in New York, from Oct. 22 to Oct. 24, 2009.

Filed Under: Nikon Tagged With: digital cameras, dslr, nikon d3, Nikon D3s, photography, Reviews

Pentax K-x Hands-On

September 17, 2009 By Eric Reagan

Pentax K-x

Editor’s note: Chris got some hands-on time with the Pentax K-x yesterday at the Pentax press event.  He passed along a number of photos to share; however, he’s busy at the Pepcom event today.  I wanted to get these hands-on images in front of you and highlight some of the key specs on the Pentax K-x.

The Pentax K-x headlines with a 12.4-megapixel CMOS sensor and video capture capability at 720p and 24fps.  It packs a lot into a very small package at a very affordable price point – $650 for the single lens kit.

One of the more subtle, yet serious shooter features, is an 11-point AF system with 9 of those points being cross-type sensors.  To put that specification into perspective, the much pricier Canon Rebel T1i offers a 9-point AF system with only cross-type sensor found at the center AF point.  Better yet, the Canon 5D Mark II also has 9 AF points with a single cross-type sensor on the center point.  So, Pentax is taking entry-level users seriously by spec’ing the K-x well above its price-point.

Pentax K-x

The Pentax K-x also matches the sensitivity of the Canon Rebel T1i with a range of ISO 100-12800 equivalent.  We don’t have any samples to share yet; however, this is a bold spec that’s raising eyebrows.

What the Canon Rebel T1i and Nikon D5000 can’t do is provide image stabilization for every lens attached.  The K-x has a sensor-based stabilization system, so no matter which lens is on the camera, the K-x will be working to reduce camera shake-induced blur.

As you can see from the photos here, the K-x is a rather compact DSLR, particularly when fitted with the wide angle smc-DA 15mm f/4 ED AL Limited lens shown above (top).  Compact DSLRs have been quite the trend lately – Sony downsized its entry-level shooters without much more of a change and Nikon just dropped the compact and simple D3000 on the scene.  The Pentax K-x fits rather nicely into the gamut of entry-level DSLRs with its compact size and feature set.

Hopefully, we’ll get our some time to take a closer look at the K-x soon and see if the performance and image quality are on par with the spec list.  For now, it looks like Pentax has a real winner on its hands.  If the K-x tastes as good as it looks (although the jury is still out on the red version), the K-x will definitely deserve some consideration on everyone’s entry-level DSLR shopping list.

More hands-on pics of the K-x below. [Read more…]

Filed Under: Pentax Tagged With: digital camera reviews, dslr, pentax k-x, photography

Panasonic GH1 and G1 Firmware Updates

September 17, 2009 By Eric Reagan

Panasonic GH1

Panasonic has released firmware updates for the GH1 and G1 cameras.

GH1 Release Notes

1. Improved Auto Focus performance for the subject in low contrast.

2. Decreased the operation noise of Auto Focus in Motion Picture recording for H-H020 lens.

(In order to minimize the operation noise of Auto Focus, the Auto Focus operation speed is reduced in Motion Picture recording.)

3. Improved the stability of AE(Auto Exposure) control for H-ES045 lens(to be introduced in Oct., 2009).

G1 Release Notes

1. Improved Auto Focus performance for the subject in low contrast.

2. Improved the stability of AE(Auto Exposure) control for H-ES045 lens(to be introduced in Oct., 2009).

You can download the updates via the following links:

GH1 firmware version 1.2

G1 firmware version 1.4

Filed Under: Panasonic Tagged With: digital cameras, firmware, panasonic g1, panasonic gh1

iStockphoto Guarantees All Image, Video and Audio Files Up to $250,000

September 17, 2009 By Eric Reagan

Yesterday, iStockphoto made an important announcement for designers and photographers. In an attempt to build trust with their customers who purchase royalty-free content, iStockphoto implemented a guarantee that all image, video and audio files purchased on the site will be guaranteed, such that iStock will cover all files for legal costs and damages up to $10,000.

However, purchasers who demand additional peace of mind may purchase greater coverage under the guarantee on a file-by-file basis at a price of 100 iStock credits. The credits vary in price/value depending on the bulk amount in which customers pre-purchase those credits. For example, a package of 12 credits will run $18 or $1.50 per credit; however, a package of 2000 credits will run $1900 or $0.95 per credit. As a result, this “insurance” can run anywhere between $95 and $150 out-of-pocket per file.

While that seems like a bit much to pay per file, companies running a national or global campaign probably wouldn’t mind a little more peace of mind. Just ask Virgin Mobile.  Designers working on or quoting these major campaigns should probably think about which ones to build this into their budgets or quotes.  When you think about the scale, it sounds like a pretty good deal on insurance.

What does it mean for photographers?  iStock has a history of being sticklers on trademark and copyright elements in submitted photos, as well as obtaining appropriate model releases.  iStock does a good job of covering its butt (and photographers’ butts too) when evaluating submitted files.  If a file is questionable as to whether there is a copyrightable or trademark element within, the safe thing to do is reject it.  While iStock uses a fine tooth comb in reviewing files, iStock is not your momma or your lawyer.  When submitting files to iStock, the artist makes some heavy representations and warranties as to his or her authority to submit the files for commercial use.

If iStock gets called on the carpet for a file, you can bet your $1.06 commission that iStock will be dragging the photographer along with them.  Just a little reminder to conduct your own, personal inspection of files for potentially troubling elements before clicking submit.

With the scary part out there now, I think this move by iStock can increase the marketability and visibility of stock photography as a valuable resource for bigger customers.

More reading on this topic from John Harrington and Thomas Hawk.

Also see the news release below. [Read more…]

Filed Under: stock photography Tagged With: istock, istockphoto, microstock, photography, stock photography

Nikon APS-C Compact Camera = Leica X1 Clone?

September 16, 2009 By Eric Reagan

Ok, “clone” may be strong words; however, word on the street is that the Leica X1 sensor is manufactured by Sony – and that same sensor is set to be placed in an upcoming (and as-yet unannounced Nikon camera).  More specifically, the sensor is 23.6 x 15.8mm with 12.2 “effective” megapixels.  13 million pixels in total sit on the sensor.

At recent press event in Singapore, Sunil Kaul, regional director of Asia Pacific for Leica Camera AG spilled the beans as to the sensor’s origin and its future home inside a Nikon camera, which he “cannot disclose.”

I haven’t read any news lately about Sony developing a new 12.2-megapixel CMOS sensor, which seems like it would have surfaced by now if it was newly developed.  That’s roughly the same size sensor that the Sony A700 and the Nikon D300 have been sporting for a long time.

I really can’t imagine Nikon moving away from its 12.3-megapixel CMOS sensor that has been such a workhorse in it’s recent DSLR lineup.  I also can’t imagine Nikon dropping another 12.3-megapixel DSLR into its lineup right now.  So, the compact, rangefinder-style camera sounds like the logical next step for this sensor.

Anyone with more knowledge about Sony’s CMOS sensor lineup feel free to chime in via the comments below to confirm or rebut my assumptions.

[Cnet Asia via DPR Forums]

Filed Under: Nikon Tagged With: APS-C, digital cameras, Nikon, photography, rangefinder

Lightroom 2.5 and Camera Raw 5.5 Now Available

September 15, 2009 By Eric Reagan

Adobe has updated Lightroom 2 to version 2.5 and Camera Raw 5 to version 5.5.

Lightroom 2.5 and Camera Raw 5.5 now include support for the following cameras:

  • Nikon D300s
  • Nikon D3000
  • Olympus E-P1
  • Panasonic DMC-FZ35
  • Panasonic DMC-GF1

The updated versions can be downloaded here.

Filed Under: Software Tagged With: camera raw 5.5, digital cameras, lightroom 2.5, nikon d3000, Nikon D300s, Olympus E-P1, panasonic dmc-fz35, panasonic dmc-gf1, photography

Olympus E-P1 and Lens Firmware Update

September 14, 2009 By Eric Reagan

Olympus E-P1

Olympus has released a firmware update for the E-P1 Micro Four Thirds camera, along with updates for the M.Zuiko Digital ED 14-42mm f/3.5-5.6 and 17mm f/2.8 lenses.

The firmware update for the E-P1 is described as providing improved operation when using the C-AF, which is something that I found to function quite poorly in the Olympus E-P1 Review.  The firmware updates for the lenses are described as providing improved AF operation.

You can download the updates on the Olympus Japan website.

Filed Under: Olympus Tagged With: 14-42mm, 17mm, digital camera, firmware, lens, micro four thirds, Olympus E-P1, photography, update

SanDisk Extreme Pro CompactFlash Memory Cards

September 14, 2009 By Eric Reagan

SanDisk Extreme Pro 64GB CF Card

SanDisk has announced a new series of faster CF cards – the Extreme Pro cards.  The big number that SanDisk is throwing out there is 90MB per second max read/write speeds. The question is: “Does it make a difference?”

Well, I haven’t gotten my hands on one yet; however, spec-wise the Canon 5D Mark II and Canon 50D should be able to take advantage of the speed boost.  Both cameras feature UDMA support up to Mode 6 for a maximum theoretical transfer rate of 133MB/s, which is well within the new SanDisk cards specs.

Lori Grunin over at Cnet’s Crave took the new Extreme Pro cards for a spin the the Nikon D300s (I couldn’t find any documentation confirming the extent of UDMA support for the D300s) and the Canon 5D Mark II.  The differences were minimal in both cases.  The D300s produced the same frame rate with Extreme Pro and 60MB/s flavor of Extreme cards.  The Pro version was able to give about a 10% savings on buffer emptying after a burst of shots.  The results were similar in the 5D Mark II, which got a boost of 0.2 frames per second with the Pro model and an almost 20% discount emptying the buffer after a burst of shots. Hit up Lori’s test for all the facts. [50 kudos to Lori for the hard work.]

Prices? The 64GB model will set you back $811.99 direct from SanDisk – I’ll say that again . . . $811.99!  $507.99 for the 32GB model and $304.00 for the 16GB model.  Hardly a bargain for a 0.2 fps advantage…

Get the full run down on these new cards in the news release below.

[Read more…]

Filed Under: sandisk Tagged With: cf, compact flash, extreme pro, sandisk

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