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Understanding Exposure, DIY Backdrops, Viewfinder Shots and an Itty Bitty Pretty Camera

May 10, 2007 By Eric Reagan

I’ve always recommended the book Understanding Exposure by Bryan Peterson because it does a great job of putting together all of the elements that go into a properly exposed photograph and explains it for the Average Joe. Consider picking up a copy. It’ll be the best $15 you spend in photography. Likewise, take a look at this resourceful tool, an interactive camera that demonstrates the effect that camera settings have on your photograph. You can see instant results for exposure and depth of field components. If you don’t quite get it yet, then check out these two useful tools for honing your skills as a photographer. If you do “get it”, I think both are probably still worth your time.

Need a backdrop and strapped for cash? Consider doing it yourself. Here’s how to.

If you haven’t read Rich Legg’s “Through the Viewfinder” post, go check it out now.  It’s pretty cool stuff!

Check out this review of the new Fuji F40fd. Fuji has finally caught on and made way for SD memory cards.  Kudos to Fuji.  For more on why that’s important, check out my prior post on Memory Cards and Cameras.  Finally, memory cards are still dirt cheap.  Even big ones.

[tags]bryan peterson, exposure, tools, software, memory card, fuji, f40fd, sd, card, backdrop, diy, through the viewfinder[/tags]

Filed Under: Books, Deals, Fuji, Gear, Learn, Link Dump, Reading Material, Reviews

 

Portrait Retouching in Photoshop

May 4, 2007 By Eric Reagan

This is an excellent tutorial video for portrait retouching:

A video tutorial that takes a look at enhancing portraits using tools such as Liquify, adding catch lights, and skin tone adjustments by the numbers. For more free tutorials, visit www.radiantvista.com!

Filed Under: Learn, Photoshop, Software, Technique Tagged With: editing, faq, photo, Photoshop, post-processing, Retouching, tips, tutorial, video

High Speed Flash Photography

May 3, 2007 By Eric Reagan

While this video demonstrates some high video frame rates, the shots below from flickr show off some amazing things captured with a still camera:

Both of the photos above are by flickr user nebarnix.

Want to know how you can do it too?

Check out the Guidebook over at HiViz with plenty of activities and different “triggers” to capture the perfect moment.

While you’re at it, check out the excellent galleries of Andrew Davidhazy.

[tags] photography, highspeed, high, speed, photo, pics, bullet, video, flash [/tags]

Filed Under: Learn, Lighting, Photos

Go Take Some Pictures

May 2, 2007 By Eric Reagan

Filed Under: Learn

Photoshop Tutorial: Cut an Object Out of Your Photos

April 27, 2007 By Eric Reagan

Tutorial on how to cut out an image in Photoshop and stack layers to create image effects.  Put in different backgrounds. Samples of finished graphics.

[tags]photoshop, tutorial, howto, photos, stack, layers, effects, graphics[/tags]

Filed Under: Learn, Photoshop

Depth of Field Tutorial

April 24, 2007 By Eric Reagan

Filed Under: Learn Tagged With: depth of field, faq, howto, Learn, photography, tutorial, video

Why Not to Shoot Rally Races

April 22, 2007 By Eric Reagan

[tags]rally, photography, photographers, video[/tags]

Filed Under: Learn, Photographers

Back to the Future

April 16, 2007 By Eric Reagan

Back to the Future

Originally uploaded by hawridger.




I’ve said before that I’m a sucker for these shots. That’s partly because I love taking them. This is my latest from several I took last Saturday night.

I used my Rebel XT mounted on a tripod in the rear floorboard of my Honda Accord. I anchored the tripod by hanging a bag from the center and then seat-belted the tripod with the center belt. I used my Canon RC-1 remote and set the exposure to: 10 sec @ f/16; ISO 100.

Initial adjustments and crop of RAW file in Lightroom and added some saturation and then a color burn layer and mask in Photoshop.

[tags]cars, light, photo, shutter, priority, long exposure, rebel xt, remote, howto, how to, setup[/tags]

Filed Under: Learn, Photos, Photoshop, Software

Merge to HDR in Photoshop CS3 High Dynamic Range

April 15, 2007 By Eric Reagan


[tags]photoshop, cs3, hdr, high dynamic range, tutorial, video[/tags]

Filed Under: Learn, Photoshop, Software

The Mystery Behind Color Spaces: Adobe RGB vs. sRGB

April 12, 2007 By Eric Reagan

Intro
Talk about frustration. I first learned the significance of using color spaces the hard way – lots of bad prints. The worst part of it all was that the local photo lab I was using at the time didn’t either recognize and/or understand what the problem was. They blamed the problem on monitor calibration. That wasn’t the problem though.

See, when I took my digital files in on a disc or uploaded them to the store, they looked washed out and dull – nothing at all like the brilliant colors I saw on my monitor. So, I changed photo labs – same problem. Then, one day, I found the answer – I was submitting my prints in Adobe RGB color space rather the sRGB colorspace. After I switched to using sRGB exclusively I never got the washed out look on my prints again. Wonder why?

What is a Color Space?
I’ll admit, I don’t understand all the technical bits of what a color space is. If you’re into that kind of thing and want to know more, I’d say have a look at Wikipedia’s entry on color space. That said, if you think you can put the explanation into a short paragraph of plain english that I can understand, please post it for everyone’s benefit.

I’ll try to explain how I see this color space concept. There’s a lot of colors in the world around us. My camera sees a lot of them, but not all. Depending on the color space that I choose (either in camera or in my editing software) I’ll have more or less of these colors to display. sRGB is the standard set of colors that are used on the internet. You can thank Microsoft and HP for this. There’s only so many different values of Red, Green, and Blues (and combinations thereof) that we get on websites – because sRGB is the standard and that’s what web browsers use to see color. I suppose the simplest way to say it is that a color space is a defined set or range of colors.

About the Adobe RGB Color Space
Simply put, Adobe RGB has a bigger range of colors that sRGB. Adobe RGB was designed and implemented by (no surprise here) Adobe Systems, Inc. It was designed to help you get more color out of your inkjet printers that use a much bigger color space than sRGB. Particularly, Adobe RGB consists of a much wider range of greens and cyans (green-blue). So, we’re now clear on the fact that Adobe RGB gives photographers more color to work with. Sounds like a no brainer. Let’s go on to sRGB though.

What Adobe RGB color space looks like:

About the sRGB Color Space
sRGB, as noted above, gives us a smaller range of colors than Adobe RGB; however, don’t forget that it is the Internet standard (thanks Microsoft and HP). If you’re looking at pictures on the web via your web browser and they look nice and colorful, then you can bet it’s in sRGB color space.

What sRGB color space looks like:

More importantly, perhaps, is the fact that sRGB is what most photo labs use today. You name it, Wal-Mart, Walgreens, Wolf Camera, Ritz, and Target all use the sRGB color space to print your photos. Online labs like Kodak, York, and Snapfish, among others use the sRGB color space. Even labs that market themselves as “pro” labs such as Mpix or Myphotopipe (which I use and love) use the sRGB color space to process your prints.

Which One Should I Use?
It depends. This isn’t too hard to figure out though.

If you print your own photos and you want every ounce of color that you get out of your photo, then learn to use Adobe RGB. I can’t really tell you all that you need to know. Take a look at some of the resources that I’ve linked to in this post. Feel free to educate the rest of us on it if you know how to do it. Note that there are a few photo labs that will accomodate the Adobe RGB color space. Consider Printroom.com, for example. Printroom will accept whatever color space you send them, including Adobe RGB. They don’t say that they’ll print your Adobe RGB color space but they will “use the color information in your image file to convert it to the color space of the printer used to print the particular size-paper combination specified in the order. As a result, the images are printed exactly how you see them on your calibrated monitor in a “color aware” program like Adobe Photoshop.” That’s better service than you get from most online labs. If anyone is aware of other labs that accomodate Adobe RGB, please let me know.

If, like me, you take your photos, make a couple of edits here and there and either upload them onto the web at a place like SmugMug or print them out locally or online at a site like Myphotopipe.com, then you now know that you should be using sRGB from start to finish. Likewise, if you go the path of Adobe RGB, you’ll need to convert those images to sRGB before you decide to upload and share them on the web.

Additional Sources to Learn More
sRGB vs. Adobe RGB from Cambridge in Colour
Dry Creek Photo: Introduction to Color Spaces
Color Space Fundamentals
Wikipedia – Adobe RGB
Wikipedia – sRGB
Adobe.com – Adobe RGB
Nature Photographers Online Magazine: Beyond Adobe RGB
Microsoft: Color Spaces and You

[tags]color space, adobe rgb, srgb, monitor, color, problems, photos, calibration[/tags]

Filed Under: Learn, Photoshop, Software Tagged With: adobe rgb, color space, srgb

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