Digital Camera News, Reviews and Tips
Here’s something that we’ve all been waiting to see . . . high ISO images from the Nikon D3:
Looks pretty good for ISO 3200 to me. These have several other folks quite impressed too.
You can stay up to day with the Nikon D3 on this page.
[tags]nikon, d3, review, sample, pics, photos, images[/tags]
New Camera Offers 27mm Wide-Angle Lens, Face Detection, Shadow Adjustment Technology, TruePic III and Other Innovative Features
CENTER VALLEY, Pa., August 23, 2007 – Olympus introduces the new SP-560 Ultra Zoom digital camera, the all-in-one solution for consumers looking for power and versatility for any shooting situation. The compact SP-560 UZ blends ease-of-use with an industry-leading focal range (27mm wide-angle to 18x optical zoom), an 8-megapixel image sensor and the latest technologies to deliver superior image quality and performance.
These new innovative technologies include: [Read more…]
Video of the Nikon D3:
I know it’s not the best but it’s all that’s out there right now.
[tags]nikon, d3, video, review[/tags]
Nikon Introduces the World’s First 14mm Ultra Wide-Angle Zoom Lens with a Constant f/2.8 Aperture and a Highly Versatile 24-70mm f/2.8 Zoom, Making Professional Lens Selection Easier Than Ever
MELVILLE, N.Y. (AUGUST 23, 2007) – Nikon (www.nikonusa.com) today announced two new high performance NIKKOR lenses that offer remarkable sharpness, clarity and contrast. The new AF-S NIKKOR 14-24mm f/2.8G ED lens is one of the fastest 14mm ultra-wide angle zoom lenses available today while the new AF-S NIKKOR 24-70mm f/2.8G ED lens is a highly versatile lens ideal for a broad range of applications and lighting conditions. While designed for use with either of Nikon’s FX and DX format digital SLR cameras, these new lenses truly maximizes the potential of Nikon’s recently announced D3 FX-format professional digital SLR camera. Combined with Nikon’s venerable AF-S NIKKOR 70-200mm f/2.8G ED VR, these new lenses now offer professional photographers the ideal three-lens solution with a constant f/2.8 aperture across all three lenses. [Read more…]
This page is dedicated to Canon 1Ds Mark III reviews and other resources. As the reviews come rolling in, I’ll post links to them below. In the mean time, you can keep an eye on the Canon 1Ds Mark III’s availability at Amazon.com, or check on other vendors like Adorama and B&H Photo on this page.
It is undeniably impressive, and though it appears on the surface to be a fairly low key update to the Mark II, the more you use it the more you realize how all the little improvements add up to a significantly better camera (and that’s aside from the resolution hike).
The Canon 1Ds Mk III is a solid brick of a camera, has extraordinarily high technical image quality, but is hindered by sucky ergonomics and a mediocre LCD.
Canon started from scratch with the Mark III. And that is obvious with the Canon EOS-1Ds Mark III. It is much more than a Mark II with a new image sensor. There has been thorough thought about the whole camera and the entire structure has been altered without making the photographer used to working with a Canon EOS-1 lose his way.
The EOS 1Ds Mark III is a remarkable display of engineering prowess. Do you need a weatherproofed camera that is strong enough to drive nails while producing the world’s best image quality? If so, the 1Ds is a bargain. If not, the Canon EOS 5D, $2150 (buy from Amazon) is a better value.
The 1Ds Mark III can capture beautiful, amazingly detailed images. Colors are extremely accurate and, as mentioned above, the automatic white balance system does a great job of keeping color neutral across a wide range of lighting.
Color accuracy on the 1Ds Mark III also lands in the top tier, with an Excellent rating based on an average Delta E of 6.98 (compared with 7.3 on the 1D Mark III and 7.28 on the Nikon D3, also Excellent ratings.) The color accuracy remained similarly high all the way up through ISO 1600, while resolution dropped only 15 percent when we applied full noise reduction at ISO 1600 and 3200 in Canon’s sophisticated (and included) Digital Photo Professional software.
I could show you examples to make either of the two 1-series bodies appear to be slightly better than the other. If you plan for the 1Ds III and 1Ds II have a similar amount of noise, you will not be disappointed. Up to and including ISO 400, they are about the same. Above ISO 400, the 1Ds III more frequently begins taking a very slight lead (less noise) and this lead increases to slight at ISO 3200.
Photo Business Forum (Comparison to Nikon D3)
For large commercial jobs, where I am thinking I want a higher native resolution, it’ll be the Canon I reach for. For low light situations, which are all too common, it will, without a doubt, be Nikon. In fact, with the noise issue out of the way, and most client deliverables needing to be down-rezzed anyway, I can see that the Nikon not only would be a better solution to speeding up my post-production process, but moreover, storing the RAW/DNG files will save me significant hard-drive space in my archives over the larger Canon files.
After shooting with the camera with a few days under numerous conditions I can confidently say the Canon 1Ds Mark III is easily the most versatile full frame digital SLR currently available. Currently the only thing similar on the market is the camera it’s replacing. The 1Ds Mark II. In terms of pure image resolution the only cameras that come close are digital medium format bodies and backs. I’ve used a range of PhaseOne backs now and I know they can squeeze out more detail. That said you lose a lot of flexibility for that gain in resolution and in price point.
Northlight Images first impressions
Does the 1Ds3 obsolete lenses? Well, I tried the garage doors photo with my 24-70 2.8L and it shows up a slight lack of edge detail and softness that I just didn’t notice much with the 1Ds. That’s bad then? Well it depends – were the shots I took with the 24-70 sharp enough for the work I was using it for? – easily. So, will I carry on using it? yes, it’s a very useful lens for travelling round with. Will I be looking for Canon to bring out an even better 24-70 2.8L IS? most definitely :-)
Luminuous Lanscape first impressions
As for overall image quality, I’ve only done about 400 frames so far shooting fall colour in Algonquin Park. I’ve made about a half dozen 20X30″ prints on the new Epson 11880 printer, and the results are generally excellent.
Auto white balance is as good as I’ve ever seen. Tonal renditions are excellent, and it appears that the 14 bit processing capability is of definite value, especially when working on files which require some extensive manipulation.
Catch some video footage of the Canon 1Ds Mark III via YouTube.
The Canon 1Ds Mark III white paper (.pdf).
The official Canon 1Ds Mark III page with specs, features and sample images taken by the new flagship.
The official Canon Press Release for the 1Ds Mark III.
First off, consider going to your local camera store (and I don’t necessarily mean Wolf Camera at the mall). By going to your local camera store, you’re supporting your community and you just might build a lasting relationship with people you can rely on when you need some help or answers. If you’re buying online, I recommend sticking with Amazon, B&H Photo or Adorama. These three vendors are reliable, trustworthy and generally have the best (legitimate) prices. Additionally, purchasing your camera through these links helps support this site.
[tags]canon, eos, 1ds mark iii, 1ds, mk, mark, iii, reviews, photos[/tags]
Keep tabs on the latest 40D info on this page.
[tags]canon, 40d, 1ds, mark iii, mk iii, video, review, hands-on[/tags]
Developed in response to consumer demand for a high-quality yet affordable optically image stabilized lens, the Canon EF-S 18-55mm f/3.5-5.6 IS standard zoom lens adds a phenomenally flexible lens to the EOS 40D SLR shooter’s imaging arsenal. While it features the wide-angle to mid-range zoom flexibility of its non-IS predecessor, this new EF-S 18-55mm f/3.5-5.6 IS lens offers the significant advantage of a true lens-shift image stabilization system that yields up to a full four stops of image-shake correction.
The higher performance provided by Canon’s lens shift IS system (compared with the in-camera sensor shift type offered in some competitive SLRs) includes the ability to optimize the lens performance for specific shooting situations such as low-light, long-zoom or movement while shooting (or virtually any combination of the three). What’s more, the shooter can see the image stabilization effect in the viewfinder. As the image already appears steady, more accurate framing and composition is possible, the AF point can be placed more precisely, and the photographer can concentrate on the optimal shot more comfortably.
Compact and lightweight, the optional EF-S 18-55mm f/3.5-5.6 IS zoom lens is manufactured by Canon specifically for the EOS 40D SLR and any other EOS SLR that takes EF-S lenses including the EOS 30D, EOS 20D, EOS 20Da, EOS Digital Rebel XTi, EOS Digital Rebel XT and the original EOS Digital Rebel camera. An ideal complement to the EOS 40D SLR, the EF-S 18-55mm f/3.5-5.6 IS lens is scheduled to be in stores in October at an estimated selling price of $199.99.i
EF-S 55-250mm f/4-5.6 IS
Compact and lightweight, the EF-S 55-250mm f/4-5.6 IS offers the longest zoom range in the EF-S series to date. The 88-400mm equivalent focal length opens up new framing possibilities for owners of EF-S mount cameras shooting wildlife, sports and travel photography. Optical quality is assured through a UD element, which minimises chromatic aberrations that could otherwise cause reduced contrast and colour fringing.
4-stop Image Stabilizer
Canon’s latest optical Image Stabilizer (IS) technology provides up to 4-stop compensation for image blur caused by camera shake and slow shutter speeds. Photographers normally shooting handheld at 1/250 sec can switch on IS to obtain a similarly steady and blur-free result with a shutter speed of just 1/15 second. The inclusion of automatic panning detection makes it easier for photographers to track wildlife and other moving subjects. To ensure consistently accurate results at all zoom positions, the IS system within each lens has been optimised for that lens’ specific focal length range. Since the IS system is based within the lens, the results are visible through the viewfinder when framing the image.
Appealing background blur
Both lenses also incorporate a circular aperture. This helps create an even background blur when depth of field is minimised, giving photographers more creative options for portraiture and similar types of photography.
Super Spectra coatings
Both models employ Canon’s patented Super Spectra coatings to suppress flare and ghosting – more prone to occur with digital cameras due to reflection off the image sensor. By increasing light absorption, coatings reduce reflections off lens element surfaces to deliver crisp, undistorted images with natural colour balance.
E-TTL II flash integration
The lenses transmit distance information to the E-TTL II flash system of all current model digital EOS cameras, improving flash exposure metering when used in conjunction with Canon’s range of EX Speedlite flash units.
[tags]Canon, EF-S, 18-55, 55-250, mm, is, lens, f/3.5-5.6, price, review[/tags]
Below you’ll find Canon’s press release from today. You can also pre-order the Canon 40D from Amazon.com with an availability date of September 20.
The Wait is Over: CANON U.S.A.’S HIGHLY ANTICIPATED EOS 40D DIGITAL SLR DELIVERS HIGH-RESOLUTION IMAGE QUALITY, HIGH-SPEED SHOOTING AND HIGH-END FUNCTIONALITY
Fastest in Class 6.5 FPS Shooting Speed, New Autofocus Sensor and Newly Enhanced 10.1 Megapixel CMOS Imaging Sensor Combine to Boost the EOS 40D’s Appeal While Maintaining its Accessible Mid-Market Pricing
LAKE SUCCESS, N.Y., August 20, 2007 – Following months of intense anticipation by Digital SLR enthusiasts worldwide, the EOS 40D DIGITAL SLR Camera from Canon U.S.A., Inc. is scheduled to begin sailing into stores in early September. Building on the success of Canon’s perennially popular “prosumer” EOS 20D and 30D models, the EOS 40D advances the state-of-the-art for mid-range Digital SLR cameras, making it a natural first choice for advanced amateur photographers and entry-level professionals, and an ideal second body for more established photo pros. Indeed, given the level of feature upgrades and improvements, technological wizardry and user-requested creative controls, the Canon EOS 40D SLR’s “prosumer” appellation may refer more to its accessible price point than to the exceptional quality, clarity and resolution of the images it creates. [Read more…]
CANON U.S.A.’S NEW FEATURE-RICH POWERSHOT A-SERIES DIGITAL CAMERAS HELP USERS UNLEASH THE PHOTOGRAPHER WITHIN, WHILE ALSO APPEALING TO SAVVY SHOPPERS
LAKE SUCCESS, N.Y., August 20, 2007 – Canon U.S.A., Inc. today announced two new PowerShot A-Series digital cameras, including one with the highest resolution in the series to-date – the show-stopping 12.1-megapixel PowerShot A650 IS digital camera – and the powerful 8.0-megapixel PowerShot A720 IS digital camera. These new cameras continue the promise of the PowerShot A-Series by delivering superior image quality at a great price.
WHO’S ZOOMING WHO – CANON U.S.A. ANNOUNCES NEW ULTRA-ZOOM LINE IN ITS EVER-POPULAR POWERSHOT FAMILY OF COMPACT DIGITAL CAMERAS
PowerShot SX100 IS Offers All the Zooming Power Consumers Could Ever Want
LAKE SUCCESS, N.Y., August 20, 2007 – Canon U.S.A., Inc. today introduced a brand new PowerShot line – the SX series – and the first camera in that line-up, the ultra-zoom PowerShot SX100 IS digital camera. The PowerShot SX100 IS digital camera features a 10x optical zoom, an Optical Image Stabilizer (OIS) and an extended grip, making this light and small shooter capable of capturing magnificent images clearly, even at long range. [Read more…]
