Finally, the Nikon D300 has been announced. This page will be ground zero for all the latest details on the Nikon D300 (e.g., reviews, sample images, availability, and more). For now, check out the preview below along with the official links from Nikon. Additionally, you can view the official press release here.

The Nikon D300 is available on Amazon.com, as well as other vendors mentioned later in this post. There are 3 different options available:

• D300 Body Only
• D300 w/ 18-135mm Lens
• D300 w/ 18-200mm Lens

News

2/14/08: Nikon has released a firmware update for the D300. The new Version 1.02 adresses “[a]n issue that, in rare cases, caused vertical bands (lines) to appear in images captured at shutter speeds slower than 8s has been resolved.” You can download the firmware update via the following pages:

D300 Firmware update 1.02 – Windows

D300 Firmware update 1.02 – Macintosh

Reviews

Beyond Megapixels

This is an excellent camera. It was easy enough to pick up and go with, it was sturdy and worked with my existing lens collection so that’s a huge plus, I loved how the photo information and the amount of photo information provided with graphs.

Photoxels

You get superb handling, exceptional performance, a large, bright and clear optical viewfinder, a body sealed against dust and mositure, and excellent image quality with low noise and preserved detail up to ISO 800. Noise that is present at higher ISOs is Luminance noise and gives pictures a film-like grain appearance.

Steve’s Digicams

Nikon’s new D300 further raises the bar in the enthusiasts dSLR category. Offering a wealth of features, plenty of customization options, 12.3 megapixels of resolution, upgraded 51-point Autofocus System, a fast frame rate (when using a recommend 266x CF card) and excellent image quality, this model represents Nikon’s best effort so far in this market niche.

Digital Camera Info

The autofocus system is straight off the pro Nikon D3 and is amazing. It has 51 points and is the fastest we’ve seen. The Nikon D300 is well suited for sports shooting with its 6 to 8 fps Burst mode (depending on whether the battery grip is attached), and quick predictive autofocus tracking.

Let’s Go Digital

The new Nikon D300 is a beautiful work-horse and meets the requirements of the professional photographer. It is an ideal camera for those who find the D3 too big or just too expensive, but don’t want to make concessions regarding the quality. It is a superb DSLR camera and it won’t surprise me if people will start swapping brands and find their way to Nikon.

DP Review

There’s simply no better semi-professional digital SLR on the market.

Thom Hogan

Here’s a surprise (at least it was to me): the D300 has more dynamic range than the D200 and D2xs. Measurably more. Whereas most of the previous Nikon DSLRs all were in the 7 to 7.5 stop range of usable dynamic range, I’ll put the D300 squarely in the 8 stop usable range, perhaps even a bit more than that, especially if you’re shooting NEF (Imatest reports a full stop difference between a raw file converted in Lightroom and an in-camera JPEG, all else equal).

Shutterbug

This is a camera that you can program to deliver just the color (and contrast, etc.) you want for every subject and scene. Like most cameras you can choose some presets that reflect the opinion of the maker as to what constitutes Vivid, Standard, etc. And like other cameras you can insert your take on things by going into the Menu and creating nuances of sharpness, saturation, brightness, contrast, and even hue variations for the presets. But the D300 takes it all a bit further.

Trusted Reviews

It has class-leading build quality and ergonomic design, a mind-boggling array of features and options, blistering performance and superb image quality. In terms of what it has to offer the D300 is unquestionably one of the four or five best cameras currently on the market.

Pocket-Lint

Noise, even at higher ISO is pretty much non-existent up to ISO 2000, beyond here noise is in there but it’s very subtle and even at the boosted ISO 4000 and 6400 settings it’s very clean indeed, in fact the best noise (or lack of noise) performance I’ve seen in a DSLR. Quite simply it is superb.

Photo.net

The D300 is a strong successor to the D200. The D300 maintains all of the D200’s advantages as an excellent general-purpose, prosumer DSLR and improves on several key areas. For about $3000 less, the D300 offers Nikon’s current best AF module, which is also featured in their top professional model, the D3. With the Multi-CAM 3500 and the ability to capture 8 fps, the D300 also replaces the D2H and D2X as Nikon’s top DX-sensor DSLR suitable for action and sports photography.

Cnet

Visibly better photo quality and slightly improved performance make the Nikon D300 a significant upgrade over the D200 and an excellent all-around choice.

Imaging Resource

My favorite part about taking pictures with the Nikon D300 is knowing that with just a quick check of the settings and careful attention to composition, I’m going to get a great shot. If you’ve done your homework, this fine camera will deliver just what you’re looking for, and can prove it to you with its fine LCD screen right there on the spot. It’ll even surprise you with more than you thought possible.

Popular Photography

A major factor in the D300’s stellar image quality is the new Sony-made 12.3MP (effective) CMOS sensor that captures RAW data with up to 14 bits of color per red, green, and blue channels. Most other DSLRs in this class only provide 12 bits per channel. This gives the D300 an advantage in reproducing fine color gradations, shadow details, and wider dynamic range. But it also increases the file size of images recorded in the 14-bit mode (selectable over normal 12-bit RAW).

PhotographyBLOG

But overall, unless you are a professional photographer needing massive file sizes or even swifter image capture, the Nikon D300 could well be all the DSLR you’ll ever need.

PopPhoto Camera of the Year

If this is all beginning to sound like a pro-level camera, you’re right. Except the $1,800 body-only street price doesn’t support that assumption. Under-$2K is still advanced-amateur territory. By any bang-for-the-buck standard, this is one heck of a deal.

Luminous Landscape (Combined Essay on D3 and D300)

We now have a bit of a sea change happening. Nikon has flexed its considerable muscle and with the D3 produced a camera that sends a clear challenge to Canon’s nearly decade-long dominance of the digital arena. The D300, though in many ways simply a logical progression from the D200, is a much better camera than its predecessor, and along with its superior sensor offers the pro and advanced amateur a set of features and functionality that is unmatched at the moment in Canon’s line up.

Photography BLOG (Antarctica Field Test)

It is -20°C and the Nikon D300 is totally oblivious to the forces of nature. The camera also withstands the damp caused by the snow flurries without problem. Even though I have brought along several batteries, one battery is enough for an entire day’s photography in the cold. Incredible! The autofocus does its job more than satisfactorily; penguins might not walk very fast but even with the limitations caused by the contrast in the landscape the camera tracks its subject unerringly. Also, the flying albatrosses and Cape Doves are followed perfectly in the viewfinder.

Popular Photography

A major factor in the D300’s stellar image quality is the new Sony-made 12.3MP (effective) CMOS sensor that captures RAW data with up to 14 bits of color per red, green, and blue channels. Most other DSLRs in this class only provide 12 bits per channel. This gives the D300 an advantage in reproducing fine color gradations, shadow details, and wider dynamic range. But it also increases the file size of images recorded in the 14-bit mode (selectable over normal 12-bit RAW).

Camera Labs

So it’s a case of weighing up the D300’s features against its higher price. The D300 is undoubtedly a great camera to use, but are its features worth 40-50% more than the Canon EOS 40D or Sony A700? Only you can decide, but don’t go for the D300 over these models expecting significantly better image quality. The extra cash is buying you superior build, handling and features.

Andreas Manessinger (Multi-part User Report)

To my eyes, the look of the D300 images is very natural, and “Active D-Lighting” is probably the biggest contributing factor. The human eye has a much larger contrast range than any camera’s sensor, and shots made in bright sunlight frequently suffer. Mind, this is no magic, but it works reasonably well, can be switched off after the fact if need be, and it gives me images that simply look “right” to me.

DPReview.com has a hands-on preview of the D300. They’ve got some very interesting videos of the live view function in action:

Nikon’s live view implementation on the D300 is one of the most usable and comprehensive to date, the high resolution screen and addition of contrast detect auto focus, in addition to the now typical mirror down / mirror up passive auto focus system, mean that are more situations where live view becomes useful.

Some sample images at ISO 6400.

Check out a slideshow of the press release photos here.

Thom Hogan has some rather thorough First Impressions of the Nikon D3 and D300. He also has a great FAQ on the D300 and D3 to some of the questions that have been floating around the forums.

Gizmodo has an initial hands on impression of the Nikon D3 and D300 with a ton of images of the new cameras.

I did have a bit of trouble navigating the D3’s controls despite the emphatically touted Italian design and had to ask for some help, but I wasn’t overly familiar with its predecessor, which could be why I had some trouble. The D300 has a simpler layout, so I had an easier time.

Official Nikon Pages

Check out the Nikon D300 “Special Site” from Nikon Global.

The Nikon D300 product page via Nikon Global.

Here is the Official Nikon D300 brochure/spec sheet (.PDF).

D300 sample images from Nikon.

Where to Buy

If you’re buying online, I recommend sticking with Amazon, B&H Photo or Adorama. These three vendors are reliable, trustworthy and generally have the best (legitimate) prices.

Preview of Major Features

New DX-format CMOS image sensor with 12.3 effective megapixels

The D300 features a new 12.3 effective megapixel DX-format CMOS image sensor. It not only produces fine details with sharp resolution, but also provides a broad light sensitivity range of ISO 200 to ISO 3200, (plus LO 1 for IS0 100 equivalent and HI 1 for IS0 6400 equivalent settings; Auto ISO control is also available). The CMOS sensor’s integrated A/D converter features the ability to select between 12-bit and 14-bit conversion, making it possible to shoot using high-quality 14-bit NEF (RAW) format. All internal processing is handled in full 16-bit color, color, benefiting from a fine balance between performance with outstanding speed that defies this level of precision and natural-looking images that benefit from faithful color and tone reproduction. Lateral chromatic aberration is also reduced.

EXPEED – Nikon’s image processing concept embodied

As Nikon’s new digital image-processing concept – featuring the core ideas of our image creation and processing – EXPEED incorporates the optimized knowhow and technologies we have accumulated throughout our long history while receiving users’ requirements. It realizes diversified functions to ensure high picture quality and high-speed image processing.

* For details, see “Nikon’s original digital image-processing concept EXPEED” on our News Release in Aug. 2007.

High-speed continuous shooting

The D300 is capable of shooting at a rapid 6 fps*1, and as fast as 8 fps*2 when using the Multi-Power Battery Pack MB-D10, in continuous bursts of up to 100 shots*3 at full 12.3 megapixel resolution. The Nikon D300 is also the first digital SLR to support next-generation high-speed card UDMA, which enables high speed recording.

*1 When using one EN-EL3e battery installed in the camera

*2 When using batteries other than Rechargeable Li-ion Battery EN-EL3e

*3 NORMAL – LARGE image setting, using a SanDisk Extreme IV CompactFlash 1GB card

Immediate response

Near-instant power-up within 0.13 seconds, a shutter release time lag of a mere 0.045 seconds*, and viewfinder blackout time of approximately 0.1 seconds contribute to optimized all-around performance that lets photographers respond to any sudden shutter opportunities.

* When shooting in JPEG, TIFF, or 12-bit NEF (RAW) formats

Scene Recognition System

By improving the 1,005-pixel RGB sensor, which was first incorporated in the Nikon F5, information from the sensor can be utilized for auto exposure, auto white balance and autofocus. For example, 3D tracking in AF realized by using the Scene Recognition System tracks subject position, and automatically shifts AF points to be used according to the subject’s movement within the frame. This system also contributes to improved accuracy of auto exposure and auto white balance.

AF system employing high-density 51-point AF

Multi-CAM 3500DX autofocus sensor module featuring 51 AF points is incorporated. 15 cross-type sensors located in the center provide subject detection capability with lens apertures as small as f/5.6. 51 AF points can be utilized in various focus area modes selected according to subject condition. In many aspects, the functions of AF points are linked with the Scene Recognition System to offer superior subject detection and focus tracking performance. A single AF point can be selected from 51 or 11 focus points. Dynamic AF mode enables appropriate focusing by detecting subjects with a zone containing many AF points located densely. In this mode, the number of AF areas, including user selected AF points and backup points, can be selected from either 9, 21 or 51. In addition, newly employed “3D tracking” mode shifts the focus point automatically to respond to the subject’s movements. Auto-area AF mode gives greater priority to the subject’s position in selecting AF points.

Picture Control System

Picture Control System is a new function to enable selection and adjustment to create pictures easily according to skills of users from novices to professionals. When settings are the same, even with different cameras, you can get the same picture tone. Picture Control System offers four fundamental setting options – Standard, Neutral, Vivid and Monochrome – enabling image parameters (sharpening, tone compensation, brightness, tone and saturation) to be easily adjusted and customized.

Two Liveview modes available

Liveview function enables shooting while confirming subjects in the LCD monitor.

In Handheld mode, which allows recomposing of the frame prior to actual shooting, ordinary TTL phase-difference AF using all 51 AF points including 15 cross-type points is activated.

Tripod mode is designed for precise focus accuracy with still subjects and tripod stabilization. In this mode, focal-plane contrast AF on a desired point within a specific area is possible. Remote view, focusing and shooting are also made possible on a PC (wired or wirelessly).

Large, bright viewfinder that achieves 100% frame coverage

TThe D300’s new eye-level pentaprism viewfinder aids composition and adds assurance to focus operations by providing full 100% frame coverage and large 0.94x magnification, as well as an eyepoint of 19.5 mm (at -1.0 m-1) and built-in diopter adjustment range of -2 to +1 m-1.

Durability that will go the distance

Testing to 150,000 cycles stands as firm testament to the durability of the new shutter unit for the D300. Its magnesium alloy chassis combines light weight with solid durability, while the body features an enhanced sealing system that helps protect against moisture and dust.

Active D-Lighting

D-Lighting incorporated in the conventional digital SLRs enables editing after the image is taken. In addition to the D-Lighting, newly developed Active D-Lighting is employed in the Nikon D300.

Active D-Lighting lets users choose the intensity from among “High”, “Normal”, “Low” or “Unchanged” prior to shooting. The conventional method of simply expanding dynamic range is not employed in compensation. Instead, localized tone control technology is utilized to prevent images from looking flat with low contrast. As a result, “lost highlights” and “lost shadows” are well compensated while maintaining proper contrast.

Self-cleaning Sensor Unit for efficient dust reduction

The D300 is the first Nikon D-SLR camera to employ a Self-cleaning Sensor Unit. Four different resonance frequencies vibrate the optical low pass filter in front of the image sensor to shake particles free and reduce the presence of dust.

Exclusive Wireless Transmitter WT-4 (optional)

The WT-4 supports wired LAN (10BASE-T, 100BASE-TX) and wireless LAN (IEEE 802.11b/g, 11a), and incorporates thumbnail mode as a new function.

It realizes wireless connection of cameras with a PC, enabling thumbnail display of images taken with up to five of them and downloading of images selected. Also, by using Camera Control Pro 2 (optional), wireless remote view/control shooting is made possible with the D300’s Liveview function.

Multi-Power Battery Pack MB-D10 (optional)

The optional new Multi-Power Battery Pack MB-D10 supports 3 types of batteries and features sequential power supply with auto-switching to the battery installed inside the camera body. When attached, it also enables high-speed continuous shooting at a rate of 8 fps*1 for up to 100 consecutive shots*2.

*1 When using batteries other than the Rechargeable Li-ion Battery EN-EL3e

*2 NORMAL – LARGE image setting, using a SanDisk Extreme IV CompactFlash 1GB card

Other Features

• The large top control panel (46 x 20.8 mm) features an improved interface with lettering that can be switched to best match shooting conditions
• HDMI Output supports HDTV display
• Supports GPS devices via optional GPS Adapter Cord MC-35
• Retouch Menu provides handy access to Filter Effects, Trimming, Red-eye correction, Image overlay and other in-camera editing functions
• Software Suite CD-ROM included

Finally, the Nikon D3 has been announced. This page will be ground zero for all the latest details on the Nikon D3 (e.g., reviews, sample images, availability, and more). For now, check out the preview below along with the official links from Nikon. Additionally, you can view the official press release here and check out all the press release images of the Nikon D3 in this slideshow.

You can order the Nikon D3 from Amazon and keep track of the Nikon D3’s availability on this page.

Reviews

Neocamera

The first impression from the D3 comes from its size and weight. At around 1.5kg (3 lbs) with battery, this is one of the heaviest DSLR. Its integrated vertical grip and large pentaprism make this camera one of the biggest. It feels built-like-a-tank.

Photo.net (by Shun Cheung)

For those who would like a DSLR optimized for sports, news, and wedding photography, the D3 is probably the top choice. Since the D3 can handle ISO 3200 easily and provides very acceptable 6400 results, it changes the approach to indoor and low-light photography.

Digital Camera Review

Unparalleled ISO performance, a 9 fps full resolution shooting rate, exceptional color and image quality, a superb monitor, robust construction, outstanding build quality and a full frame sensor offering wide angle and depth of field lens performance like a 35mm film camera are some of the attributes that makes Nikon’s latest pro model a must-have for serious Nikon shooters.

PhotographyBLOG

The Nikon D3 has got to be the top choice for anyone wanting high quality, rapid-fire image capture, or extremely low light photography without flash, who is not otherwise wedded to the Canon system. Press – sports and news – photographers are the ones who are going to get the most out of its capabilities, which stretch beyond those needed by the average photo hobbyist, and these professionals are also the ones most likely to be able to stomach that price tag without complaint.

Richard Costin

One thing that became very clear when first looking at a D3 RAW file is just how much you can push them exposure wise. The latitude available is astounding and I actually have to try to blow highlights in most situations when shooting raw.

Popular Photography

Even at ISO 200, the added light-gathering capability of the larger pixels on the D3’s full-frame sensor beats the D300. Shooting RAW takes advantage of its lower noise and 14-bits-per-color capture. And it gives you much more flexibility, especially when using the supplied Capture NX 1.3 software to convert NEF RAW to 16-bit TIFF files.

Luminous Landscape (Combined Essay on D3 and D300)

We now have a bit of a sea change happening. Nikon has flexed its considerable muscle and with the D3 produced a camera that sends a clear challenge to Canon’s nearly decade-long dominance of the digital arena. The D300, though in many ways simply a logical progression from the D200, is a much better camera than its predecessor, and along with its superior sensor offers the pro and advanced amateur a set of features and functionality that is unmatched at the moment in Canon’s line up.

Photo Business Forum (Comparison to Canon 1Ds Mark III)

For large commercial jobs, where I am thinking I want a higher native resolution, it’ll be the Canon I reach for. For low light situations, which are all too common, it will, without a doubt, be Nikon. In fact, with the noise issue out of the way, and most client deliverables needing to be down-rezzed anyway, I can see that the Nikon not only would be a better solution to speeding up my post-production process, but moreover, storing the RAW/DNG files will save me significant hard-drive space in my archives over the larger Canon files.

Ken Rockwell

Call me a sucker for beauty, as all photographers should be, but I think half of why I want a D3 isn’t logic or the photos I could make with it, but simply because it is so beautiful. It makes me want to have and to hold it.

Bjorn Rorslett

My conclusion is that you will get image quality from D3 to satisfy even the critical needs, for almost any application to which the 35 mm systems can be used.

Luminous Landscape’s first impressions

I NEVER shoot on auto exposure. In fact I don’t think I have even used autoexposure on the Contax or Canons more than once, but since Nikon handed me this camera set on Auto I just thought I would see what happens, and it was dead on perfect, almost to the point I couldn’t trick it unless I was in extreme 5 stop backlight. Set to Matrix metering it just completely surprised me how accurate it was. From time to time I would moved the little +/- dial from .3 to .7 but usually the meter was dead on, even in mixed lighting.

Cliff Mautner’s first impressions

My first impressions, as expected, were mind blowing. To be brief, I’m stunned at how responsive this camera is and I didn’t believe there was much room for improvement to the way the D2xs handled. I was clearly wrong. The Focus, feel of the shutter, focus point selection, enormous LCD, auto white balance, dynamic range, color rendition, and a few other things have all been written about and touted, but nothing prepared me for the incredible quality of the files out of camera. In addition, the high ISO performance, which was also talked about, is nothing short of revolutionary.

This camera literally changes the rules of photography and will simply allow me to capture things like never before.

Scott Kelby’s first impressions:

Q. Is the D3 really usable at very high ISO (6400 and more), as promised in the advertisements?
A. I didn’t actually try it at higher than 6400 ISO, but the test shots I took at 6400 ISO were absolutely usable. In fact, they were shockingly usable, and I think you’ll see working pros shooting at 6400 ISO with the D3. When you zoom in, you can definitely see noise, so it’s by no means “noise free,” but the amount of noise at 6400 ISO was dramatically less that I would have expected. In reality, I don’t know how often any of us will be shooting at 6400 ISO (but it’s nice to know that in a pinch; you can), but I can say with certainly that on the D3 I would shoot at 1200 ISO without hesitation.

DPReview has posted their hands-on preview of the Nikon D3:

Important headline improvements include high sensitivity support by default, up to ISO 6400 with 25600 available as a boost option, 14-bit A/D conversion, a new standard image processor, a new shutter, new auto focus sensor, focus tracking by color, nine frames per second continuous, dual compact flash support, DX lens support (albeit at lower resolution) and a 3.0? 922,000 pixel LCD monitor (which it has to be said is lovely).

Moose Peterson has some hands-on time with the Nikon D3 along with some brilliant sample images:

What is amazing to me is the color retention of the new color engine and what you can’t see here, the beautifully crisp, sharp files the D3 produces. The files truly are a work of art. The new LCD while not the best at color & exposure rendition, it does show sharpness better than any other LCD I’ve used.

Here’s a 10 minute interview with Lindsay Silverman, Nikon’s Senior Technical Manager, about the new Nikon D3.

Check out some sample images from the Nikon D3 at ISO 3200.

Thom Hogan has some rather thorough First Impressions of the Nikon D3 and D300. He also has a great FAQ on the D3 and D300 to some of the questions that have been floating around the forums.

Check out Rob Galbraith’s initial impressions of the Nikon D3:

AF:

“We can say that in limited testing of a prototype body, the D3’s ability to hold and repeat focus on static subjects is impressive, but whether the Multi-CAM 3500 will be what helps Nikon replace a few white lenses on the sidelines is an open question”

High ISO:

“based on a look at ISO 1600 – ISO 25,600 frames produced by prototype D3 bodies, including a handful we shot ourselves, the camera looks like it will produce low light photos that are both massively cleaner and more usable than the D2Xs and in the same ballpark as Canon’s EOS-1D Mark III (which is the D3’s primary competition)……We’ll need to shoot with a production D3 under real-world conditions to find out whether it approaches, meets or exceeds the EOS-1D Mark III in high ISO image quality. But based on what we’ve seen so far, it’s safe to say that the D3 will produce photos of dramatically better quality than the D2Xs at ISO 1600 and up.”

LCD:
“A 3-inch (diagonal), 170 degree viewing angle rear LCD that is so crisp and clear you’ll never want to use another rear LCD to review your pictures again. Its 920,000-dot resolution makes it possible to judge critical focus when zoomed in to nearly full magnification. In fact, it’s like looking at a screen without pixels; they’re so small as to be invisible when looking at photos at even abnormally close viewing distances”

Shiny Video has a hands on video preview of the Nikon D3.

Imaging Resource has a report from the Tokyo press announcement with initial impressions of the Nikon D3 and D300.

Gizmodo has an initial hands on impression of the Nikon D3 and D300 with a ton of images of the new cameras.

I did have a bit of trouble navigating the D3’s controls despite the emphatically touted Italian design and had to ask for some help, but I wasn’t overly familiar with its predecessor, which could be why I had some trouble. The D300 has a simpler layout, so I had an easier time.

Official Nikon Pages

Nikon D3 “Special Site” from Nikon Global.

Nikon D3 Instruction Manual (.PDF).

Nikon D3 Digitutor Videos and more.

The Nikon D3 product page from Nikon Global.

Here is the Official Nikon D3 brochure/spec sheet (.PDF).

Nikon D3 Accessories

Nikon WT-4A Wireless Transmitter

Nikon Type E Focusing Screen w/ Gridlines

Nikon Type B BriteView Clear Matte VI Focusing Screen

Nikon SB-800 Speedlight

Nikon SB-600 Speedlight

Nikon D3 Magic Lantern Guide

Nikon D3 PhotoBert Cheat Sheet

Where to Buy

First off, consider going to your local camera store (and I don’t necessarily mean Wolf Camera at the mall). By going to your local camera store, you’re supporting your community and you just might build a lasting relationship with people you can rely on when you need some help or answers. If you’re buying online, I recommend sticking with Amazon, B&H Photo or Adorama. These three vendors are reliable, trustworthy and generally have the best (legitimate) prices. Additionally, purchasing your camera through these links helps support this site.

Preview

Major Features

New large image sensor developed by Nikon; 12.1 effective megapixels

The D3 employs an FX-format CMOS image sensor with a sensor area of 36.0 (H) x 23.9 (V) mm. It offers superior picture quality throughout a wide sensitivity range with such advantages as a large pixel size to ensure high S/N ratio and wide dynamic range, adoption of an element structure that improves light-utilization efficiency. In addition, high-speed 12-channel readout enables fast continuous shooting for 12.1-megapixel images at approximately 9 frames per second, as well as high-speed performance to ensure shooting in Liveview modes.

Wide sensitivity range

Sensitivity range is extremely wide, from ISO 200 to 6400 at normal setting. High picture quality without noise is realized not only at low sensitivity setting, but also at high settings such as ISO 6,400. Even in dark conditions in which satisfactory results were almost impossible to obtain before, high-quality pictures can be taken. Furthermore, sensitivity can be increased to HI 0.3, HI 0.5, HI 0.7, HI 1 (ISO 12,800 equivalent), HI 2 (ISO 25,600 equivalent), and decreased to Lo 1 (ISO 100 equivalent), Lo 0.7, Lo 0.5 and Lo 0.3. All these settings expand the shooting possibilities.

High-speed performance

Shutter release time lag is only 37 ms*, equivalent to the Nikon D2XS, which is generally regarded as a mechanical limit. Continuous shooting speed is approximately 9 frames per second with FX format (36 x 24) or 5:4 (30 x 24), approximately 11 frames per second with DX format (24 x 16). The Nikon D3 is also the first digital SLR compliant with next-generation high-speed card UDMA, that enables 35-Mbyte recording speed, approximately 4 times as fast as the Nikon D2XS. Approximately 6-megapixel JPEG-Large-Fine image data taken with the FX format can be recorded at a speed higher than 5 frames per second. Startup time is approximately 0.12 second, shorter than the D2XS by 0.08 second.

* 41 ms if based on the new CIPA guideline to be established around August 4, 2007.

EXPEED — Nikon’s image processing concept embodied

As Nikon’s new digital image-processing concept — featuring the core ideas of our image creation and processing — EXPEED incorporates the optimized knowhow and technologies we have accumulated throughout our long history while receiving users’ requirements. It realizes diversified functions to ensure high picture quality and high-speed image processing.

Picture Control System

Picture Control System is a new function to enable selection and adjustment to create pictures easily according to skills of users from novices to professionals. When settings are the same, even with different cameras, you can get the same picture tone. Picture Control System offers four fundamental setting options — Standard, Neutral, Vivid and Monochrome — enabling image parameters (sharpening, tone compensation, brightness, tone and saturation) to be easily adjusted and customized.

AF system employing high-density 51-point AF

Multi-CAM 3500FX autofocus sensor module featuring 51 AF points is incorporated. 15 cross-type sensors located in the center provide subject detection capability with lens apertures as small as f/5.6. 51 AF points can be utilized in various focus area modes selected according to subject condition. In many aspects, the functions of AF points are linked with the Scene Recognition System to offer superior subject detection and focus tracking performance. A single AF point can be selected from 51 or 11 focus points. Dynamic AF mode enables appropriate focusing by detecting subjects with a zone containing many AF points located densely. In this mode, the number of AF areas, including user selected AF points and backup points, can be selected from either 9, 21 or 51. In addition, newly employed “3D tracking” mode shifts the focus point automatically to respond to the subject’s movements. Auto-area AF mode gives greater priority to the subject’s position in selecting AF points.

Scene Recognition System

By improving the 1,005-pixel RGB sensor, which was first incorporated in the Nikon F5, information from the sensor can be utilized for auto exposure, auto white balance and autofocus. For example, 3D tracking in AF realized by using the Scene Recognition System tracks subject position, and automatically shifts AF points to be used according to the subject’s movement within the frame. This system also contributes to improved accuracy of auto exposure and auto white balance.

Three image areas available

With the Nikon D3, users can select one of the three image areas — FX format (36 x 24), DX format (24 x 16) or 5:4 (30 x 24).

When a DX NIKKOR lens is attached, DX format is automatically selected. With DX format or 5:4 format, an area not covered by the sensor is automatically masked in the viewfinder. High-definition, 3-inch VGA, TFT LCD monitor with wide-viewing angle Ultrahigh-definition [920,000-dot VGA (640 x 480)], 3-inch LCD monitor with tempered glass provides 170° viewing angle. Large monitor is quite effective when confirming focus with enlarged playback images. Wide-viewing angle enables easy recomposing of the frame in Handheld mode of Liveview.

Two Liveview modes available

Liveview function enables shooting while confirming subjects in the LCD monitor.

In Handheld mode, which allows recomposing of the frame prior to actual shooting, ordinary TTL phase-difference AF using all 51 AF points including 15 cross-type points is activated.

Tripod mode is designed for precise focus accuracy with still subjects and tripod stabilization. In this mode, focal-plane contrast AF on a desired point within a specific area is possible. Remote view, focusing and shooting are also made possible on a PC (wired or wirelessly).

Optical finder with 100% frame coverage and 0.7x magnification in FX format

SLR-type viewfinder featuring eye-level pentaprism with high refraction index provides 100% frame coverage and 0.7x magnification. Large and bright viewfinder image ensures comfortable focusing, which is one of the advantages of the FX format.

Eyepoint is 18 mm (at –0.1 m-1), and diopter can be adjusted within the range from –3 to +1 m-1.

Superior durability

Magnesium alloy is used for exterior cover, chassis and mirror box to ensure both lightweight and ruggedness. Also, strict sealing with O-rings at various connected parts effectively resists dust and moisture.

Shutter unit developed and manufactured by Nikon employs shutter blades made of new materials (hybrid of carbon fiber and Kelver). Excellent durability is guaranteed with 300,000-cycle release tests with the shutter actually loaded. Precision is also maintained with shutter monitor.

CF card double slot

Two CF cards can be set, realizing consecutive recording, simultaneous recording, RAW + JPEG separate recording, and copying of data between two cards. Because two cards of the same kind can be used, users do not have to prepare different kinds of storage media.

Exclusive Wireless Transmitter WT-4 (optional)

The WT-4 supports wired LAN (10BASE-T, 100BASE-TX) and wireless LAN (IEEE 802.11b/g, 11a), and incorporates thumbnail mode as a new function.

It realizes wireless connection of cameras with a PC, enabling thumbnail display of images taken with up to five of them and downloading of images selected. Also, by using Camera Control Pro 2 (optional), wireless remote view/control shooting is made possible with the D3’s Liveview function.

Active D-Lighting

D-Lighting incorporated in the conventional digital SLRs enables editing after the image is taken. In addition to the D-Lighting, newly developed Active D-Lighting is employed in the Nikon D3.

Active D-Lighting lets users choose the intensity from among “High”, “Normal”, “Low” or “Unchanged” prior to shooting. The conventional method of simply expanding dynamic range is not employed in compensation. Instead, localized tone control technology is utilized to prevent images from looking flat with low contrast. As a result, “lost highlights” and “lost shadows” are well compensated while maintaining proper contrast.

Fine adjustment function for AF

If there is a slight difference in focusing point among lenses, users can finely adjust it.

Two methods are available. In specific adjustment, a certain level of compensation set for each registered lens is applied when the lens of the same type is attached. In uniform adjustment, the same level of compensation is applied regardless of the lens used. Up to 20 lenses can be registered.

Improved Function button feature

Besides the exclusive Function button, this feature can be assigned to the Preview button and AE/AF Lock button, giving photographers optimum operability in a flexible way.

HDMI output (High-Definition TV) supported

The Nikon D3 is compliant with HDMI (High-Definition Multimedia Interface) Ver. 1.3a which enables transfer of world-standard video and audio signals. Standard Type A connector is employed.

Info display

Various shooting information such as shutter speed, aperture is displayed in the LCD monitor. Color of characters can be selected according to lighting condition — black for light locations, white for dark locations. Auto switch mode can also be set.

Digital level incorporated

By utilizing a sensor incorporated in the body, the inclination of the camera is detected and displayed in the top control panel and viewfinder.

Image-management software ViewNX/Nikon Transfer included in the Software Suite CD-ROM

ViewNX is a viewer application to offer quick display of images, while Nikon Transfer provides simple transfer of taken images to a PC.

Designed by Giugiaro

“Ergonomic” is a new design theme that will be a standard of Nikon’s new-generation digital SLRs. This is applied to every detail including inclination of command dial and top control panel as well as comfortable holding and handling, e.g. shape of a grip. To support photographers’ concentration, curves of the pentaprism top, grip and side panels are directed to the center of lens’ optical axis, and the red, triangular motif has been redesigned to project a sharper image.

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