Finally, the Nikon D3 has been announced. This page will be ground zero for all the latest details on the Nikon D3 (e.g., reviews, sample images, availability, and more). For now, check out the preview below along with the official links from Nikon. Additionally, you can view the official press release here and check out all the press release images of the Nikon D3 in this slideshow.
You can order the Nikon D3 from Amazon and keep track of the Nikon D3’s availability on this page.
Reviews
The first impression from the D3 comes from its size and weight. At around 1.5kg (3 lbs) with battery, this is one of the heaviest DSLR. Its integrated vertical grip and large pentaprism make this camera one of the biggest. It feels built-like-a-tank.
Photo.net (by Shun Cheung)
For those who would like a DSLR optimized for sports, news, and wedding photography, the D3 is probably the top choice. Since the D3 can handle ISO 3200 easily and provides very acceptable 6400 results, it changes the approach to indoor and low-light photography.
Unparalleled ISO performance, a 9 fps full resolution shooting rate, exceptional color and image quality, a superb monitor, robust construction, outstanding build quality and a full frame sensor offering wide angle and depth of field lens performance like a 35mm film camera are some of the attributes that makes Nikon’s latest pro model a must-have for serious Nikon shooters.
The Nikon D3 has got to be the top choice for anyone wanting high quality, rapid-fire image capture, or extremely low light photography without flash, who is not otherwise wedded to the Canon system. Press – sports and news – photographers are the ones who are going to get the most out of its capabilities, which stretch beyond those needed by the average photo hobbyist, and these professionals are also the ones most likely to be able to stomach that price tag without complaint.
One thing that became very clear when first looking at a D3 RAW file is just how much you can push them exposure wise. The latitude available is astounding and I actually have to try to blow highlights in most situations when shooting raw.
Even at ISO 200, the added light-gathering capability of the larger pixels on the D3’s full-frame sensor beats the D300. Shooting RAW takes advantage of its lower noise and 14-bits-per-color capture. And it gives you much more flexibility, especially when using the supplied Capture NX 1.3 software to convert NEF RAW to 16-bit TIFF files.
Luminous Landscape (Combined Essay on D3 and D300)
We now have a bit of a sea change happening. Nikon has flexed its considerable muscle and with the D3 produced a camera that sends a clear challenge to Canon’s nearly decade-long dominance of the digital arena. The D300, though in many ways simply a logical progression from the D200, is a much better camera than its predecessor, and along with its superior sensor offers the pro and advanced amateur a set of features and functionality that is unmatched at the moment in Canon’s line up.
Photo Business Forum (Comparison to Canon 1Ds Mark III)
For large commercial jobs, where I am thinking I want a higher native resolution, it’ll be the Canon I reach for. For low light situations, which are all too common, it will, without a doubt, be Nikon. In fact, with the noise issue out of the way, and most client deliverables needing to be down-rezzed anyway, I can see that the Nikon not only would be a better solution to speeding up my post-production process, but moreover, storing the RAW/DNG files will save me significant hard-drive space in my archives over the larger Canon files.
Call me a sucker for beauty, as all photographers should be, but I think half of why I want a D3 isn’t logic or the photos I could make with it, but simply because it is so beautiful. It makes me want to have and to hold it.
My conclusion is that you will get image quality from D3 to satisfy even the critical needs, for almost any application to which the 35 mm systems can be used.
Luminous Landscape’s first impressions
I NEVER shoot on auto exposure. In fact I don’t think I have even used autoexposure on the Contax or Canons more than once, but since Nikon handed me this camera set on Auto I just thought I would see what happens, and it was dead on perfect, almost to the point I couldn’t trick it unless I was in extreme 5 stop backlight. Set to Matrix metering it just completely surprised me how accurate it was. From time to time I would moved the little +/- dial from .3 to .7 but usually the meter was dead on, even in mixed lighting.
Cliff Mautner’s first impressions
My first impressions, as expected, were mind blowing. To be brief, I’m stunned at how responsive this camera is and I didn’t believe there was much room for improvement to the way the D2xs handled. I was clearly wrong. The Focus, feel of the shutter, focus point selection, enormous LCD, auto white balance, dynamic range, color rendition, and a few other things have all been written about and touted, but nothing prepared me for the incredible quality of the files out of camera. In addition, the high ISO performance, which was also talked about, is nothing short of revolutionary.
This camera literally changes the rules of photography and will simply allow me to capture things like never before.
Scott Kelby’s first impressions:
Q. Is the D3 really usable at very high ISO (6400 and more), as promised in the advertisements?
A. I didn’t actually try it at higher than 6400 ISO, but the test shots I took at 6400 ISO were absolutely usable. In fact, they were shockingly usable, and I think you’ll see working pros shooting at 6400 ISO with the D3. When you zoom in, you can definitely see noise, so it’s by no means “noise free,” but the amount of noise at 6400 ISO was dramatically less that I would have expected. In reality, I don’t know how often any of us will be shooting at 6400 ISO (but it’s nice to know that in a pinch; you can), but I can say with certainly that on the D3 I would shoot at 1200 ISO without hesitation.
DPReview has posted their hands-on preview of the Nikon D3:
Important headline improvements include high sensitivity support by default, up to ISO 6400 with 25600 available as a boost option, 14-bit A/D conversion, a new standard image processor, a new shutter, new auto focus sensor, focus tracking by color, nine frames per second continuous, dual compact flash support, DX lens support (albeit at lower resolution) and a 3.0? 922,000 pixel LCD monitor (which it has to be said is lovely).
Moose Peterson has some hands-on time with the Nikon D3 along with some brilliant sample images:
What is amazing to me is the color retention of the new color engine and what you can’t see here, the beautifully crisp, sharp files the D3 produces. The files truly are a work of art. The new LCD while not the best at color & exposure rendition, it does show sharpness better than any other LCD I’ve used.
Here’s a 10 minute interview with Lindsay Silverman, Nikon’s Senior Technical Manager, about the new Nikon D3.
Check out some sample images from the Nikon D3 at ISO 3200.
Thom Hogan has some rather thorough First Impressions of the Nikon D3 and D300. He also has a great FAQ on the D3 and D300 to some of the questions that have been floating around the forums.
Check out Rob Galbraith’s initial impressions of the Nikon D3:
AF:
“We can say that in limited testing of a prototype body, the D3’s ability to hold and repeat focus on static subjects is impressive, but whether the Multi-CAM 3500 will be what helps Nikon replace a few white lenses on the sidelines is an open question”
High ISO:
“based on a look at ISO 1600 – ISO 25,600 frames produced by prototype D3 bodies, including a handful we shot ourselves, the camera looks like it will produce low light photos that are both massively cleaner and more usable than the D2Xs and in the same ballpark as Canon’s EOS-1D Mark III (which is the D3’s primary competition)……We’ll need to shoot with a production D3 under real-world conditions to find out whether it approaches, meets or exceeds the EOS-1D Mark III in high ISO image quality. But based on what we’ve seen so far, it’s safe to say that the D3 will produce photos of dramatically better quality than the D2Xs at ISO 1600 and up.”
LCD:
“A 3-inch (diagonal), 170 degree viewing angle rear LCD that is so crisp and clear you’ll never want to use another rear LCD to review your pictures again. Its 920,000-dot resolution makes it possible to judge critical focus when zoomed in to nearly full magnification. In fact, it’s like looking at a screen without pixels; they’re so small as to be invisible when looking at photos at even abnormally close viewing distances”
Shiny Video has a hands on video preview of the Nikon D3.
Imaging Resource has a report from the Tokyo press announcement with initial impressions of the Nikon D3 and D300.
Gizmodo has an initial hands on impression of the Nikon D3 and D300 with a ton of images of the new cameras.
I did have a bit of trouble navigating the D3’s controls despite the emphatically touted Italian design and had to ask for some help, but I wasn’t overly familiar with its predecessor, which could be why I had some trouble. The D300 has a simpler layout, so I had an easier time.
Official Nikon Pages
Nikon D3 “Special Site” from Nikon Global.
Nikon D3 Instruction Manual (.PDF).
Nikon D3 Digitutor Videos and more.
The Nikon D3 product page from Nikon Global.
Here is the Official Nikon D3 brochure/spec sheet (.PDF).
Nikon D3 Accessories
Nikon WT-4A Wireless Transmitter
Nikon Type E Focusing Screen w/ Gridlines
Nikon Type B BriteView Clear Matte VI Focusing Screen
Nikon D3 PhotoBert Cheat Sheet
Where to Buy
First off, consider going to your local camera store (and I don’t necessarily mean Wolf Camera at the mall). By going to your local camera store, you’re supporting your community and you just might build a lasting relationship with people you can rely on when you need some help or answers. If you’re buying online, I recommend sticking with Amazon, B&H Photo or Adorama. These three vendors are reliable, trustworthy and generally have the best (legitimate) prices. Additionally, purchasing your camera through these links helps support this site.
Preview
Major Features
New large image sensor developed by Nikon; 12.1 effective megapixels
The D3 employs an FX-format CMOS image sensor with a sensor area of 36.0 (H) x 23.9 (V) mm. It offers superior picture quality throughout a wide sensitivity range with such advantages as a large pixel size to ensure high S/N ratio and wide dynamic range, adoption of an element structure that improves light-utilization efficiency. In addition, high-speed 12-channel readout enables fast continuous shooting for 12.1-megapixel images at approximately 9 frames per second, as well as high-speed performance to ensure shooting in Liveview modes.
Wide sensitivity range
Sensitivity range is extremely wide, from ISO 200 to 6400 at normal setting. High picture quality without noise is realized not only at low sensitivity setting, but also at high settings such as ISO 6,400. Even in dark conditions in which satisfactory results were almost impossible to obtain before, high-quality pictures can be taken. Furthermore, sensitivity can be increased to HI 0.3, HI 0.5, HI 0.7, HI 1 (ISO 12,800 equivalent), HI 2 (ISO 25,600 equivalent), and decreased to Lo 1 (ISO 100 equivalent), Lo 0.7, Lo 0.5 and Lo 0.3. All these settings expand the shooting possibilities.
High-speed performance
Shutter release time lag is only 37 ms*, equivalent to the Nikon D2XS, which is generally regarded as a mechanical limit. Continuous shooting speed is approximately 9 frames per second with FX format (36 x 24) or 5:4 (30 x 24), approximately 11 frames per second with DX format (24 x 16). The Nikon D3 is also the first digital SLR compliant with next-generation high-speed card UDMA, that enables 35-Mbyte recording speed, approximately 4 times as fast as the Nikon D2XS. Approximately 6-megapixel JPEG-Large-Fine image data taken with the FX format can be recorded at a speed higher than 5 frames per second. Startup time is approximately 0.12 second, shorter than the D2XS by 0.08 second.
* 41 ms if based on the new CIPA guideline to be established around August 4, 2007.
EXPEED — Nikon’s image processing concept embodied
As Nikon’s new digital image-processing concept — featuring the core ideas of our image creation and processing — EXPEED incorporates the optimized knowhow and technologies we have accumulated throughout our long history while receiving users’ requirements. It realizes diversified functions to ensure high picture quality and high-speed image processing.
Picture Control System
Picture Control System is a new function to enable selection and adjustment to create pictures easily according to skills of users from novices to professionals. When settings are the same, even with different cameras, you can get the same picture tone. Picture Control System offers four fundamental setting options — Standard, Neutral, Vivid and Monochrome — enabling image parameters (sharpening, tone compensation, brightness, tone and saturation) to be easily adjusted and customized.
AF system employing high-density 51-point AF
Multi-CAM 3500FX autofocus sensor module featuring 51 AF points is incorporated. 15 cross-type sensors located in the center provide subject detection capability with lens apertures as small as f/5.6. 51 AF points can be utilized in various focus area modes selected according to subject condition. In many aspects, the functions of AF points are linked with the Scene Recognition System to offer superior subject detection and focus tracking performance. A single AF point can be selected from 51 or 11 focus points. Dynamic AF mode enables appropriate focusing by detecting subjects with a zone containing many AF points located densely. In this mode, the number of AF areas, including user selected AF points and backup points, can be selected from either 9, 21 or 51. In addition, newly employed “3D tracking” mode shifts the focus point automatically to respond to the subject’s movements. Auto-area AF mode gives greater priority to the subject’s position in selecting AF points.
Scene Recognition System
By improving the 1,005-pixel RGB sensor, which was first incorporated in the Nikon F5, information from the sensor can be utilized for auto exposure, auto white balance and autofocus. For example, 3D tracking in AF realized by using the Scene Recognition System tracks subject position, and automatically shifts AF points to be used according to the subject’s movement within the frame. This system also contributes to improved accuracy of auto exposure and auto white balance.
Three image areas available
With the Nikon D3, users can select one of the three image areas — FX format (36 x 24), DX format (24 x 16) or 5:4 (30 x 24).
When a DX NIKKOR lens is attached, DX format is automatically selected. With DX format or 5:4 format, an area not covered by the sensor is automatically masked in the viewfinder. High-definition, 3-inch VGA, TFT LCD monitor with wide-viewing angle Ultrahigh-definition [920,000-dot VGA (640 x 480)], 3-inch LCD monitor with tempered glass provides 170° viewing angle. Large monitor is quite effective when confirming focus with enlarged playback images. Wide-viewing angle enables easy recomposing of the frame in Handheld mode of Liveview.
Two Liveview modes available
Liveview function enables shooting while confirming subjects in the LCD monitor.
In Handheld mode, which allows recomposing of the frame prior to actual shooting, ordinary TTL phase-difference AF using all 51 AF points including 15 cross-type points is activated.
Tripod mode is designed for precise focus accuracy with still subjects and tripod stabilization. In this mode, focal-plane contrast AF on a desired point within a specific area is possible. Remote view, focusing and shooting are also made possible on a PC (wired or wirelessly).
Optical finder with 100% frame coverage and 0.7x magnification in FX format
SLR-type viewfinder featuring eye-level pentaprism with high refraction index provides 100% frame coverage and 0.7x magnification. Large and bright viewfinder image ensures comfortable focusing, which is one of the advantages of the FX format.
Eyepoint is 18 mm (at –0.1 m-1), and diopter can be adjusted within the range from –3 to +1 m-1.
Superior durability
Magnesium alloy is used for exterior cover, chassis and mirror box to ensure both lightweight and ruggedness. Also, strict sealing with O-rings at various connected parts effectively resists dust and moisture.
Shutter unit developed and manufactured by Nikon employs shutter blades made of new materials (hybrid of carbon fiber and Kelver). Excellent durability is guaranteed with 300,000-cycle release tests with the shutter actually loaded. Precision is also maintained with shutter monitor.
CF card double slot
Two CF cards can be set, realizing consecutive recording, simultaneous recording, RAW + JPEG separate recording, and copying of data between two cards. Because two cards of the same kind can be used, users do not have to prepare different kinds of storage media.
Exclusive Wireless Transmitter WT-4 (optional)
The WT-4 supports wired LAN (10BASE-T, 100BASE-TX) and wireless LAN (IEEE 802.11b/g, 11a), and incorporates thumbnail mode as a new function.
It realizes wireless connection of cameras with a PC, enabling thumbnail display of images taken with up to five of them and downloading of images selected. Also, by using Camera Control Pro 2 (optional), wireless remote view/control shooting is made possible with the D3’s Liveview function.
Active D-Lighting
D-Lighting incorporated in the conventional digital SLRs enables editing after the image is taken. In addition to the D-Lighting, newly developed Active D-Lighting is employed in the Nikon D3.
Active D-Lighting lets users choose the intensity from among “High”, “Normal”, “Low” or “Unchanged” prior to shooting. The conventional method of simply expanding dynamic range is not employed in compensation. Instead, localized tone control technology is utilized to prevent images from looking flat with low contrast. As a result, “lost highlights” and “lost shadows” are well compensated while maintaining proper contrast.
Fine adjustment function for AF
If there is a slight difference in focusing point among lenses, users can finely adjust it.
Two methods are available. In specific adjustment, a certain level of compensation set for each registered lens is applied when the lens of the same type is attached. In uniform adjustment, the same level of compensation is applied regardless of the lens used. Up to 20 lenses can be registered.
Improved Function button feature
Besides the exclusive Function button, this feature can be assigned to the Preview button and AE/AF Lock button, giving photographers optimum operability in a flexible way.
HDMI output (High-Definition TV) supported
The Nikon D3 is compliant with HDMI (High-Definition Multimedia Interface) Ver. 1.3a which enables transfer of world-standard video and audio signals. Standard Type A connector is employed.
Info display
Various shooting information such as shutter speed, aperture is displayed in the LCD monitor. Color of characters can be selected according to lighting condition — black for light locations, white for dark locations. Auto switch mode can also be set.
Digital level incorporated
By utilizing a sensor incorporated in the body, the inclination of the camera is detected and displayed in the top control panel and viewfinder.
Image-management software ViewNX/Nikon Transfer included in the Software Suite CD-ROM
ViewNX is a viewer application to offer quick display of images, while Nikon Transfer provides simple transfer of taken images to a PC.
Designed by Giugiaro
“Ergonomic” is a new design theme that will be a standard of Nikon’s new-generation digital SLRs. This is applied to every detail including inclination of command dial and top control panel as well as comfortable holding and handling, e.g. shape of a grip. To support photographers’ concentration, curves of the pentaprism top, grip and side panels are directed to the center of lens’ optical axis, and the red, triangular motif has been redesigned to project a sharper image.
[tags]nikon, d3, d3x, d3h, review, rumors, news, norm olsen, concept, announcement, price, availability[/tags]
The Canon EF 28-80mm f/3.5-5.6 II lens is 
Looks like there is a new Canon EOS-1D Mark III and 
The P5000 boasts 10 effective megapixels, a 3.5x Zoom-Nikkor glass lens, an optical viewfinder, and an incredible, bright high resolution 2.5-inch LCD monitor with anti-reflection coating. The P5000 incorporates a new advanced image processing engine, which optimizes low light performance and color reproduction, and Nikon’s optical VR image stabilization, which compensates for camera shake.
“The COOLPIX P5000 was designed for the photographer who enjoys a high level of control, advanced imaging technologies and the ability to take creative control of their photography,” says Bill Giordano, General Manager Marketing, COOLPIX for Nikon Inc. “The P5000 will be compatible with system-expanding accessories that will allow photographers take their creativity and images to new heights.”
The VR stabilizes images displayed on the 2.5-inch LCD, which makes it easier to frame and capture images. Another advantage of the optical VR image stabilization is that it helps achieve smoother action in the movie shooting modes of the P5000 and when using the optional TC-3ED Tele converter with 378mm of telephoto performance.
A built-in accessory shoe supports the use of Nikon’s advanced i-TTL flash control for external flashes, including the SB-400, SB-600, and SB-800 Speedlights.
Both cameras feature a classic camera design as the lens extends from the camera’s body when the cameras are turned on; the S200 is constructed from brushed aluminum and the S500 from stainless steel.
For greater vibration control, the S500 features Optical VR Image Stabilization, a feature that compensates for camera shake ensuring sharp images at shutter speeds up to three times slower than would normally be possible. Both the S200 and S500 have High ISO capabilities; the S200 up to 1000 and the S500 up to ISO 2000, ideal for capturing images in low-light situations. On the S200, the e-VR Image Stabilization feature is activated by utilizing the camera’s easy-to-use menu system. The S500 features a new Anti-Shake button, located on the top of the camera, which activates high ISO, VR and Best Shot Selector (BSS) at the same time to produce clearer results in low light or at telephoto zoom settings.
For image sharing, the S200 and S500 have incredible, bright, high resolution 2.5 inch LCD monitors with an anti-reflective coating, easing the composition of photos, even in direct sunlight. These cameras also have a 16:9 aspect ratio option, making them perfect for sharing images via a high-definition television.
Not only do the COOLPIX S50 and the COOLPIX S50c feature 7.2 effective megapixels, allowing the consumer to make superior quality prints in a variety of sizes, they also incorporate advanced technologies which help create new opportunities to take sharper, and more natural looking photos. These technologies include the new Optical VR Image Stabilization, high sensitivity up to ISO 1600, and Best Shot Selector (BSS) which can all be activated by pressing the Anti-Shake Button, conveniently located on the top of the camera. These features allow the S50 and S50c to produce shots that are steady, sharp and stunning.
COOLPIX S50c users can take advantage of Nikon’s wireless transfer features through the latest version of COOLPIX CONNECT. With COOLPIX CONNECT 2 users can share pictures with friends and family from just about anywhere by emailing images directly from the camera through open access wireless hotspots. Now, S50c users can also store up to 2 gigabytes of images and movies to a secure Nikon server, providing a valuable back-up or an opportunity to clear memory from the SD card when capturing images away from home.
Designed for the entry-level digital photographer, the L10 and L11 boast 5.0 megapixels and 6.0 megapixels respectively, allowing the consumer to generate high-quality prints in a variety of sizes. Each camera features a sharp 3x Zoom- Nikkor glass lens, ensuring creative freedom and a high light sensitivity up to ISO 800, which makes it easy to produce better pictures in low light situations. 
Both cameras feature large LCD monitors which facilitate the composition and sharing of images; the L10’s LCD measures 2.0 inches across while the L11 has a 2.4-inch LCD, ample dimensions for easily viewing and sharing images with friends and family.
In addition to 7.1 megapixels, a 3x optical Zoom-Nikkor glass lens, and a 2.5-inch LCD, the COOLPIX L12 also features Optical VR Image Stabilization, which overcomes camera shake to produce clearer, sharper images. This camera also has ISO capabilities up to 1600, which enables the consumer to take sharper pictures in low light situations and facilitates a faster shutter speed, essential for capturing images of fast-moving subjects. Adding to this camera’s ease of use is a new Anti-Shake button, which simultaneously activates VR, High ISO and Best Shot Selector, assuring that pictures will be steady, sharp, and stunning.