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Canon PowerShot SX1 IS and SX10 IS

September 17, 2008 By Eric Reagan

The new Canon PowerShot SX1 IS and SX10 IS jointly replace the S5IS.  The new SX1 IS features a 20x zoom lense with built-in image stabilization and is not available in the US (Update March 2009: the SX1 IS has been released in the US, you can read more about it on Photography Bay’s Canon PowerShot SX1 IS Reviews and Resources).  You’ll need the stabilizer too, because the lens is the 35mm equivalent of 28-520mm.

Canon PowerShot SX10 IS Reviews

DP Interface

Don’t underestimate the PowerShot SX10 – it’s a great and very capable camera. If you like the SX1 a lot but don’t need its full HD 1080p movie mode and 4 FPS burst mode, then you can get the very similar Canon PowerShot SX10 for a lot less money.

Cnet

A nice evolution of the megazoom, the Canon PowerShot SX10 IS delivers some improvements over its predecessor and provides an attractive option for megazoom shooters.

Trusted Reviews

The PowerShot SX10 IS is an expensive and quite complex camera, and not really suited for the beginner, however in capable hands it is capable of producing excellent results, and has enough creative versatility to do so in a wide range of situations.

Let’s Go Digital

From a technical viewpoint, the Canon SX10 IS finds itself on a high level. The camera does prove itself and delivers sharp pictures with natural colors, all of which with extensive users ease.

Digital Camera Review

The camera offers good shutter and AF performance, good image color and quality, and a simple and easy to use movie capability for those who are so inclined.

PhotographyBLOG

A sturdy plastic brick of a camera, the Canon PowerShot SX10 IS builds on its S5 predecessor chiefly with that bigger and better lens range, though ease of use has also been improved.

Canon PowerShot SX1 IS Key Features

  • 10mp CMOS sensor
  • 20x Zoom (28-560mm equivalent)
  • Articulating LCD
  • Hotshoe (for external flash)
  • DIGIC 4

For further details on the SX1 IS and SX10S, see the press release below.

Canon PowerShot SX1 IS and SX10 IS Press Release

United Kingdom / Republic of Ireland, 17 September 2008: Canon today supercharges its PowerShot digital compact camera range with two powerful new models: the 10 Megapixel PowerShot SX1 IS and PowerShot SX10 IS, which jointly replace the PowerShot S5 IS.

Both raise the benchmark for compact zooms with an outstanding 20x wide-angle (28mm) optical zoom, with USM and VCM for fast, silent, zooming. The  PowerShot SX1 IS offers a revolutionary series of features never seen before on a Canon compact camera – a 10 Megapixel Canon CMOS sensor, 4 frames per second continuous shooting, and full HD movie capture – while both cameras use Canon’s new DIGIC 4 processor for fast performance and richly detailed, clean images in a wide range of shooting situations.

Unbeatable reach
With a Canon 20x wide-angle (28mm) optical zoom lens, the PowerShot SX1 IS and PowerShot SX10 IS tackle everything from long-range telephoto shots to sweeping landscapes. Canon’s Ultrasonic Motor (USM) combines with Voice Coil Motor (VCM) technology for near-silent operation and the speed for sports or wildlife subjects. And thanks to Canon’s optical Image Stabilizer – which now offers a 4-stop advantage – camera shake blur is avoided even with the zoom fully extended.

10 Megapixel power
The PowerShot SX1 IS and PowerShot SX10 IS feature resolutions of 10 Megapixels, capturing all the necessary detail for poster-size prints or creative cropping in post processing. A Canon CMOS sensor allows the PowerShot SX1 IS to shoot full-resolution JPEGs at speeds of up to 4fps – making it a powerful, pocket-sized tool ideal for capturing fast-paced action sequences.

High Definition moviemaking
For the ultimate in visual quality, the PowerShot SX1 IS delivers 1080p (30fps) High Definition video – ready for instant playback on any HDTV via a built-in HDMI connection. The PowerShot SX10 IS offers fun, spontaneous VGA movie shooting. Movies on both cameras are enhanced with CD quality stereo sound, optical zooming and Face Detection Technology; and if extra reach is required, the PowerShot SX1 IS includes Canon’s Advanced Tele-Converter for an extra 2x zoom with no loss in movie quality.

DIGIC 4: intelligent processing for better photos
The PowerShot SX1 IS and PowerShot SX10 IS both feature Canon’s new DIGIC 4 image processor. As well as ensuring ultra-fast operation and superb, low-noise images, DIGIC 4 drives several intelligent technologies that make great photos easier than ever.

People shots benefit from improved Face Detection Technology, which even detects faces positioned at an angle to the camera, or in profile. Face Select & Track tracks a specific subject even more accurately, while a new FaceSelf-timer function – which automatically triggers the shutter shortly after a new face enters the frame – makes group shots and self-portraits easy.

Canon’s improved Motion Detection Technology delivers fantastic, sharp results by registering camera and subject movement, then automatically adjusting ISO to prevent image blur. Blur is further guarded against by new Servo AF, which continuously adjusts focus on subjects moving towards or away from the camera.

DIGIC 4 also powers Canon’s new i-Contrast feature, which brings out great, natural-looking detail in dark areas of pictures – without blowing out lighter areas.

Total Control
For the ultimate creative precision, the PowerShot SX1 IS and PowerShot SX10 IS offer full manual control over both aperture and shutter speed. A Multi Control Dial offers fingertip access to all key settings. Plus, compatibility with a range of accessories – including Canon’s professional Speedlite EX flash units – extends creative potential even further.

Also included with the PowerShot SX1 IS is Canon’s WC-DC300 controller, which allows wireless control of shooting and playback. This is ideal for tripod shots at slow shutter speeds, or any situation where keeping a distance from the camera is preferable.

“Both of these cameras offer exceptional imaging possibilities,” said Mogens Jensen, Head of Canon Consumer Imaging, Europe. “In particular, the PowerShot SX1 IS genuinely redefines what a compact digital camera can do. This kind of power and versatility must be experienced to be believed.”

Pricing & Availability
The PowerShot SX1 IS is available from December priced at £519.99 / €679.99 RRP inc VAT
The PowerShot SX10 IS is available from October priced at £359.99 / €469.99 RRP inc VAT

Features at a glance:

  • 20x wide-angle (28mm, f/2.8) optical zoom with optical Image Stabilizer
  • 10.0 Megapixels
  • Canon CMOS sensor for full resolution continuous 4fps shooting (PowerShot SX1 IS)
  • Full HD (1080p, 30fps) movies plus HDMI output (PowerShot SX1 IS)
  • DIGIC 4 for outstanding images and fast response times
  • Shooting modes include full manual control
  • Great people shots with Face Detection AF/AE/FE/WB plus Face Select & Track and FaceSelf-Timer
  • Targets every possible cause of blur with High ISO Auto, optical Image Stabilizer, Motion Detection Technology and Servo AF
  • Auto Red-Eye Correction in shooting and playback
  • i-Contrast boosts brightness and retains detail in dark areas
  • 2.5” vari-angle LCD II with wide viewing angle plus electronic viewfinder (PowerShot SX10 IS)
  • 2.8” widescreen vari-angle LCD II with wide viewing angle (PowerShot SX1 IS)
  • Multi Control Dial and customizable My Menu
  • Smooth, 30fps VGA movies (PowerShot SX10 IS)

Filed Under: Canon, Reviews Tagged With: Canon PowerShot SX10 IS, Canon PowerShot SX1S, digital camera reviews

 

Canon PowerShot SD990 IS and SD880 IS

September 17, 2008 By Eric Reagan

The Canon PowerShot SD990 IS features a 14.7 megapixel sensor and is powered by the DIGIC 4 image processor.  The SD990 IS has a 3.7x zoom lens with image stabilization.  It will be available in October at a retail price of $399.99.

Canon PowerShot SD990 IS Reviews

Imaging Resource

Despite our quibbles about image quality from its 14.7-megapixel sensor, the Canon PowerShot SD990 IS is a good quality digital camera overall.

PC Mag

Performance was terrific indoors, too. In a dim restaurant, pictures taken with flash looked great. Subjects looked sharp, and images were noise-free at ISO 80 and 100.

The Canon PowerShot SD880 IS features a 10 megapixel sensor and is powered by the DIGIC 4 image processor.  The SD880 IS has a 4x zoom lens with image stabilization.  It will be available in October at a retail price of $299.99.

Canon PowerShot SD880 IS Reviews

Imaging Resource

The Canon SD880’s image quality minimizes the issues common to this format while delivering a sharp image in low light thanks to Canon’s optical image stabilization.

NeoCamera

The Canon Powershot SD880 IS is a digital camera that gets a lot of things right. Speed of operation is great and so are ergonomics with one minor exception, the lack of a hand-gripping surface on the front.

For more info, see Canon’s press release below.

Canon PowerShot SD990 IS Press Release

LAKE SUCCESS, N.Y., September 17, 2008 – Canon U.S.A., Inc., a leader in digital imaging, today announced, the PowerShot SD990 IS and PowerShot SD880 IS Digital ELPH cameras. Loaded with a host of advanced features, such as Optical Image Stabilization and Canon’s new DIGIC 4 image processor, these cameras are ideal for the trendsetting techie looking for functionality or style-conscious photo enthusiasts who want their gadgets to keep pace with their style. In addition, to commemorate the 100 millionth compact digital camera manufactured, Canon created a limited-edition PowerShot SD990 IS Digital ELPH camera in red.

“The introduction of DIGIC 4 imaging processing and a variety of color creations, continues to build on Canon’s mantra of incorporating substance and style into everything we create,” said Yuichi Ishizuka, senior vice president and general manager, Consumer Imaging Group, Canon U.S.A. “We recognize that if we continue to make digital cameras easy to use and easy to take along wherever one goes, people will carry them, not just for their style and compactness, but because of the image quality.”

Canon PowerShot SD990 IS Digital ELPH Camera
The PowerShot SD990 IS Digital ELPH camera showcases enhanced specifications such as 14.7-megapixel resolution, 3.7x Optical Zoom with Optical Image Stabilization and Canon’s new Quick Shot Mode for even faster shutter speed.

Reminiscent of a sporty race car, with its curved design and brilliant metallic topcoat, the PowerShot SD990 IS Digital ELPH camera is available in black or silver. Still small enough to fit in a shirt pocket or suit jacket, this compact, cutting-edge camera is an anytime, anyplace must-have.

Limited-Edition Red Digital ELPH Camera
To help commemorate the manufacture of the 100 millionth PowerShot camera,, Canon has produced a limited-edition red PowerShot SD990 IS Digital ELPH camera. This camera can be exclusively purchased on the Canon U.S.A. eStore at www.canonestore.com while supplies last.

Canon PowerShot SD880 IS Digital ELPH Camera
The successor to Canon’s widely popular PowerShot SD870 IS Digital ELPH camera, the PowerShot SD880 IS Digital ELPH camera boasts improved specifications such as 10.0-megapixel resolution and 4x wide-angle Optical Zoom with Optical Image Stabilization. In combination with the latest DIGIC 4 image processor and Motion Detection Technology, the wide-angle zoom lens has been improved, enabling consumers to capture large and small group shots with ease, while on vacation or attending social gatherings.

Available in stylish two-toned body colors of black and silver or gold and brown, the Canon PowerShot SD880 IS Digital ELPH camera functions as a fashion statement, as well as a feature-rich powerhouse. Additionally, four large and distinctive convex buttons are positioned to the right side of the large 3.0-inch PureColor LCD II screen to make camera operation and menu navigation even easier. The LCD screen’s contrast ratio has been greatly improved as well, offering more accurate color and viewing from any angle.

Canon DIGIC 4 Imaging Processor
The newly upgraded DIGIC 4 image processor, a proprietary technology, accounts for the camera’s higher performance levels, including significantly improved signal processing speed and higher image quality.

One of the most important new features made possible by the DIGIC 4 image processor is Servo AF, which is a form of continuous focus tracking for moving subjects. By pressing the shutter button half-way, the camera can track subject movement up to the instant of exposure, resulting in sharper photographs. Additionally, the processor’s high ISO speed noise reduction processing has improved substantially to enable consumers to shoot high-quality images, even in extremely dark situations without the use of a flash. The new Intelligent Contrast Correction function automatically improves image quality in high contrast shooting situations.

The Genuine Canon Face Detection technology has evolved even further, thanks to DIGIC 4. Improved features include the ability to recognize human faces at most angles. Another innovation is the Face Detection Self-Timer, which automatically takes a photo two seconds after a new face enters the scene.

Availability and Pricing
Scheduled to be available in October, the Canon PowerShot SD990 IS Digital ELPH and PowerShot SD880 IS Digital ELPH cameras will have estimated selling prices of $399.99* and $299.99*, respectively. Kit contents will include a memory card, battery, charger, wrist strap, USB and A/V interface cables, Canon Digital Solutions Software CD, and a 1-year Canon U.S.A., Inc. limited warranty.

Filed Under: Canon Tagged With: Canon PowerShot SD990 IS, digital camera reviews, photography, sd880 is

Panasonic LUMIX G1 Reviews and Resources

September 12, 2008 By Eric Reagan

The Panasonic LUMIX G1 is a 12.1 megapixel digital camera, which is based on the ground-breaking Micro Four Thirds System.  The G1 features a 3″ LCD with 460,000-dot resolution.  The ground-breaking feature of the G1 is a mirror-less structure that downsizes the camera’s body, which results in better portability through the use of electronic Full-time Live View Finder instead of conventional optical viewfinder.  The G1 also allows users to change lenses with the new Micro Four Thirds System lenses.

The Panasonic G1 is available at the following trusted retailers:

Amazon.com

B&H Photo

Adorama

Panasonic LUMIX G1 News and Resources

Firmware Updates

Panasonic LUMIX G1 Reviews

Photozone.de

Basically, the Panasonic DMC-G1 is suitable for all kinds of photography but it is limited by the lens options of the system. However, due to the small and lightweight body it is especially attractive for light-weight travel photography so the compromises may still be worth it.

DP Review

Image quality was, generally, a very pleasant surprise. The G1 uses a Four Thirds sensor and although it’s a new sensor that’s not been used previously in another Four Thirds camera, we would have expected at least a comparable image quality to the current Olympus DSLRs.

Trusted Reviews

The Panasonic Lumix DMC-G1 is a revolutionary camera that delivers on its promise of SLR-like quality in a compact body.

Let’s Go Digital

It’s very pleasant to shoot with the Panasonic LUMIX G1 in practice. The camera responds fast and is very user-friendly. The menu is well-structured enabling fast navigation.

Luminous Landscape

The Panasonic G1 is an appealing camera. It’s small size, light weight, and high image quality come together in a slightly pricey but basically affordable package.

PhotographyBLOG

In terms of image quality, the Panasonic G1 also gets most things right. As you’d expect with the G1 using a regular Four Thirds sensor, the quality is very similar to other Four Thirds cameras that we’ve reviewed.

Photo Review

It looks great, is reasonably well built and offers decent (though not exceptional) all-round performance.

Cnet

The Panasonic Lumix DMC-G1 is a camera that people will either love for its speed, photo quality, and interchangeable-lens flexibility or hate for its large-ish size, electronic viewfinder, and occasionally frustrating design.

Digital Camera Review

Having now worked with a production version of the camera, it’s safe for me to say it: the G1’s AF technology is truly impressive.

Imaging Resource (full review)

Image quality when printed is pretty close to what we get from the Canon Rebel XSi, which is pretty darn good.

Imaging Resource (hands-on preview)

Even with the rather preliminary firmware that exists at this time, the camera seems to perform quite well, and image quality frankly appears higher than I had anticipated.

Panasonic LUMIX G1 Press Release

Panasonic today announced the release of the DMC-G1, an exciting new digital interchangeable lens camera that is based on the new Micro Four Thirds System Standard. Combining a downsized body and advanced camera features that realize the operational comfort even as easy as that of compact cameras, the super-mobile G1 shatters the old notion that all digital SLRs are bulky, heavy and hard to use. This, plus the superior picture quality made possible by a 4/3-type image sensor, draws a clear line between the new-generation Lumix G1 and all conventional digital SLR cameras.

Lumix G1

With the G1, Panasonic has developed an entirely new-concept digital camera that takes even greater advantage of the compactness and light weight inherent in the Four Thirds System Standard. By increasing the number of electrical contacts between camera body and lens, Panasonic has also increased camera expandability and maximized the future potential of the G1, including compatibility with future features. In addition, the versatile G1 accepts not only Micro Four Thirds System interchangeable lenses, but also conventional Four Thirds System lenses (when an optional adapter is mounted). This means that users can continue to use Four Thirds lenses they already own.

The G1 is the world’s first camera to employ the new Micro Four Thirds System standard. Together with an innovative mirror-less structure that also dramatically downsizes the camera body, the LUMIX G Micro System achieves a dramatic portability and ease of use by an adoption of electronic Full-time Live View Finder instead of conventional optical viewfinder. Despite the G1’s ultra-compact design, it comes fully equipped with features that assure outstanding ease of use, made possible by the contrast AF system. The G1 also boasts iA (Intelligent Auto) mode, a feature that took the world by storm in Lumix digital compact cameras. iA mode brings together a full range of functions – led by AF Tracking , Face Detection, Intelligent ISO Control and Intelligent Exposure – that together let users take strikingly beautiful photos with maximum ease every time they shoot. The G1 breaks new ground in styling too, overturning SLR camera conventions by giving users a variety of body colours to choose from. For people who have been hesitant about moving up to an SLR camera, the G1 is a perfect fit. It is a small, sophisticated, easy-to-use camera that will greatly expand any user’s photographic capabilities.

The G1’s Live MOS sensor gives users the benefits of Full-time Live View both when viewing the Free-Angle LCD and when looking through the viewfinder. Other new conveniences made possible by the contrast AF include 1-area-focusing, AF Tracking, and a preview functions that show the photographer how changing the shutter speed (and other settings) will affect the photograph. The large 3.0-inch free-angle LCD, with its 100% field of view and sharp 460,000-dot resolution, lets the photographer check even fine details when composing an image or viewing a shot just taken.

Behind the G1’s exceptional image quality is a 4/3-type 12.1-megapixel Live MOS sensor that boasts a wide dynamic range and low power consumption, plus Panasonic’s new Venus Engine HD imaging processor, with its superb noise reduction performance and expandability represented by HDMI output capability. Because dust entering the body is a concern with all interchangeable lens cameras, Panasonic has equipped the G1 with a Supersonic Wave Filter as part of a Dust Reduction System designed to prevent dust and other foreign matter from adhering to the image sensor.

In addition to accepting Micro Four Thirds lenses, the G1 can be fitted with a mount adapter that allows the use of standard Four Thirds lenses. This greatly expands the assortment of lenses available to users. They can choose lenses from a variety of manufacturers and in a variety of combinations, for virtually unlimited photographic capabilities. A wide range of special accessories are available too. The G1 is also equipped with a mini HDMI output terminal for easy connection with other AV devices. With features like these, the G1 gives users a host of photographic and entertainment possibilities to explore. The stylish Lumix DMC-G1 is an entirely new kind of digital camera with an unprecedented feature set.

The G1 is ideal for people who have never before used an interchangeable lens camera, and for those who have tried one but didn’t find it comfortable. The easy-to-use G1 can open the door to a world of fun, beauty and unlimited creative possibilities.

Ultra compact Digital Interchangeable Lens Camera – Made Possible by the Micro Four Thirds System Standard
With the G1, Panasonic introduces an innovative mirror-less structure that dramatically downsizes the camera body. The G1 is far more compact than conventional SLR camera on the market, thanks in large part to the Micro Four Thirds System, a new standard for interchangeable lens cameras. This new system has made it possible to reduce the flange back distance (between the mount and the image sensor) to approx. 20 mm – half the 40 mm specified in the Four Thirds System. The outside diameter of the mount is also reduced, by about 6 mm. The Micro Four Thirds System makes it possible to downsize not only the camera body, but the lenses too – particularly wide-angle lenses and high-power zoom lenses – while maintaining the superior image quality characteristic of the 4/3 image sensor. The G1’s ground-breaking structural design forever dispels the notion that an interchangeable lens camera has to be big and heavy – a drawback that’s deterred many people from switching to an digital SLR. Even with its generous 3.0-inch LCD, the G1 is extremely compact – and there is absolutely no compromise in function or performance.

Another attractive feature that separates the G1 from conventional digital SLR cameras is the choice of body colours. While traditionalists can choose the standard black body, others will enjoy the appealing blue and red colours available. With its exceptional mobility and features, the G1 offers a new style of photography; with its design and colour selection, it offers a new sense of camera style.

Full-time Live View and Contrast AF
With the G1 users enjoy the advantages of Full-time Live View not only when viewing the LCD, but when using the electronic viewfinder too. The G1’s viewfinder system retains the outstanding viewability of an optical viewfinder and can also display information about camera settings that the user can see without taking his or her eye from the subject. This is one of the ways Full-time Live View uses digital technology to give the photographer useful new features and functions. In addition to a mirror-less structure, the G1 features a high-resolution 1,440,000-dot equivalent Live View Finder. A clever built-in eye sensor automatically switches on the viewfinder when the user looks into it, then switches it off and turns on the 3.0-inch high-resolution 460,000-dot LCD (which boasts a wide viewing angle) when the user looks away from the viewfinder. The 60-frames-per-second Live View is made possible by the Live MOS sensor, which takes signals directly from the image sensor and sends them continuously to the LCD, in real time. You can use either auto focus or manual focus while using the Full-time Live View.

Both the Live View Finder and LCD provide a 100% field of view. This allows the user, when composing a shot, to check the framing accurately from corner to corner.

The G1 introduces a new Contrast AF function that is not only accurate and easy to use, but also very fast. Users can choose from a wide range of AF modes, including multiple-area AF with up to 23 focus areas, 1-area AF with a selectable focus area, Face Detection, and AF Tracking. In the 1-area AF mode, the AF frame size can be changed by simply turning a dial. The G1 also has a Quick AF function that begins focusing as soon as the user aims the camera – no waiting for him or her to press the shutter button halfway. This provides a quicker focusing that can help capture the subject before the crucial moment passes. Continuous AF keeps the subject in focus at all times. With the G1’s many auto focus modes, there’s an option that’s just right for any shooting situation.

*Lenses that are not compatible with the contrast AF function can be used with manual focusing. There are some limitations to other functions when the lenses other than LUMIX G VARIO 14-45mm/F3.5-F5.6 ASPH./MEGA O.I.S. and LUMIX G VARIO 45-200mm/F4.0-F5.6/MEGA O.I.S.

High-resolution Live View Finder and Free-angle 3-inch 3:2 460,000-dot LCD
A large, clear, easy-to-see LCD, that rotates 180º horizontally and 270º vertically is upgraded both in size and resolution to be 3.0-inch with 460,000-dot high resolution to offer even more comfortable view for both monitoring when shooting and for playing back the results. Extraordinary 3:2 aspect of the LCD on DMC-G1 is familiar to those who are used to analog film cameras. The G1 is designed for easy viewing, no matter where your photographic pursuits take you. When the lighting around you changes, the LCD changes too. The Auto Power LCD function automatically boosts brightness by as much as 40%, depending on the shooting condition. The LCD monitor remains easy to see at all times. This helps make framing a shot with Full-time Live View even easier.

The DMC-G1’s Live View Finder has the large 1.4x (0.7x on 35mm equiv.) magnification and the 100% field of view as the optical viewfinders on high-end digital SLR cameras. This, plus the 1,440,000-dot equivalent resolution, makes it easy to shoot the exact image the camera sees. Surprisingly, when you look into the viewfinder, a sensor automatically turns the Live View Finder on and the LCD off. You enjoy smoother, easier shooting without having to switch the setting of display. In addition, customise the camera to fit your shooting preference by changing the display style or switching to a full-screen display. The user enjoys a seamless 60fps Live View both on the LCD and LVF. The G1’s Live View Finder, which is based on a field sequential system that uses RGB 3-independent sequential illumination to produce 180 fps for each of the three colours, gives the user a clear, natural and comfortable view when framing a shot. The LCD can swivel 180 degrees horizontally and 270 degrees vertically, giving the user the flexibility to take low-angle and high-angle shots easily and comfortably. The DMC-G1 also features the Quick Menu, so you can make a variety of settings without taking your eye from the Live View Finder.

Great Photography Is Not Only from Professional Photographers Anymore – Intelligent Auto Mode
When you don’t know which mode will give you the best shooting results, or when a sudden photo opportunity pops up and you don’t have time to make any settings, simply choose iA (Intelligent Auto) mode and let the camera do it all for you. This advanced mode includes MEGA O.I.S. to detect hand-shake, Intelligent ISO Control to detect subject movement, Face Detection to detect faces in the frame, Intelligent Scene Selector to detect scene conditions, Light Detection to detect the brightness level, and AF Tracking to continually track a moving subject and keep it in focus. These six functions work automatically and simultaneously in iA Mode to optimize your settings, making it easier than ever to take beautiful photos every time.

Shake Detection – MEGA O.I.S.(Optical Image Stabiliser)
MEGA O.I.S., implemented in the lens, compensates for the blurring caused by hand-shake. Even slight hand-shake movement is accurately detected by a sampling frequency of 4,000 times per second, and compensated to produce sharp, clear images. It also works for zoom shots and macro shots, which are especially susceptible to hand-shake, and lets you shoot in dimly lit rooms or evening illumination, without a flash, to preserve the mood.

Motion Detection – Intelligent ISO Control
The Intelligent ISO Control function detects subject movement and automatically adjusts the ISO setting and shutter speed to best suit the movement and light conditions. When it detects subject motion, it automatically raises the ISO setting and increases the shutter speed to prevent motion blur. On the other hand, when the subject is still and no movement is detected, it takes beautifully natural photos with a low ISO setting. Intelligent ISO Control gives you stunning images with ease because there is no need for complicated settings.

Light Detection – Intelligent Exposure
The Intelligent Exposure function increases the exposure only in under-exposed areas by detecting the brightness level part-by-part in the picture. If the background includes the sky, which tends to be easily washed out, the camera automatically adjusts the aperture and shutter speed to keep the setting slightly under-exposed to prevent wash-out while brightening the darkened area by increasing the ISO only in that area. If the background of an indoor portrait receives insufficient lighting from a flash and becomes dark, the ISO sensitivity is raised in only the low-lit area to make it brighter without causing graininess in the subject’s face. When Intelligent Exposure is turned on, the icon changes from white to yellow. In addition, you can adjust the effect in three levels in normal shooting mode— high, normal, and low.

Face Detection – Face Detection AF/AE
The Face Detection function detects faces and automatically optimises the focus and exposure settings. It prevents the blurry faces that happen when the camera focuses on something in front of or behind the subject, and keeps faces from appearing dark when shooting indoors or against the light source. It detects up to 15 faces at a time, making it extremely convenient for group photos. Once the camera detects a face, Face Tracking follows it even when the subject moves around. This makes it easy to capture the person’s face quickly if he or she is moving. It is also equipped with Digital Red-eye Correction. The camera takes care of the red-eye effect that often happens when shooting with a flash, to ensure attractive facial expression always.

Scene Detection – Intelligent Scene Selector
When the camera’s in iA (Intelligent Auto) Mode, the Intelligent Scene Selector automatically sets the Scene Mode to either Scenery, Portrait, Macro, Night Portrait or Night Scenery. The camera judges it from the various detection results such as focusing distance, inclusion of human face and brightness level of the circumstance. You are free from having to change the settings every time the scene changes when taking pictures with these most frequently used Scene Modes to get beautiful results even before you know it.

Subject Detection – AF Tracking
Simply focus on your subject, then press the shutter button to activate AF Tracking. Even when you remove your finger from the shutter button, the camera continues to automatically keep your moving subject in focus. This keeps the focus sharp and blur-free when shooting active children or pets, as well as when capturing sports scenes or subjects in a moving object. It minimizes the shutter time lag so you won’t miss those spur-of-the-moment shots, and helps to give you truly beautiful photos always.

The user can activate all of these useful, convenient shooting-assist functions by simply selecting iA mode. This makes the DMC-G1 the ultimate, super-versatile automatic camera for capturing clear, beautiful, mistake-free photos with ease despite its high quality image rendering capability as a system camera.

A Host of Creative Options
My Colour Mode is a special option that gives free rein to the user’s creativity. In My Colour mode you can freely adjust the colour, brightness and saturation parameters, while checking the Full-time Live View image to see how those adjustments affect the picture. This makes it easier and more fun to create interesting, expressive images. Adjust the settings that best suit the shooting conditions and your expressive intent, and then enjoy your own photography.

Furthermore, the DMC-G1 provides options of picture taste with the function called Film Mode. Each analog film has its characteristics such as with colour, contrast, gradation and which affects on the outcome of the picture, in other words, it is one of the ways of expression. With the DMC-G1, the Film Mode allows you to choose the one that takes the best advantage of the scene or the subject you take out of a total of nine film modes including Standard, Dynamic, Nature, Smooth, Nostalgic, Vibrant, Standard B/W, Dynamic B/W and Smooth B/W, with capability of fine adjustment of contrast, sharpness, saturation and noise reduction. Users can also shoot the same scene in 3 different films using the new Multi Film mode. All these settings can be confirmed before you take the picture and the result is always as you intended.

The Full-time Live View lets the users check the outcome image in advance after adjusting the shutter speed, aperture or white balance. The white balance can be adjusted in the area of two-axis of coordinates precisely.?And also the white balance bracket in 3 pictures either along with A(amber)-B(Blue) axis or G(Green)-M(Magenta) axis is now available for G1.

High Image Quality as an Interchangeable Lens System Camera
The 4/3-type 12.1-megapixel Live MOS sensor featured in the DMC-G1 offers the best of both worlds – the superior image quality of a CCD sensor, and the lower power consumption of a CMOS sensor. New technology that makes it possible to read 4 channels of data simultaneously also helps the G1 deliver 60 frames-per-second Full-time Live View images, while faithfully reproducing high-resolution images with fine detail and rich gradation.

For the image processing LSI, the new Venus Engine HD features exceptionally advanced signal processing capabilities. This sophisticated LSI separates chromatic noise from luminance noise and applies the optimal noise reduction to each, so you capture clear and beautiful images even when shooting at high ISO sensitivity levels. The Venus Engine HD also provides independent gradation control for each of the R, G and B colours, so even delicate colour nuances are reproduced faithfully. Linking smoothly with the Live MOS sensor, the Venus Engine HD records stunning high-resolution 12-megapixel images with exceptional accuracy. Signals containing a large amount of image data are sent from the Live MOS sensor to the high-resolution Live View Finder, resulting in the 1.44 million-dot equivalent sharp clear images at 60 fps. The Venus Engine HD also supports an extensive range of functions, including HDMI output.

If dust or other foreign matter gets inside the camera when you’re changing lenses, it could cling to the image sensor and show up as a spot in your photos. The Dust Reduction System in the LUMIX DMC-G1 helps eliminate this possibility by placing a supersonic wave filter in front of the Live MOS sensor. Vibrating around 50,000 times per second, the filter repels dust and other particles.

Superb Expandability for More Fun
The DMC-G1 and LUMIX G Micro System is compatible with any interchangeable lens that complies with the Four Thirds Standard.* This gives you access to the entire range of Four Thirds lenses. And a stream of new Micro Four Thirds lenses will be announced in the future, giving you a large, diverse line of high-performance lenses to add to your photographic toolbox. With the LUMIX G Micro System and the growing assortment of lenses becoming available, your expressive possibilities are unlimited. The DMC-G1 is a system camera with a wide variety of options to choose from to match your shooting situations and style.

External Flash: DMW-FL220(GN22)/ DMW-FL360(GN36)/DMW-FL500(GN50)
PL Filter: DMW-LPL52
ND Filter: DMW-LND52
MC Protector: DMW-LMC52
Mount Adapter: DMW-MA1
Battery Pack: DMW-BLB13
DC Cable: DMW-DCC3
Soft Case: DMW-CG1
Soft Bag: DMW-BAG1
Shoulder Strap (Stylish) DMW-SSTG1-A/C/R
Shoulder Strap (Woven?DMW-SSTG2-W
Shoulder Strap (Leather) DMW-SSTG3-T
Remote Shutter: DMW-RSL1
HDMI mini Cable: RP-CDHM15(1.5m), RP-CDHM30(3.0m)

*You need an adapter (available as an option) to use Four Thirds lenses. Lenses that are not compatible with the Contrast AF function can be used with manual focusing. There are also some limitations to other functions. For details, see the following customer support site: http://panasonic.jp/support/global/cs/dsc/index.html
* Check the website of the Panasonic sales company in your country or region for details on the optional accessories that are available in your market.

High-Definition Networking
The G1 has an HDMI output terminal. When the G1 is connected to an HDMI-compatible TV via an HDMI mini cable (purchased separately), the user can easily enjoy a slideshow of photos taken with the G1. When the G1 is connected to a VIERA TV that has VIERA Link capability, the TV’s remote control unit can be used to run the slideshow.

Other Convenient Features
When using the G1 in manual focus mode, the frame will automatically enlarge by around 5x or 10x(magnification can be altered by the front dial) for easy viewing in the Live View Finder or high-resolution LCD with Manual Assist function. This lets the user frame the shot with greater ease and accuracy. The movable guide lines make it easy to check the horizontal and vertical positioning of the subject and scene, no matter how the shot is being composed.

The Quick Menu has further evolved as an interface in the G1. The newly enhanced menu screen makes it easier to use the G1’s advanced functions, while simply rotating the turn-and-push device (front dial) lets the user select and enter settings with a single finger, without having to look away from the viewfinder. Most settings can be made in this way. The new My Menu tab automatically stores the five most recently used menu items, for quick, easy retrieval. The custom setting function can also be used to register a shortcut for a frequently used function; the function can then be activated by pressing the Down button of the cursor key. The colour of the LCD information display screen can be changed in three colours. These features make the G1 easier to operate while also giving the user a way to customise his or her camera.

The LUMIX G Micro System will change the way you see – and enjoy – the digital interchangeable lens camera. It does so with a collection of features that put enormous photographic power in a palm-sized camera with interchangeable lens. The LUMIX G Micro System is a camera you’ll love from day one – giving you the freedom to express yourself, and changing the role that photography plays in your life. DSL Reinvented – from 1st November 2008.

Filed Under: Panasonic, Reviews Tagged With: digital camera reviews, Panasonic LUMIX G1

Nikon D700 Review at PhotographyBLOG

September 3, 2008 By Eric Reagan


PhotographyBLOG has posted a review of the Nikon D700.

Is it worth the asking price? Well that depends on your own would-be use and needs. For the amateur there are more affordable alternatives, but for the professional needing full frame capability it can be considered a steal.

For the latest Nikon D700 news and reviews, be sure to visit Photography Bay’s Nikon D700 Reviews and Resources.

Filed Under: Nikon, Reviews Tagged With: digital camera reviews, Nikon D700

Canon 5D Mark II

August 28, 2008 By Eric Reagan

The Canon 5D Mark II is available (depending on supply) from the following trusted vendors:

Canon 5D Mark II (body only) – Amazon.com

Canon 5D Mark II w/ 24-105mm L lens – Amazon.com

Canon 5D Mark II (body only) – Adorama

Canon 5D Mark II w/ 24-105mm L lens – Adorama

Canon 5D Mark II (body only) – B&H Photo

Canon 5D Mark II w/ 24-105mm L lens – B&H Photo

Canon 5D Mark II (body only) – Ritz Camera

Key Features

  • New 21.1 Megapixel CMOS sensor with improved EOS Integrated Cleaning System (E.I.C.S.)
  • New Full HD 1080 resolution movie recording
  • 3.9 frames per second continuous shooting
  • High performance DIGIC 4 providing superb image quality
  • Maximum 310 large JPEG images in a single burst with a UDMA card
  • 3.0? VGA (920k dots) Clear View LCD
  • ISO 100-6400 (expansion from 50 up to 25,600)
  • 9 AF points + 6 Assist AF points

Stay tuned to Photography Bay’s Canon 5D Mark II Reviews and Resources for the latest news and reviews on this 21.1 megapixel DSLR.

Filed Under: Canon, Deals, Reviews Tagged With: canon 5d mark ii, digital camera reviews

Nikon D700 Reviews Go Live at Several Sites

August 15, 2008 By Eric Reagan

Several sites have posted reviews for the Nikon D700 over the past couple days:

Imaging Resource

Camera Labs

Luminous Landscape

Trusted Reviews

Ken Rockwell

For the latest Nikon D700 news and reviews, be sure to visit Photography Bay’s Nikon D700 Reviews and Resources.

Filed Under: Nikon, Reviews Tagged With: digital camera reviews, dslr, Nikon D700

Nikon D700 Reviews and Resources

June 18, 2008 By Eric Reagan

The Nikon D700 was announced on July 1, 2008. The D700 is slotted in Nikon’s lineup between the D300 and D3, which is fitting given that it shares characteristics of each. The D700 is a 12.1 megapixel, full frame DSLR, which features the image quality found in the pro-level Nikon D3, yet it has the more compact size of the Nikon D300. The D700 features the some sensitivity levels found the D3 – covering an extendable range of ISO 100 to ISO 25600.

The Nikon D700 carries a suggested retail price of $2999; however, the price has been substantially reduced since its introduction. It is available to order at the following trusted retailers:

  • Amazon (body only)
  • Amazon (w/ 24-120mm VR lens)
  • Adorama (body only)
  • B&H Photo (body only)

Photography Bay Review and Additional Coverage

Nikon D700 Review

Canon 5D Mark II vs. Nikon D700 Brief ISO Comparison (Sample Images)

Canon 5D Mark II vs. Nikon D700 In-Depth ISO Comparison (Sample Images)

Nikon D700 Reviews

Let’s Go Digital

Don’t be blinded by a few more pixels. The D700 performs better than its rivals in many areas.

Photo.net

It is merely a slightly reduced D3 while retaining most of the important features. Therefore, the D700’s strengths are essentially the same as the D3’s, minus a few somewhat important but not absolutely critical features such as a 100% viewfinder and dual compact flash card slots, but it is roughly 1/3 cheaper and a lot smaller.

DC Resource

It offers you a fantastic mix of photo quality, performance, build quality, and features, without having to spend the money on a D3.

Wired (hands-on review)

In short, though, the D700 kicks ass. It’s easy to use, and takes an incredible picture, even in the dark.

DP Review

On top of the saving you also get a built-in flash (certainly useful for some) and integrated sensor cleaning. Specification is one thing though and image quality and performance are another. Luckily though the D700 is on a similar level as the D3 in these areas as well.

Thom Hogan

Excellent Image Quality. It’s not just high ISO that’s good, the dynamic range is the best of the Nikon DSLRs, the acuity is excellent, white balance is better than ever, and, once mastered, the Picture Controls do give you plenty of control.

PhotographyBLOG

Is it worth the asking price? Well that depends on your own would-be use and needs. For the amateur there are more affordable alternatives, but for the professional needing full frame capability it can be considered a steal.

Nikonians

The D700 isn’t an upgrade from the D300. It’s a whole new camera. Something that many D300 users will want to use along as a second body or for people who want FX but not in the size of the D3.

Photo Answers

Deciding whether the D700 is worth its substantial price tag proves far more difficult than almost any other part of this test. The image quality, most of the handling and even the less tangible ‘want factor’ should all make the D700 the perfect balance of professional qualities and price.

PopPhoto

Does the D700 obviate the more expensive D3? Not for high-end pros: Hardcore types who find themselves shooting in the Arctic one month and the desert the next will prefer the D3’s extraordinarily tight level of weathersealing.

Scott Kelby

The D700 just takes a better looking photograph than the D300 (and really, that’s what it’s all about-all the rest is really just bells and whistles). The new sensor, the autofocus, the low noise-it all adds up to photos that just beat the D300 (with the D700 you get D3 quality photos, which the D300, good as it is, just can’t deliver).

Imaging Resource

I think any photographer with experience would fall in love with the Nikon D700. There’s something to be said for having a 24mm lens work like a 24mm lens again, and the extremely high ISO setting available on this fine digital SLR make once-unthinkable images as easy as a press of the ISO button and a twist of the Main command dial.

Camera Labs

By essentially squeezing the D3’s full frame and high ISO quality into the D300’s more portable and affordable form factor, Nikon’s done just that with the new D700.

Trusted Reviews

Detail is crisp and clean, sharpness (again within the parameters of the optic used) is very good, and the tonal range within the images is beautiful. Noise is also exemplary, with no worrying noise at all until you go over ISO 6400. There is some noise at ISO 12800 and ISO 25600, but I think we can allow Nikon some slack here.

Ken Rockwell

The D700 is so good that I’m suggesting people buy a D700, then sell their D3s and pocket the cash.

Luminous Landscape

At any sensitivity up to ISO 1600 there’s little of concern in terms of low noise. Uncanny. At ISO 3200 a slight bit of luminance noise appears, but it can be easily removed in post. ISO 6200 is still eminently usable, and even ISO 12,000 equivalent is acceptable for reportage.

Georg Nyman

If you don´t have time to read the full review and want to get the summary in one sentence, then here it is: If you can, get it!

DP Review (hands-on preview)

The D700 joins the D3 as a fully-fledged ‘professional’ model; it has the same tank-like build quality (though we’re sure the pop-up flash will cause a few raised eyebrows), and gets you the full pro service from Nikon.

Nikon D700 Resources

Nikon D700 Digitutor Site

D700 Sample Images

Official 24 Page Brochure (10+ MB)

Additional Images of the D700

Nikon D700 Press Release

Nikon FX-format digital SLR – exceptional performance combined with superior mobility and functional versatility to provide serious photographers with outstanding value

TOKYO – Nikon Corporation is pleased to announce the introduction of its newest FX-format digital SLR, the Nikon D700.

The D700 features an FX-format first introduced with the Nikon D3. Highly praised for its outstanding features, the D3 established a new level of professional performance in terms of overall image quality, extraordinarily low noise, ISO sensitivity range, continuous high-speed shooting, color gradation, image crispness, durability, weather-resistant operation, system versatility and more.

The new D700 incorporates an extensive array of features that boast a level of performance that is in many ways comparable to the D3. At the same time, it derives a wide range of benefits – including functionality, flexibility and operability – from the more agile D300, Nikon’s flagship DX-format D-SLR.

The D700 has everything it takes to satisfy a broad spectrum of photographic needs. The 12.1-megapixel FX-format CMOS sensor with a sensing area of 36.0 x 23.9 mm; a sensitivity range of ISO 200 to 6400; continuous shooting at up to 5 frames per second (and up to 8 fps with the optional Multi-Power Battery Pack MB-D10; Nikon’s exclusive 51-point AF system; Scene Recognition System for optimum autofocus, auto exposure and auto white balance detection – these are but a few of the advanced capabilities of the extraordinary new D700.

Major Features

Large image sensor, developed by Nikon; 12.1 effective megapixels

The D700 employs an FX-format CMOS image sensor with an area of 36.0mm (h) x 23.9mm (v). It provides superior picture quality throughout a wide ISO sensitivity range, with advantages that include a large pixel size to ensure a higher signal-to-noise ratio and wide dynamic range, and improved circuit layout to efficiently increase the strength of the electrical signal from pixels. High-speed, 12-channel readout enables fast continuous shooting of high-resolution images at up to 8 frames per second (with Multi-Power Battery Pack MB-D10 and Rechargeable Li-ion Battery EN-EL4a/4 or eight AA-size batteries).
Wide sensitivity range

The D700 offers an extremely wide sensitivity range of ISO 200 to 6400. It delivers extraordinary image quality at low sensitivity settings, while also delivering outstandingly low-noise characteristics at ISO settings as high as 6400. Furthermore, sensitivity can be increased to HI 0.3, HI 0.5, HI 0.7, HI 1 (ISO 12,800 equivalent), HI 2 (ISO 25,600 equivalent), or decreased to Lo 1 (ISO 100 equivalent), Lo 0.7, Lo 0.5 and Lo 0.3, to expand shooting versatility.

High-speed performance

Features a startup time of approximately 0.12 second, and a shutter release time lag of only 40 ms* – both equivalent to the flagship Nikon D3. The continuous shooting speed is up to 5 frames per second with the included Rechargeable Li-ion Battery EN-EL3e, and up to 8 fps when using the optional Multi-Power Battery Pack MB-D10 and Rechargeable Li-ion Battery EN-EL4a/4 or eight AA-size batteries. The Nikon D700 is also compliant with the next-generation high-speed UDMA CompactFlash cards, that will enable 35-Mbyte recording speed.

* Based on the new CIPA guideline established in August 2007.

EXPEED image processing

Nikon’s state-of-the-art EXPEED digital image-processing incorporates remarkable intelligence and technologies accumulated and optimized throughout our long history. It makes possible a diverse range of functions that ensure superior picture quality and high-speed image processing.

Scene Recognition System

Improvements to the exclusive 1,005-pixel RGB light sensor have allowed information from the sensor to be utilized for auto exposure, auto white balance and autofocus. 3D-Tracking in AF, for example, achieved by using the Scene Recognition System, tracks subject position and automatically shifts the AF points used to match the subject’s movement within the frame. This system also contributes to higher accuracy of auto exposure and auto white balance detection.

Picture Control System

Nikon’s Control System enables users, from novices to professionals, to create the pictures they envision by making specific selections and adjustments to image sharpening, tone compensation, brightness, tone and saturation. Even with different cameras, when the settings are the same, you get the same picture tone. Picture Control System offers four fundamental setting options – Standard, Neutral, Vivid and Monochrome – for easy customization of image parameters.

Active D-Lighting

Active D-Lighting lets photographers choose from various intensities – Auto, High, Normal, Low or OFF (Unchanged) – prior to shooting. Instead of employing the conventional compensation method of simply expanding dynamic range, localized tone control technology is utilized to ensure proper contrast and eliminate flat images with lost highlights and shadows.

AF system with high-density 51-point AF

The D700 incorporates a Multi-CAM 3500FX autofocus sensor module featuring 51 AF points. Fifteen cross-type sensors located in the center enable subject detection with lens apertures as small as f/5.6. The functioning of the AF points is linked to the Scene Recognition System, to deliver superior subject detection and focus tracking performance. A single AF point can be selected from the 51 or 11 focus points. In Dynamic-area AF mode, you can select from either 9, 21 or 51 AF areas. The 51-point option offers 3D-Tracking mode, which automatically shifts the focus point to match the subject’s movements. Auto-area AF mode gives greater priority to the subject’s position when selecting AF points.

Choose from two Live View modes

Live View allows shooting while confirming the subject on the 3-inch, 920,000-dot color LCD monitor. In Handheld mode, which lets you recompose the frame prior to actual shooting, ordinary TTL phase-detection AF is activated, using all 51 AF points including 15 cross-type points. Tripod mode is designed for precise focus accuracy with still subjects and tripod stabilization. It enables focal-plane contrast-detect AF on a desired point within a specific area. Remote view, focusing and shooting can also be controlled from a PC (via connection or wireless) using optional Nikon Camera Control Pro 2 software.

DX cropping mode

The Nikon D700 lets you select from either FX format (36 x 24) or DX format (24 x 16). At the default setting of [Auto DX crop], the camera will automatically select DX format when a DX NIKKOR lens is attached.

High-definition, 3-inch VGA, TFT LCD monitor with wide viewing angle

The ultrahigh-definition [920,000-dot VGA (640 x 480)], 3-inch LCD monitor with tempered glass provides a 170° viewing angle. The large monitor is remarkably effective when confirming the focus with enlarged playback images. The wide viewing angle enables easy recomposing of the frame in Hand-held mode with Live View.

Viewfinder provides 95% frame coverage, 0.72x magnification in FX format

The viewfinder features an eye-level pentaprism with high refraction index and provides 95% frame coverage with 0.72x magnification. Fifty-one AF points and a framing grid are superimposed on the finder screen. The eyepoint is 18 mm (at -0.1 m-1), and the diopter can be adjusted within a range of -3 to +1 m-1.

Image Sensor Cleaning

Vibrations at four different resonant frequencies remove dust from the optical low-pass filter in front of the image sensor. This function is automatically activated each time the camera is turned on and off, and can also be activated on demand by the photographer.

Built-in flash with wireless commander function

With a guide number of approximately 17/56 (m/ft., ISO 200, 20°C/68°F) and 24mm lens coverage, the high-performance built-in flash enables i-TTL flash control that evaluates flash exposure with greater precision for exceptional results. Compatible with the Nikon Creative Lighting System, the built-in flash controls up to two groups of remote units as a master/commander in Advanced Wireless Lighting.

Engineered durability

A magnesium alloy is used for the exterior cover, rear body and mirror box to reduce weight and provide rugged durability. O-ring sealing where connections are made gives you valuable protection against dust and moisture. The shutter unit developed and manufactured by Nikon employs shutter blades made of a new material (a hybrid of carbon fiber and Kevlar). Tested on fully assembled cameras, the D700’s shutter unit has been proven through 150,000 cycles under demanding conditions. The self-diagnostic shutter constantly monitors and maintains shutter precision.

Multi-Power Battery Pack MB-D10 (option)

The optional Multi-Power Battery Pack MB-D10, which uses one Rechargeable Li-ion Battery EN-EL4a/4/3e or eight AA-size batteries, is equipped with a shutter-release button, AF-ON button, multi selector, and main- and sub-command dials. When attached, it enables high-speed continuous shooting of 12.1-megapixel images at a rate of up to 8 fps*. * When using EN-EL4a/4 or eight AA-size batteries.

Exclusive Wireless Transmitter WT-4/4A (option)

The WT-4/4A supports both wired LAN (10BASE-T, 100BASE-TX) and wireless LAN (IEEE 802.11b/g, 11a), and incorporates a thumbnail mode. A PC allows wireless connection of up to five cameras, for display of thumbnail images and downloading of selected images. Using Camera Control Pro 2 (option) and the Live View function, wireless remote view/control shooting is also possible.

Fine tuning for AF

The focal point in AF for the current CPU lenses can be fine-tuned and registered. A certain level of adjustment set for up to 12 lens types is applied when a lens of the same type is attached. When using a lens that has not been registered, the same level of adjustment can be applied.

Improved Function button feature

In addition to the exclusive Function button, this feature can be assigned to the Preview button and the AE/AF Lock button, for optimum flexibility. Furthermore, NEF copy recording together with JPEG image can be assigned to the Function button.

HDMI output (High-Definition TV) supported

The D700 complies with HDMI (High-Definition Multimedia Interface) Ver. 1.3a for the transfer of global-standard video and audio signals. A Type C mini connector is provided.

Info display

Various shooting information is displayed on the LCD monitor, including shutter speed and aperture. Character color can be adjusted to match lighting conditions – black for light locations, white for dark locations. Auto switch mode can also be set.

My Menu

A variety of setting options can be customized under My Menu, then added to, deleted and reordered.

Electronic Virtual Horizon

Using a sensor incorporated in the body, the inclination of the camera is detected and displayed in the LCD monitor.

ViewNX/Nikon Transfer image-management software included in Software Suite CD-ROM

The ViewNX viewer application offers quick display of images; Nikon Transfer enables simple transfer of taken images to a computer.

Nikon Digital SLR Camera D700 Specifications

Type: Single-lens reflex digital camera

Lens Mount: Nikon F bayonet mount with AF coupling and AF contacts

Picture Angle: Equivalent to angle produced by lens focal length (1.5 times when DX format is selected)

Effective Pixels: 12.1 million

Image Sensor: CMOS sensor, 36.0 x 23.9 mm; Nikon FX format

Total Pixels: 12.87 million

Dust-Reduction System: Image sensor self-cleaning function, Image Dust Off reference data acquisition (Capture NX 2 required)

Image size (pixels):

  • FX format (36 x 24): 4,256 x 2,832 [L], 3,184 x 2,120 [M], 2,128 x 1,416 [S]
  • DX format (24 x 16): 2,784 x 1,848 [L], 2,080 x 1,384 [M], 1,392 x 920 [S]

File Format:

  • NEF (RAW): 12 or 14 bit, lossless compressed, compressed, or uncompressed
  • TIFF (RGB)
  • JPEG: JPEG-Baseline compliant with fine (approx. 1:4), normal (approx. 1:8), or basic (approx. 1:16) compression ([Size priority]); [Optimal quality] compression available
  • NEF (RAW) + JPEG: Single photograph recorded in both NEF (RAW) and JPEG formats

Picture Control System: Four setting options: Standard, Neutral, Vivid, Monochrome; each option can be adjusted

Storage Media: CompactFlash (Type I, compliant with UDMA)

File System: Compliant with DCF 2.0, DPOF, Exif 2.21, Pictbridge

Viewfinder: SLR-type with fixed eye-level pentaprism

Diopter Adjustment: -3 to +1 m-1

Eyepoint: 18 mm (-1.0 m-1)

Focusing Screen: Type B BriteView Clear Matte VI screen with superimposed AF points and framing grid lines

Frame Coverage: Approx. 95% (vertical/horizontal)

Magnification: Approx. 0.72x (50mm f/1.4 lens at infinity; -1.0 m-1)

Reflex Mirror: Quick-return type

Depth-of-field Preview: When CPU lens is attached, lens aperture can be stopped down to value selected by user (A and M modes) or value selected by camera (P and S modes)

Lens Aperture: Instant-return type, with depth-of-field preview button

Compatible Lenses:

  • DX AF Nikkor: All functions supported
  • Type G or D AF Nikkor: All functions supported (PC Micro-Nikkor does not support some functions). IX Nikkor lenses not supported.
  • Other AF Nikkor: All functions supported except 3D Color Matrix Metering II. Lenses for F3AF not supported.
  • AI-P Nikkor: All functions supported except autofocus and 3D Color Matrix Metering II
  • Non-CPU AI Nikkor: Can be used in exposure modes A and M; electronic rangefinder can be used if maximum aperture is f/5.6 or faster; Color Matrix Metering and aperture value display supported if user provides lens data

Shutter Type: Electronically controlled vertical-travel focal-plane shutter

Shutter Speed: 1/8,000 to 30 s in steps of 1/3, 1/2 or 1 EV, Bulb, X250

Flash Sync Speed: X = 1/250 s; synchronizes with shutter at 1/320 s or slower (flash range drops at speeds between 1/250 and 1/320 s)

Release Modes:

  1. Single-frame [S] mode
  2. Continuous Low-speed [CL] mode
  3. Continuous High-speed [CH] mode
  4. Live View [LV] mode
  5. Self-timer [mark] mode
  6. Mirror-up [Mup] mode

Continuous Shooting Speed:

  • With Rechargeable Li-ion Battery EN-EL3e: 1-5 frames per second in [CL] mode, 5 fps in [CH] mode
  • With Multi-Power Battery Pack MB-D10 with batteries other than Rechargeable Li-ion Battery EN-EL3e or AC

Adapter: EH-5a/EH-5: 1-7 frames per second in [CL] mode, 8 fps in [CH] mode

Self-timer: Electronically controlled timer with duration of 2, 5, 10 or 20 s

Metering: TTL full-aperture exposure metering using 1,005-pixel RGB sensor

Metering System:

  1. 3D Color Matrix Metering II (type G and D lenses); Color Matrix Metering II (other CPU lenses); Color Matrix Metering (non-CPU lenses if user provides lens data)
  2. Center-Weighted: Weight of 75% given to 8-, 12-, 15- or 20-mm circle in center of frame, or weighting based on average of entire frame
  3. Spot: Meters 4-mm circle (about 1.5% of frame) centered on selected focus point (on center focus point when non-CPU lens is used)

Metering Range:

  • 0 to 20 EV (Matrix or Center-Weighted Metering)
  • 2 to 20 EV (Spot Metering) (ISO 100 equivalent, f/1.4 lens, at 20°C/68°F)

Exposure Meter: Coupling Combined CPU and AI

Exposure Modes:

  1. Programmed Auto (P) with flexible program
  2. Shutter-Priority Auto (S)
  3. Aperture-Priority Auto (A)
  4. Manual (M)

Exposure Compensation: ±5 EV in increments of 1/3, 1/2 or 1 EV

Exposure Lock: Exposure locked at detected value with AE-L/AF-L button

Exposure Bracketing: Exposure and/or flash bracketing (2 to 9 exposures in increments of 1/3, 1/2, 2/3 or 1 EV)

Sensitivity: ISO 200 to 6400 in steps of 1/3, 1/2, or 1 EV; can be set to approx. 0.3, 0.5, 0.7, or 1 (ISO 100 equivalent) EV below ISO 200, or to approx. 0.3, 0.5, 0.7, 1 (ISO 12800 equivalent), or 2 (ISO 25600 equivalent) EV over ISO 6400

Active D-Lighting: Can be selected from [Auto], [High], [Normal], or [Low]

Autofocus: TTL phase-detection AF, 51 focus points (15 cross-sensors) by Nikon Multi-CAM 3500FX autofocus module; Detection: -1 to +19 EV (ISO 100 at 20°C/68°F); AF fine tuning possible; AF-assist illuminator (range approx. 0.5-3 m/1.6-9.8 ft.)

Lens Servo:

  1. Autofocus: Single-servo AF (S); Continuous-servo AF (C); Focus Tracking automatically activated according to subject status
  2. Manual focus (M) with electronic rangefinder

Focus Point: Single AF point can be selected from 51 or 11 focus points

AF-Area Mode:

  1. Single-point AF
  2. Dynamic-area AF [number of AF points: 9, 21, 51, 51 (3D-Tracking)]
  3. Auto-area AF

Built-in Flash: Manual pop-up type; guide number of 17/56 (ISO 200, m/ft., 20°C/68°F) or 12/39 (ISO 100, m/ft., 20°C/68°F)

Flash Control:

  1. TTL flash control with 1,005-pixel RGB sensor; i-TTL balanced fill-flash and standard i-TTL fill-flash available with SB-900, 800, 600 or 400
  2. Auto aperture (AA): Available with SB-900, 800 and CPU lens
  3. Non-TTL auto (A): Available with SB-900, 800, 28, 27 or 22s
  4. Distance-priority manual (GN): Available with SB-900, 800

Flash Sync Modes:

  1. Front-curtain sync (normal)
  2. Slow sync
  3. Rear-curtain sync
  4. Red-eye reduction
  5. Red-eye reduction with slow sync

Flash Compensation: -3 to +1 EV in increments of 1/3, 1/2 or 1 EV

Flash-ready Indicator: Lights when Speedlight such as SB-900, SB-800, SB-600, SB-400, SB-80DX, SB-28DX, or SB-50DX is fully charged; blinks after flash is fired at full output

Accessory Shoe: Standard ISO 518 hot-shoe contact with safety lock

Sync Terminal: ISO 519 standard terminal

Nikon Creative Lighting System: With Speedlights such as SB-900, SB-800, SB-600, SB-R200, or SU-800 (commander only), supports Advanced Wireless Lighting, Auto FP High-Speed Sync, Flash Color Information Communication, modeling flash and FV lock; built-in flash can be used as a commander

White Balance:

  • Auto (TTL white balance with main image sensor and 1,005-pixel RGB sensor);
  • Seven manual modes can be preset with fine-tuning; color temperature setting; white balance bracketing: 2 to 9 exposures in increments of 1, 2 or 3

Live View Modes:

  • Hand-held mode: TTL phase-detection AF with 51 focus areas (15 cross-type sensors)
  • Tripod mode: Contrast-detect AF on a desired point within a specific area

LCD Monitor: 3-in., approx. 920,000-dot (VGA), 170-degree wide-viewing-angle, 100% frame coverage, low-temperature polysilicon TFT LCD with brightness adjustment

Playback Function: Full-frame and thumbnail (4 or 9 images) playback with playback zoom, slide show, histogram display, highlight display, auto image rotation, and image comment (up to 36 characters)

USB: Hi-Speed USB

Video Output: NTSC or PAL; simultaneous playback from both the video output and on the LCD monitor available

HDMI Output: Supports HDMI version 1.3a; Type C mini connector is provided; simultaneous playback from both the HDMI output terminal and on the LCD monitor not available

Ten-pin Terminal:

  1. GPS: NMEA 0183 (Ver. 2.01 and 3.01) interface standard supported with 9-pin D-sub cable and GPS Cable MC-35 (optional)
  2. Remote control: via Ten-pin terminal

Supported Languages: Chinese (Simplified and Traditional), Dutch, English, Finnish, French, German, Italian,

Japanese, Korean, Polish, Portuguese, Russian, Spanish, Swedish

Battery: One Rechargeable Li-ion Battery EN-EL3e

Battery Pack: Multi-Power Battery Pack MB-D10 (optional) with one Rechargeable Li-ion Battery EN-EL4a/EN-EL4 (battery chamber cover BL-3 required) or EN-EL3e, or eight R6/AA-size alkaline (LR6), Ni-MH (HR6), lithium (FR6) batteries, or nickel-manganese (ZR6) batteries

AC Adapter: AC Adapter EH-5a/EH-5 (optional)

Tripod Socket: 1/4 in. (ISO 1222)

Dimensions (W x H x D): Approx. 147 x 123 x 77 mm/5.8 x 4.8 x 3.0 in.

Weight: Approx. 995 g/2.19 lb. without battery, memory card, body cap or LCD monitor cover

Temperature: 0-40°C/32-104°F

Humidity: Under 85% (no condensation)

Supplied Accessories:* Rechargeable Li-ion Battery EN-EL3e, Quick Charger MH-18a, USB Cable UC-E4, Video Cable EG-D100, Camera Strap AN-D700, Body Cap BF-1A, Accessory Shoe Cover BS-1, LCD Monitor Cover BM-9, Software Suite CD-ROM

*Supplied accessories may differ depending on country or area

Main Optional Accessories: Wireless Transmitter WT-4/4A, Magnifying Eyepiece DK-17M, AC Adapter EH-5a, Capture NX 2 Software, Camera Control Pro 2 Software, Image Authentication Software

Filed Under: Nikon, Reviews Tagged With: d700, digital camera, digital camera reviews, dslr, Nikon

Olympus E-520 Reviews and Resources

May 13, 2008 By Eric Reagan

The Olympus E-520 is the successor to the popular Olympus E-510. The new DSLR follows the recent announcement of the Olympus E-420, which served as the successor to the E-410. The new E-520 carries on the Four Thirds lens mount, which means a 2x crop factor for all lenses.

Key Features

  • Sensor-based mage stabiliation
  • Sensitivity range of ISO 100-1600
  • Autofocus Live View
  • Dust reduction system
  • Face Detection and Shadow Adjustment Technology
  • 2.7″ HyperCrystal II LCD
  • 3.5fps with up to 8 images in RAW buffer
  • Built-in flash and wireless flash control
  • Optional underwater case available
  • One-touch white balance
  • Perfect shot preview
  • 100% field of view via LCD
  • Detailed playback info screen with histogram

Olympus E-520 Reviews

Imaging Resource

The E-520 faces stiff competition in the increasingly-ubiquitous sub-$700 digital SLR category, and although it possesses a number of enticing elements, it lacks key differentiators to elevate it significantly above its rivals.

Megapixel.net

While the marriage of simplicity and complexity in the E-520 may not be an entirely smooth one, it’s one that makes the snapper a very attractive camera for the transitional photographer who wants to leave point-and-shoot land behind but not lose sight of its shores entirely.

Photography Review

Combine the E-520’s minimal size and built-in image stabilization and you’ve got what I believe is one of the best backpacking cameras available.

Buy-n-Shoot

This is a good transitional camera for anyone wanting to progress to DSLR for the first time although it does have some minor limitations that should be considered and, I imagine in many cases, overlooked.

DP Review

The level of customizability is astonishing for the price, both in terms of the function of external buttons and the ability to fine-tune the output of the camera to perfectly suit your subject, shooting style and personal preferences.

Digital Camera Info

There’s one of the best Live View modes on the market (with auto focus), a good image stabilization system that’s built into the body, comprehensive presets and a high degree of customizability and control. However, the test results for noise levels, white balance and dynamic range were so poor that they dragged down an otherwise good camera.

PhotgraphyBLOG

On the surface, the new Olympus E-520 looks very similar to the 1-year old E-510 model that it replaces. The E520 retains some key features from its predecessor; the same 10 megapixel LiveMOS sensor, Supersonic Wave Filter, and body-integrated image stabilisation are all present and correct. What have Olympus added then to tempt you to part with £500 / $750 of your hard-earned cash? There’s a bigger 2.7 inch LCD screen, 3.5fps continuous shooting speed, the introduction of Shadow Adjustment Technology, Face Detection and more convenient auto-focus options in Live View, and wireless TTL flash control. Zoltan Arva-Toth finds out if the evolutionary Olympus E-520 has enough new features to survive in the cut-throat world of the entry-level DSLR market.

Let’s Go Digital

The image quality of the Olympus E-520 is solid as a rock, leaving no other option than to go to the closest dealer and make your acquaintance with this camera. How that will work out, is up to you, we have been convinced already!

Camera Labs

Indeed while the competition now offers some key features you should carefully weigh-up, we can still confidently award the E-520 the Highly Recommended rating of its predecessor. If you’re shopping for a new DSLR at this price-point, it should be on your shortlist.

Digital Camera Review

In terms of overall approach, the E-520 may well be the most flexible consumer DSLR we’ve reviewed this year: whereas the Nikon D60 proved to be an excellent first SLR, and new models from Canon and Pentax have aimed to appeal to a slightly more advanced audience, the E-520 does both at once.

Trusted Reviews

The improvements, particularly the new image stabilisation mode and autofocus accuracy of Live Modes show that these important technologies are still being perfected, and the latest versions on the E-520 are pretty much as good as they get at the moment.

Sample Images

DSLR User

Where to Buy

If you’re buying online, I recommend sticking with Amazon, B&H Photo or Adorama. These three vendors are reliable, trustworthy and generally have the best (legitimate) prices.

Filed Under: Olympus, Reviews Tagged With: digital camera reviews, e-520, Olympus, Reviews

Samsung S860 Reviews and Resources

January 6, 2008 By Eric Reagan

The Samsung S860 was announced at CES on January 6, 2008. The S860 is an entry-level 8.1 megapixel point & shoot camera with a 3x optical zoom (35mm film equivalent: 38~105mm) Samsung SHD lens. The S860 also offers Digital Image Stabilization (DIS), which, when selected, works to curb shake-induced blur in your photos.

The S860 incorporates a Function Description feature. Designed to reduce the intimidation factor of the camera’s various modes, Function Description automatically provides a brief and easy to understand description of each setting when scrolling through the cameras’ menus, helping the end-user determine which setting is appropriate for their current shooting scenario. Additionally, with 11 scene modes to choose from, including Night, Portrait, Children, Landscape, Close-Up, Sunset, Dawn, Backlight, Fireworks, Beach & Snow, and Self Portrait.

The S860 also boasts a special effects “E” button, which gives you instant access to a host of creative controls, including options for resizing and rotating images, adjusting brightness, contrast and saturation levels, fixing red eye, and manipulating color such as saving captured images as B&W, Sepia, Red, Blue, Green, and Negative.

The S860’s Movie mode lets users capture video in one of two resolutions, 320×240 or 640×480, at 30 frames per second in AVI (MJPEG) format. Just as in still-picture mode, the DIS image stabilization system can be engaged to compensate for camera shake and to reduce blur.

Finally, the S860 can be powered by two, readily available AA alkaline batteries.

Stay tuned to this page for the latest news and reviews on the Samsung S860 as they arrive.

Samsung S860 Reviews

Buy-n-Shoot

For a compact camera within this highly affordable price range, the S860 packs a powerful little punch. High resolution images are created using what Samsung call a ‘true-colour filtered’ 8.1 mega pixel CCD (charge-coupled device), which allows users to print their images any size up to that of a standard poster without loss of quality.

Where to Buy Samsung S860

If you’re buying online, I recommend sticking with Amazon, B&H Photo or Adorama. These three vendors are reliable, trustworthy and generally have the best (legitimate) prices. Additionally, purchasing your camera through these links helps support this site.

Filed Under: Reviews, Samsung Tagged With: digital camera reviews, Samsung S860

Nikon D90 Reviews and Resources

December 22, 2007 By Eric Reagan


The Nikon D90 was announced on August 26, 2008. It is a breakthrough of sorts in the DSLR genre, featuring not only cutting edge still photography specifications, but also the ability to record HD video.

The Nikon D90 is announced with an AF-S DX NIKKOR 18-105mm f/3.5-5.6G ED VR kit lens for a retail price of $1299.99.

The Nikon D90 is available from the following trusted retailers:

Amazon.com:

  • Nikon D90 (Body Only)
  • Nikon D90 with 18-105mm f/3.5-5.6G ED AF-S VR DX Nikkor Zoom Lens

Adorama:

  • Nikon D90 Body Only – $999.99
  • Nikon D90 w/ 18-105mm lens – $1299.99

B&H Photo:

  • Nikon D90 Body Only
  • Nikon D90 w/ 18-105mm lens

Ritz Camera:

  • Nikon D90 w/ 18-105mm lens

Nikon D90 Key Features

  • 12.3 megapixel CMOS sensor
  • ISO 100-6400
  • HD720p video capture (w/ audio)
  • Face Detection System
  • 3″ LCD 920,000 pixel resolution
  • 11-point AF
  • 96% viewfinder coverage
  • HDMI output

Nikon D90 Video and Image Samples

Photography Bay

Nikon D90 Reviews

Photography Review

In just about every situation the D90 was able to keep up with, if not exceed the performance of my D200. On more than one occasion I even left the D200 in the bag and shot my editorial work with the D90.

Buy-n-Shoot

The D90 is a genuinely well-crafted DSLR from Nikon that covers all of the bases that a mid-range unit should, as well as providing a host of additional features and controls that are well and truly pushing the D90 towards semi-professional territory.

DPS

It’s a great combination building on Nikon’s excellent photo quality with the addition of High Definition video and some very well thought out photographic features.

Trusted Reviews

It has the creative versatility, performance and quality to appeal to semi-professionals and advanced hobbyists, while the scene modes, live view and the video mode will appeal to gadget lovers and the more casual user who wants a good all-rounder.

Think Camera

The D90 is a trophy of a middleweight camera, with the D-movie HD video mode tagging on an extra medal or two.

Let’s Go Digital

The image quality is steady as a rock. Excellent color reproduction and superb dynamic range combined with Nikon’s 3D Matrix metering ensure an outstanding DSLR.

Thom Hogan

Bottom line: the D90 a great consumer camera. It doesn’t really have the cajones to be a professional’s working camera, though it equals the D300’s image quality.

Camcorder Info

Despite its problems, plenty of people will enjoy capturing video with the Nikon D90. Its 24 fps frame rate produces a slow, dreamy image that can be very attractive. Colors generally looked outstanding.

Digital Camera Info

Setting video aside, though, there’s an awful lot to like about this camera, from its fast burst mode to its fine low-light performance for flash-free photos and a Live View mode that’s still not perfect, but does prove comfortable and convenient in certain shooting situations.

PhotographyBLOG

The Nikon D90 is a difficult camera to rate. When viewed as a ‘traditional’ SLR, it is simply an excellent camera that I very much enjoyed using. All the frequently used functions have direct controls assigned to them, be it aperture, shutter speed, ISO speed, file quality, drive mode, AF mode, AE Lock – you name it.

DP Review

We described the D80 as a photographer’s camera and, despite the addition of video, the D90 appears to share that same ethos. On a purely specification level, it’s a highly competitive piece of kit, but it’s the way the features have been chosen and put together that make it the camera that it is.

PopPhoto

As a still camera, the D90 continues Nikon’s strong record in the midrange. While its videomaking is more than a little clunky, it’s the first (and, for now, the least expensive) DSLR with this capability. It’s a very worthy follow-up to the D80, and stacks up well against similarly priced cameras.

DC Resource

Photo quality was excellent. The D90 took well-exposed photos with pleasing, accurate colors. Images have the smooth look that is a D-SLR trademark, though plenty of detail is still captured. The D90 really impressed me at high ISOs.

Think Camera

The D90 is a trophy of a middleweight camera, with the D-movie HD video mode tagging on an extra medal or two. No other DSLR in the world has a video feature to match; which no doubt opens up a whole new world of possibilities.

Chase Jarvis (advance testing)

We worked the cameras hard during my piggy-backed commercial shoot for more than a week. We shot them constantly, me–along with the D3–and the crew just with the fleet of D90’s. And funny how this happens, but go figure…our work with the D90 on location soon bled into shooting over dinner, then drinks, and then into the night, then into the next week, and so on. And the more we beat on ’em, the more the crew liked ’em.

DP Review (hands-on preview)

A lot of the core photographic spec is the same as or very similar to the D80, though there is a new shutter and an implementation of the 3D tracking AF seen on the D3/D300.

Nikon D90 Official Resources

Nikon.com D90 Mini-Site

Nikon D90 Brochure

Nikon D90 Press Release

TOKYO – Nikon Corporation is pleased to announce the introduction of its newest DX-format digital SLR, the D90. More than just a new camera, the D90 represents a new era of digital SLR fun and creativity.

The first thing that will amaze photographers about the D90 is its stunning image quality, which takes its inspiration from Nikon’s flagship DX-format digital SLR, the D300. The D90’s image sensor and 12.3 effective megapixels combine with Nikon’s exclusive EXPEED image processing to deliver outstanding images featuring fine details, smooth tones, rich colors and low noise across a wide ISO sensitivity range.

The D90 is the world’s first* digital SLR camera with a movie shooting function that delivers genuinely cinematic results, enhanced by the creatively shallow depth of field made possible by the DX-format sensor. This is further refined by the optical quality and broad selection of NIKKOR lenses — the same lenses relied upon by professional photographers the world over. Thanks to the D90’s large image sensor, D-Movie images exhibit less noise than those of a typical camcorder, most notably in low-light situations.

. . . .

(Read the full press release)

Filed Under: Nikon Tagged With: digital camera reviews, nikon d90

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