Photography Bay

Digital Camera News, Reviews and Tips

Reader Question: Wide Angle Digital Cameras?

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Here’s a reader question that asks for recommendations for wide angle digital cameras suitable for real estate appraisers.  Do you have some advice to offer this experienced real estate appraiser to help him get better images?

I’ve been a real estate appraiser for twenty years. Finding a true wide angle camera with a decent zoom capability, is very difficult. Most appraisers and real estate agents need a well made camera that will shoot interiors and exteriors and produce a quality photo.

Optical view finders have been replaced by LCD screens that are impossible to see in the bright sun light.  I’ve tried the dual lens camera and the latest wide angle camera are not as wide as needed. I have a number of cameras but the one I use more than others, is a Kodak DC5000 with a 28mm lens.

There must be a good market for a wide angle camera of this type. I would like to hear from some folks with a similar problem and some good ideas that will resolve this dilemma. Helpful ideas?

I’m going to start off with a recommendation to visit the Photography for Real Estate Blog and browse around for useful tips and techniques.

Now, the spotlight is on Photography Bay readers.  I’ll let you guys handle the camera recommendations. What are architecture and real estate shooters using out there?  Based on his question and current gear, let’s think about mostly point and shoot solutions and perhaps some useful suggestions on low-end DSLRs.

Fire away with your advice, recommendations and thoughts in the comments below.

 

Simplifying the Rule of Thirds

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In this article, contributing author and stock photographer, Rich Legg, offers some tips on using the rule of thirds. You can learn more about Rich and how to connect with him at the end of this article.

One of the first things commonly emphasized to novice photographers by those who claim to be more knowledgeable on the subject is to “Follow the Rule of Thirds”. While this is sound advice, the phrase can be confusing especially to someone who has never had it explained to him or her.  For me personally, I can still picture my high school photography teacher Mr. Cressop explaining it on the blackboard back in 1981 (wow, that’s a long time ago!). [Read more…]

Photographing with the End in Mind

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In this article, contributing author and stock photographer, Rich Legg, provides a lesson on pre-visualization in photography. You can learn more about Rich and how to connect with him at the end of this article.

One of the skills I have worked to develop that has helped my photography is to take a page from the book The Seven Habits of Highly Effective People and “begin with the end in mind”.  How I relate this to photography is that I strive to always take time before I shoot a subject to create a mental picture of what I plan to photograph and how I will capture it.  Famed photographer Ansel Adams called this technique pre-visualization.  By taking the time to pre-think the shot, I find that I am able to create a better end result.

I make my living creating stock images that I sell through iStockphoto.  When I am planning a stock photo shoot, the first thing I do is take time to envision what I want the final images to look like.  I will generally come up with a few “signature” shots that I want to capture in the photo shoot.  Once I have the images visualized in my mind, I then make some quick notes detailing what I want.  These notes then serve as a sort-of blueprint which I use when determining what models, locations and props I will need to complete the photoshoot.

Here is an example of this pre-thinking and planning of a photograph.  This sample is one of my early stock images that began as an idea sketched out on a piece of paper late one night.

I had the idea of creating a simulated crime scene.  I was able to picture in my mind a body laying in a doorway with light streaming in through the opening behind the body and crime scene tape across the scene.  My original sketch (which I now wish I would have saved) showed a very similar scene to what was represented in the final image. [Read more…]

Bogen to Host Free Lighting Webinar on Friday, March 13, 2009

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Bogen is hosting a free webinar this Friday on how to create simple lighting to enhance your images.  Will Crockett, a respected pro shooter, will be leading the session and it will be held this Friday, the 13th from 2-3 PM EDT.  Registrants will also have the chance to win a Metz flash at the end – so it’s quite worthwhile aside from the valuable learning opportunity.

While I can’t join in live, I’ve gone ahead and registered because you can watch the recording for up to 24 hours afterward.  Yeah, I’ve got big Friday night plans!

More details in the press release below, or just you can just go ahead and register now.  [Read more…]

Canon PIXMA Pro9000 Mark II Photo Printer

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The Canon PIXMA Pro9000 Mark II is a step down from the Pro9500 Mark II; however, it is still capable of solid performance and 13″ x 19″ size prints.  Check availability on Amazon.com.

More details from Canon’s press release below.

The eight-color PIXMA Pro9000 Mark II Photo Printer – cyan, magenta, yellow, photo cyan, photo magenta, photo black, red, and green – delivers an even glossiness and vivid color experience rivaling that of positive film for photographers. The Pro9000 Mark II’s impressive quality and speed are the result of the Canon FINE print head technology coupled with the Company’s high-performance, high-density 6,144-nozzle print head which is capable of producing nearly invisible ink droplets of two-picoliters. Thanks in part to an enhanced double encoder system for media control, the PIXMA Pro9000 Mark II achieves three times faster print speeds over its predecessor, producing a bordered 13″ x 19″ size black and white photographic print in approximately 1 minute, 23 seconds2.

The Canon PIXMA Pro9000 Mark II Photo Printer is scheduled to be available in May for an estimated selling price of $499.993.

Canon PIXMA Pro9500 Mark II

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Canon announced the PIXMA Pro9500 Mark II at PMA 2009.  The Pro9500 Mark II delivers pro-quality prints at sizes up to 13″ x 19″.  Check availability at Amazon.com.

More details from Canon’s press release below.

The new PIXMA Pro9500 Mark II Photo Printer features ten pigment-based ink colors – photo black, matte black and gray as well as cyan, magenta, yellow, photo cyan, photo magenta, red and green, allowing users the benefit of a wide color gamut for stunning color prints, as well as three levels of black for true black-and-white photographs. Designed for the pro and “pro-sumer” photographers, the PIXMA Pro9500 Mark II provides outstanding resolution and droplet control utilizing Canon’s double-encoder system to produce high-quality portfolio pieces or gallery-quality prints for the marketplace. The Pro9500 Mark II delivers rich detail, texture and tone plus extraordinary color reproduction in the green, red, yellow and orange color ranges resulting in breathtaking photo-art. Employing the Canon Full-photolithography Inkjet Nozzle Engineering (FINE) technology along with a sophisticated 7,680 nozzle print-head structure, the Mark II model provides significantly faster production times, delivering approximately one-and-a-half times faster color print speeds on a 13″ x 19″ bordered print1,2 than the previous model.

The printer’s matte black, photo black and gray inks reduce metamerism and provide high-density blacks and truly neutral monochrome prints. Metamerism is an effect in some printed “black-and-white” images where composite gray inks (achieved with combinations of cyan, magenta and yellow ink) make image areas appear a different color hue under different lighting conditions (such as sunlight, fluorescent light and incandescent light). This aberration is due to the differences in spectral reflectance properties of each of the composite colors.

The Canon PIXMA Pro9500 Mark II Photo Printer is scheduled to be available in May for an estimated selling price of $849.993.

Sony Cyber-shot HX1 Reviews and Resources

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Sony may have just redefined point and shoot cameras with the new Cyber-shot HX1. The first feature that sticks out to me is the inclusion of a 9.1 megapixel sensor. I give a big kudos to Sony for sticking with a reasonable megapixel count and making the most of those pixels.

The HX1 packs a couple of features that many have tried and few, if any, point and shoots have done well. First, is 10 fps frame rate at the full 9.1 megapixels. This is truly incredible frame rate that actually works very well in this compact superzoom camera.

Next up, is Sweep Panorama mode. This mode allows you to hold the camera and pan from side to side while the HX1 captures its image. The result? Simply amazing. I’ll have more on this feature later in a hands-on preview, but Sony really nailed it.

The Sony Cyber-shot HX1 should be available in April 2009 for $499.99.  Check availability on Amazon.com.

More details below.

Sony HX1 Key Features

  • 9.1 megapixels
  • 1/2.4″ Exmor CMOS sensor
  • 20x optical zoom
  • Sony G lens
  • 10 frames per second
  • Sweep Panoramic mode
  • 3 Shot Exposure bracketing
  • 1080p HD video capture

Sony HX1 Reviews

Photography Bay (hands-on)

It’s not everybody’s camera. However, anyone that is looking for a super zoom point and shoot camera should have the HX1 near the top of a rather short list. The killer features, like Sweep Panorama and 10 fps, will be enough to seal the deal for some.

Imaging Resource

Right out of the box you can get great results with the 20x optical zoom Sony G lens coupled to an Exmor CMOS sensor with sensitivity to ISO 3,200 using Programmed Auto, intelligent Auto, or Easy mode.

PhotographyBLOG

Having a long zoom on a snappy camera with almost all the controls you desire made for a very pleasant shooting experience – so much so that we were reluctant to give the camera back!

PhotoReview

Autofocusing was generally fast and accurate, although low light levels initiated minor hunting. The special shooting modes (Sweep Panorama, Handheld Twilight and Anti Motion Blur) were fun to use, although they did restrict many shooting controls.

Camera Labs

Sony’s Cyber-shot DSC-HX1 is a powerful super-zoom camera with some pretty unique features that allow it to stand out from the crowd.

DP Interface

The Cyber-shot HX1 indeed lives up to part of its hype – the camera handles quite well and has good build quality, there’s full manual controls and good battery life… and it looks REALLY close to a digital SLR.

Cameras.co.uk

The Cybershot DSC HX1 can handle most situations very well. Purple fringing can be an issue where light, such as from the sun, catches the edge of light coloured objects.

DC Resource

If you’re sticking to small prints and like all the unique features that the HX1 offers, then it’s worth a look. Those of you who’ll be making large prints or viewing the images on your computer may want to look at another super zoom model.

DP Review

For some people the versatility of the wide zoom range, the ultra-fast continuous shooting speeds, the unique shooting modes and the convenience of having a HD video camera and stills camera in one package will be extremely attractive.

Sony HX1 Press Release

LAS VEGAS (PMA #F171), March 2, 2009 – Sony is spotlighting its first digital still camera to feature sweep panorama technology here at the Photo Marketing Association confab. The new HX1 Cyber-shot model can take 224-degree panorama shots in one easy press-and-sweep motion.

It is also the company’s first Cyber-shot camera to use the exclusive 1/2.4-inch Exmor™ CMOS sensor technology. This technology allows it to achieve burst speeds of 10 frames per second at full 9.1 megapixel resolution in continuous burst mode.

Setting it apart from most digital still cameras, which use an electronic shutter to achieve high speed, the HX1 unit has a mechanical shutter that helps reduce distortion when shooting a moving subject.

Compared to images shot with traditional sensors, the HX1 model takes clearer images with about 50 percent less noise when in handheld twilight or anti-blur modes. It is also the first Cyber-shot camera to include a Sony G lens and 1080p HD movie clip recording capabilities.

“Traditional CMOS sensor technology provides higher shutter speeds, but we are using what we call an Image3 system that combines the best image, sensor and processor,” said Karim Noblecilla, senior product marketing manager in Sony Electronics’ Digital Imaging Division. “By combining this sensor with a high-quality Sony G lens and powerful BIONZ™ processor, we are able to create solutions beyond fast speed that helps consumers get better pictures.”

Incorporating on-chip A/D conversion, which minimizes image degradation that can occur during analogue processing, Noblecilla said the Exmor CMOS sensor delivers outstanding images, reduces noise and can continuously shoot at a high speeds.

Clear Images in Low Light or for Moving Subjects

Compared to cameras with traditional sensors, the HX1 model has two scene modes that significantly reduce noise. Using the high-speed shutter Exmor CMOS sensor technology, the new model takes six shots within a fraction of a second. Combined with the power of the BIONZ imaging processor, it immediately superimposes them into one picture. The camera calculates the position of objects in each frame and composes the sharpest picture possible, resulting in clearer, sharper images.

The two modes that use this functionality include hand-held twilight and anti-motion blur. For difficult shots in low light, the hand-held twilight mode results in clearer and sharper pictures without the need of a tripod. Anti-motion blur uses High ISO to reduce blur especially in dimly lit environments.

To reduce blur, the camera detects if a person or object is moving, or if the camera is shaking, which is likely when taking a telephoto shot. When it superimposes the images, the camera captures the moving subject or object from one of the six shots. It takes, combines and composes the rest of the image using the six shots. This reduces blur on the main subject and results in a sharp, clear background.

Sweep Panorama Technology

Capturing wide landscapes, church spires or skyscrapers is as easy as “press and sweep.” Sweep panorama mode lets you reach beyond the traditional wide-angle lens and capture breathtaking shots. With wide and ultra-wide settings and horizontal or vertical directions, sweep panorama mode can take up to 224-degree horizontal or 154-degree vertical shots.

Using the fast-speed Exmor CMOS sensor, the camera continuously shoots full-resolution images at a high speed. Using the BIONZ imaging processor, it automatically stitches the pictures together to create one stunning panoramic photo. The maximum resolution is 7152 x 1080 (ultra wide horizontal).

“This panorama mode is so seamless that it removes the guess work,” Noblecilla said. “The camera indicates where you are in the degree range, so you know how wide you can shoot and stitches the photos automatically. It calculates and aligns pictures for you without using additional software.”

1080p HD Movie Recording

The HX1 camera captures movie clips in 1080p HD resolution, and a built-in stereo microphone records crisp, clear audio. The camera’s wide 20x optical zoom is also available while shooting.

When set to HD movie, it records at 30 frames per second (1440 x 1080). The camera uses the high-quality, high-compression MPEG4 AVC/H.264 format. Other recording options include standard-definition video and VGA.

The camera also has HDMI™ connectivity via supplied HDMI accessory (cable not included) so images can be shared in high definition on an HD television set. MPEG4 AVC video recording allows you to view footage on a PC and upload it to the Web.

Sony G Lens

The Sony G lens is optimized to complement the advanced image sensors and image processing technology in Sony’s cameras. The HX1 camera features a 28-560 millimeter f/2.8-5.2 wide-angle lens with 20x telephoto range. With the combination of this G lens and sweep panorama mode, the camera can cover almost any telephoto and wide angle need.

Containing a six-blade aperture, the G lens produces beautifully defocused backgrounds with a soft, natural feel. A-spherical lens elements and elements made from extra-low dispersion glass combine to minimize chromatic aberration common to high-magnification lenses.

Intelligent Auto

Like many of Sony’s new cameras this year, the HX1 model has the convenient and powerful intelligent auto mode, which combines Intelligent Scene Recognition (iSCN), Optical SteadyShot™ and face detection technologies. It recognizes scenes and lighting conditions within one-thirtieth of a second, and then changes settings. This produces clearer images with more natural skin tones, reduced red-eye, fewer closed-eye shots and less overall blur without compromising image quality.

The iSCN feature detects up to eight scenes and automatically changes settings that will apply to the scene or lighting conditions. With the iSCN Advance feature, the camera takes a second shot when low or backlight is detected, letting users choose the best picture.

With face detection technology, the camera will adjust the flash, focus, exposure and white balance producing more natural skin tones and reducing red-eye. Face motion detection identifies a moving subject and adjusts the ISO to minimize blur. In conjunction with iSCN, the camera takes two pictures simultaneously and saves the one in which the eyes are the least closed.

A new selected-face memory function registers one face (selected by the user) as the main face and adjusts focus, exposure, flash and white balance accordingly. The camera remembers the face every time that face shows in the frame.

Additionally, the camera comes with Smile Shutter technology that helps capture a smile the moment it happens and dynamic range optimizer (DRO) technology that adjusts for contrast.

Pricing and Availability

The Cyber-shot DSC-HX1 camera will be available in April for about $500 and pre-sales will start in March. The camera and a range of accessories will be available online at sonystyle.com, at Sony Style® retail stores (www.sonystyle.com/retail), at military base exchanges and at authorized dealers nationwide.

Olympus E-620 Reviews and Resources

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The Olympus E-620 is a 12.3 megapixel DSLR that fits in Olympus’ lineup as the little brother to the Olympus E-30.  The E-620 includes Art Filters settings, which were made popular and have received much praise on the Olympus E-30.

The E-620 is priced at $699 for body only and $799 as a kit with the ED 14-42mm f3.5-5.6 Zuiko Digital Zoom Lens.

Olympus E-620 Availability

Amazon.com

Adorama

B&H Photo

Olympus E-620 Key Features

  • 12.3 megapixel Live MOS image sensor
  • 2.7″ tilt / swivel LCD display
  • Live view mode
  • Sensor shift image stabilization
  • 7-point autofocus system with 5 cross-type points
  • 49-zone metering
  • Dust removal system
  • Sensitivity from ISO 100 to 3,200 equivalents
  • 4 frames-per-second continuous shootingshooting
  • CompactFlash & xD Card slots

Olympus E-620 Reviews

Photocrati

All in all, I’ll admit that I found this to be an admirable system, with enough functionality to suit even the needs of the advanced amateur, while giving photo enthusiasts a camera they can use immediately sink their teeth into.

Trusted Reviews

Inevitably some features have filtered down from the E-30, which is a good thing but that camera is significantly larger and heavier and a good deal more expensive.

DP Review

It doesn’t offer the video recording capabilities of some of its contemporaries, but as a dedicated stills camera, it’s a pretty compelling package.

Let’s Go Digital

Anything you could possibly dream of; this camera has a function for it. And if we really go for the differences in quality, we find nearly the same quality on the E-620 as that of the more expensive E-30 and E-3.

PhotographyBLOG

The Olympus E-620 offers the most effective combination of features, ease-of-use and price of any Olympus DSLR camera to date, and it’s also a real contender for the Best Mid-Range DSLR crown.

DCR

Even in an industry where we’re used to derivative models and trickle-down technology, the E-620 impressed with just how closely its performance – from shooting speed to image quality – aligned with what we saw from the much more expensive parent model.

Pop Photo (hands-on review)

But the E-620’s main appeal may be its size. If you’re a backpacker, or just want a small DSLR, it’s incredibly convenient to tote-and to use.

DP Interface

Image quality of the Olympus E620 was generally good – the camera took nicely exposed photos with good color accuracy, sharpness and images were clean at ISO 800 and below.

Pocket Lint

A cracking little camera that combines the majority of the high-end kit of the E-30 with the compactness of the E-420 and E-520 rolled into an easy to use body that will not break the bank

DP Review Hands-On Preview

The handling was something we liked about the E-420 and E-520 and the newcomer does nothing to spoil this. It also retains what is probably the most convincing build-quality in its class, thanks to an excellent choice of materials – it feels rugged and well-made.

Imaging Resource Hands-on Preview

Overall, the Olympus E-620 is the best of the company’s consumer SLRs, offering a feature-set that is superior to the E-420 and E-520.

Digital Camera Info Hands-On Preview

The body still felt a bit too small in our hands, but on the flip side this is one of the most portable SLRs on the market, the pivoting LCD is a lovely piece of gear, and dual memory card slots, even if one is for an xD card, is another welcome feature.

Olympus E-620 Press Release

CENTER VALLEY, Pa., February 24, 2009 – As children, our imaginations run wild and finger-painted artistic creations are proudly displayed on our family refrigerators. But as we grow older, we learn to color inside the lines, and have less and less time for art. We often lose touch with how satisfying it is to create something uniquely our own. Olympus delivers the new E-620 digital single lens reflex (DSLR) camera to bring back that free-style experimenting and the magical feeling of being inspired by our own art.

The new camera’s easy-to-use Art Filters and Multiple Exposures (built right into the camera) are fun for consumers – whether you’ve been shooting for years or picked up your first digital camera today. Enjoy capturing creative images on the go – without being tethered to a computer and editing software! Now it is possible to easily customize your images so they’re worthy of posting on the gallery wall (or at least the family fridge).

“Experimenting and creating your own unique masterpieces has never been easier or more fun,” said John Knaur, senior marketing manager, Digital SLR, Olympus Imaging America Inc. “Pop Art, Grainy Black & White, and Pin Hole are just a few creative options that can be effortlessly found on the camera’s mode dial. The access is easy, and the results are fun and limitless.”

The new camera’s freedom of expression is matched by its freedom of mobility. First, the camera travels with you to more places, thanks to its compact size and light 16.76-ounce body. Second, as the world’s smallest DSLR with in-body Image Stabilization, the E-620 adjusts when your body moves to remove blur caused by camera shake (with any lens attached). Finally, add Live View shooting with a swivel 2.7-inch HyperCrystal™ LCD that frees you to cover subjects from a range of angles, and this 12.3-megapixel DSLR seamlessly combines motions with emotions – proof that Olympus lets you capture it all.

Make Your Vision Come to Life with Art Filters

If you’re hoping to get more out of your camera than simply capturing and documenting a scene, and enjoy enhancing or customizing an image to make it your own, then you will value the camera’s Art Filters. The filters, which are built into the camera, provide incredible individual artistic control over an image, and remove the need to spend time altering images on the computer with editing software.

This camera was made for free-style shooting, experimenting and engaging with events and subjects. Enjoy the freedom of Autofocus Live View and dramatic effects to transform your day-to-day shots into compositions that you can be proud of with the following in-camera Art Filters:

  • Pop Art:  Enhances colors, making them more saturated and vivid, creating high-impact pictures that express the joyful, lighthearted feeling of the Pop Art style of the 1960s;
  • Soft Focus:  Creates an ethereal, otherworldly atmosphere that renders subjects in a heavenly light without obscuring details;
  • Pale & Light Color:  Encloses the foreground of an image in flat gentle light and pastel colors reminiscent of a flashback scene in a movie;
  • Light Tone:  Renders shade and highlight areas softly to lend an elegant air to the subject;
  • Grainy Film:  Evokes the feeling of documentary footage shot in monochrome with grainy, high-contrast film; and
  • Pin Hole:  Reduces the peripheral brightness of an image as though it were shot through a pin hole, connecting the viewer intimately with the subject at the center of the picture.

Art Filters are easily activated with the mode dial on the right side of the camera body. The effects are viewable right on the new camera’s 100 percent accurate swivel 2.7-inch Live View HyperCrystal™ III LCD when using the E-620 in Live View mode or when reviewing the captured image.

Express Your Inner Artist’s Multiple Personalities

With the new camera’s Multiple Exposure function you are free to tell a visual story your way, whether in a portrait, a landscape or a combination of both. For instance, capture an image of the spring leaves on a new tree and then overlay an image of your child’s face into the leaves for a stunning image that expresses the newness of the season. The image capture options allow you to shoot one shot, then another, or to capture both shots separately and combine them in the camera later. Or superimpose your own portrait with a starry night sky to create a photo with the impact you desire. Let your imagination lead you to new creative discoveries.

Ready, Steady, Go with In-Body Image Stabilization

The E-620 travels with you to more places, thanks to its compact size and light 16.76-ounce body. Capture sharp images on the go with the camera’s in-body Image Stabilization, which virtually eliminates blur with any lens attached. Three IS modes handle any situation. The IS-1 mode is for general shooting and adjusts the sensor on both the horizontal and vertical planes to compensate for movement by the photographer so images stay sharp in low light even at slow shutter speeds. To capture the motion of moving subjects, the E-620 offers two specialized modes: IS-2 mode is ideal for capturing a runner or cyclist traveling by in the horizontal mode, preserving the sense of motion while panning; IS-3 mode achieves the same effect when the camera is held vertically. In either mode, the artistic effects of panning enhance the shot and render the subject in sharp detail with blurred background. Moreover, the E-620 is the world’s smallest DSLR with built-in Image Stabilization, so you’ll feel comfortable taking it on the road with you to capture the action.

Superior Image Quality

The new camera’s high-performance 12.3-megapixel Live MOS image sensor delivers excellent dynamic range, accurate color fidelity, and a state-of-the-art amplifier circuit to reduce noise and capture fine image details in both highlight and shadow areas.

Its Live MOS image sensor is complemented by Olympus’ TruePic III+ Image Processor, which produces clear and colorful photos using all the pixel information for each image to provide the best digital images possible. The new image processor is noted for accurate natural color, true-to-life flesh tones, brilliant blue skies, and precise tonal expression; it also lowers image noise in photos shot at higher ISO settings, enabling great results in low-light situations.

Swivel Live View LCD: Freedom to Move You

The new camera’s 100 percent accurate 270 degree swivel 2.7-inch Live View HyperCrystal III LCD can be rotated freely so photographers can compose at any angle, including overhead and down low, without getting bent out of shape. This enables an E-620 photographer to compose a subject in the Live View LCD and see the results of the various creative features – live as they’re happening.

When viewing the LCD in Live View, settings like white balance and exposure can also be selected, and their impact is seen instantly on the display. Real-time monitoring offers amazing versatility and creative control. The LCD displays 230,000 pixels in vivid color and includes HyperCrystal technology, which offers many times the contrast of conventional LCD monitors for easier viewing in both preview and playback. It also provides a wide viewing angle of 176 degrees, which ensures images can be composed from even the most obscure angles.

The 2.7-inch LCD makes icons and text on the camera’s menu easy to view. Beyond the camera’s bright viewable LCD, the E-620 is equipped with illuminated buttons on its body that are easily viewable in low light to quickly find the settings you want.

Two Fast Autofocus Systems

Consumers accustomed to composing and focusing using a point-and-shoot camera’s LCD will appreciate that the E-620 offers the same easy, seamless experience (what you see on its LCD is what you get!). The E-620 delivers two fast autofocus options to quickly focus and capture the image in any situation:

  • Fast Imager Autofocus in Live View:When it comes to measuring camera speed, autofocus is a key factor. If a camera’s AF system does not meet photographers’ demands and lock focus accurately and quickly, it’s possible to miss a shot. AF Live View on the E-620 allows you to compose, focus, and capture the shot quickly and easily without ever taking your eye off the large 2.7-inch full color LCD.
  • Phase Detection AF:  When using the optical viewfinder, the technology behind the new 7-point twin cross AF system provides world-class fast and accurate focusing based on the speed of the E-3. Super sensitive Twin and Twin Cross AF target points can measure focus both vertically and horizontally, so regardless of the subject, focusing is super-simple and fast. With a dedicated Phase Detection AF sensor in the camera body, shooting moving subjects, like a runner crossing the finish line, is lightning fast. In low-light situations, this is the AF option of choice to quickly lock focus, so that a loved one’s face illuminated only by candlelight is in sharp focus.

Multi-Aspect Shooting

Since photography is a form of expression that is essentially based on clipping a scene, framing is an important component of style. The E-620 provides four aspect ratios that serve as masks to frame your image to the desired proportions, including: the standard 4:3 aspect ratio that is perfectly suited for an 8 x 10-inch enlargement; the 16:9 aspect ratio that will display your images beautifully on a widescreen television; and other popular aspect ratios such as 3:2 and 6:6. By enabling you to select the aspect ratio before shooting and easily viewing it on the LCD throughout the shoot, the Multi-Aspect function offers a new way to control your photography and express yourself.

Always Find a Face in the Crowd

The new camera’s Face Detection reduces the chance of blurred subjects in photography by distinguishing between people’s faces and the background. It tracks up to eight faces within the image area, even if people are moving, and automatically focuses and optimizes exposure for sharp, brilliant portrait pictures (ideal for large family or party group photos).

In Sunshine or the Shadows, Never Miss a Detail

Shooting scenes with both highlights and shadows can be tricky because of the extreme contrast between dark and bright areas. The E-620 addresses this challenge with Shadow Adjustment Technology that adjusts for extreme light variations and maintains visible detail in both the shadow and highlight areas of the scene. Now users can see and preview the gradation on the Live View LCD and capture images showing the shadow detail they saw. This feature is also accessible in the Edit menu after the shot has been taken.

Preview a Multitude of Possibilities

Perfect Shot Preview enables users to easily preview and select from a variety of thumbnail previews of the photographic effects of white balance and exposure compensation adjustments live on the LCD before taking the photograph. It is an ideal way for novice users to learn about the effects of different photography techniques, visually, without having to scroll through menu options. With 28 preset scene-select modes for every imaginable shooting scenario, automatic modes and full manual controls, the E-620 offers a world of possibilities to photographers.

Wireless Flash Capability

Wireless flashes help you cast the best light on your subjects and capture great images. For this reason, the E-620 is compatible with the Olympus FL-36R and FL-50R wireless electronic flashes that are designed exclusively for digital photography. When these flashes are used in combination with the E-620, multiple-wireless flash photography is both easy and reliable. The E-620 can control up to three wireless flash groups independently, with multiple flash units in each group for dramatic flash effects.

Dust Reduction System for Spot-Free Images

Life moves too fast to spend time worrying about dust ruining the perfect image. Olympus’ proven Dust Reduction System produces spot-free photos with the exclusive Supersonic Wave Filter™. The patented ultrasonic technology vibrates to remove dust and other particles from the front of the image sensor and captures it on a special adhesive membrane every time the camera is turned on. These spot-free photos liberate users from hours spent retouching photographs at the computer or sending their cameras back to the manufacturer to remove dust trapped inside. With Dust Reduction and the new creative features, Olympus continues to liberate users from the computer and editing software, and enables them to have fun capturing it all while on the go.

Accessories for Shooting on Land and in the Water

The new HLD-5 Power Battery Holder can hold up to two Lithium Ion BLS-1 batteries to extend the performance life of the E-620 and its existing BLS-1 battery. It also enables effortless vertical shooting with its own separate shutter button and control dial. Olympus will also offer the PT-E06 optional underwater housing for the E-620. Capable of reaching depths of 130 feet underwater, the housing will ensure that divers will not miss an image during their journeys to the abyss.

Availability

The Olympus E-620 DSLR will be available in May 2009. It includes E-620 Body, USB Cable, Video Cable, Li-Ion Battery Pack (BLS-1), Li-Ion Battery Charger (BCS-1), Shoulder Strap, OLYMPUS Master 2 Software CD-ROM, Manuals and Registration card.

U.S. Pricing / Product Configurations

E-620 Body Estimated Street Price: $699.99
E-620 Body with ED 14-42mm f3.5/5.6 Zuiko Digital Zoom Lens Estimated Street Price: $799.99

Nikon D5000 Reviews and Resources

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The Nikon D5000 is a 12.3 megapixel DSLR, which features HD video-capture abilities and a 2.7″ articulating LCD screen.

Check availability of the Nikon D5000 at the following trusted retailers:

Amazon.com

Nikon D5000 (body only)

Nikon D5000 w/ 18-55mm VR lens

Ritz Camera

Nikon D5000 (body only)

Nikon D5000 w/ 18-55mm VR lens

Wolf Camera

Nikon D5000 (body only)

Nikon D5000 w/ 18-55mm VR lens

Camera World

Nikon D5000 (body only)

Nikon D5000 w/ 18-55mm VR lens

Adorama

B&H Photo

Nikon D5000 Key Features

  • 12.3 megapixels
  • ISO 100-6400
  • HD video capture
  • 11-point autofocus
  • 100,000-cycle shutter

Photography Bay Resources

Nikon D5000 Review

Canon Rebel T1i vs. Nikon D5000 – ISO Comparison

Canon Rebel T1i vs. Nikon D5000 – Video Comparison

Nikon D5000 Reviews

Photocrati

As easy to use as any entry-level DSLR in auto modes, the D5000 provides greater speed, reliability and versatility plus advanced amenities.

Neutral Day

The Nikon D5000 successfully fills the needs of both enthusiast photographers moving up from previous models or looking for an affordable DSLR camera, while at the same time being a more than adequate offering for consumers stepping into their first DSLR camera.

Computer Active

The Nikon D5000 is an impressive camera that falls between two stools in terms of its price

PhotographyBLOG

Those who require dual control wheels, more dedicated buttons, a large viewfinder and greater compatibility with older AF lenses will still be better served by a D90 and are therefore advised to save up for the higher specified model. For everybody else, the Nikon D5000 provides much the same functionality and image quality in a smaller, lighter and quieter edition.

InfoSync

The Nikon D5000 cranked out the best image performance in its class, and we can safely deliver this news after putting a good flogging to the Pentax K2000, Canon Eos 500D and Olympus E-620.

Buy-N-Shoot

Overall, D5000 photographs appear clear and crisp with only a slight decrease in sharpness at full zoom and colours seem to reproduce well across the board and are especially vibrant outdoors.

B&H Photo

In practice, image files held up quite well through ISO 1600 before noise and breakdowns of tonal gradations started becoming noticeable.

Let’s Go Digital

The technical tests of the body also reveal that Nikon managed to maintain the quality and even improved it. The Nikon D5000 benefits from this technical progress and this makes it more than logical that we consider the Nikon D5000 an excellent performing DSLR camera if we look solely at image quality.

Camera Labs

The D5000 is the latest in a long line of impressive DSLRs from Nikon, delivering great image quality and a powerful feature-set that represents a significant upgrade over its predecessor, the D60.

T3

All in all, the D5000 is honest about its heritage and intentions: It’s a mighty fine camera for people who are in need of a solid performer at a reasonable price.

What Digital Camera

There’s no doubting the abilities of this camera to produce stunning still images – and moving images – but it does sit against some tough competitors, including some of Nikon’s own models.

Digital Camera Review

The studio shots from the D5000 look unsurprisingly like the D90 and D300 – low ISO noise through ISO 800 with obvious detail loss at the expense of noise at ISO 1600 and 3200.

Photo Review

Exposures were well-positioned, colours looked natural and saturation was slightly elevated but not to the extent that pictures looked excessively colour-rich with the default standard Picture Control setting.

DP Review (hands-on preview)

The hand grip is one of the best examples in this class of camera and the rear dial is easily accessible, making it very quick and easy to use.

Nikon D5000 Press Release

MELVILLE, N.Y. (April 14, 2009) – Nikon Inc. today introduced the new D5000, a digital SLR camera with a host of features and capabilities that deliver superior performance and image quality along with amazing versatility for photo enthusiasts and those new to digital SLR photography. Leveraging Nikon’s expertise and innovative technologies found in its pro-level D-SLRs, the 12.3-megapixel D5000 enables users to capture exceptionally stunning images and High Definition video with remarkable ease.

Whether consumers are progressing from a point-and-shoot digital camera or looking to upgrade their current digital SLR and elevate their photographic expression, the D5000 serves as an ideal solution. First time D-SLR photographers will appreciate logical and easy-to-use controls, while creative enthusiasts will appreciate the D5000’s robust combination of features, technologies and performance. The D5000 boasts a versatile 2.7-inch Vari-angle LCD monitor that encourages shooting with a fresh perspective, Nikon’s revolutionary D-Movie Mode and expanded automatic Scene Modes, delivering superior Nikon innovation in a compact, user-friendly design.

“The Nikon D5000 represents a cornerstone in Nikon’s D-SLR line, marrying simplicity and instructive features with superior technology and HD video, allowing the user’s ability and creativity to grow—with the camera,” said Edward Fasano, General Manager for marketing, SLR System Products at Nikon Inc. “While its easy-to-use design will attract first-time D-SLR photographers, the D5000’s rich feature set and high performance will also appeal immediately to more experienced enthusiasts. The D5000 is sure to inspire creativity and originality.”

Broadened Creativity and Adaptability

Photographers can easily compose stunning images on the Vari-angle LCD monitor that they can view in a normal position fitting securely within the camera back, or swung out to be rotated or tilted. The monitor can also be stowed with the LCD panel tucked against the camera back to protect the screen when not in use. This tremendous freedom of movement, along with four Live View autofocus shooting modes, affords users the opportunity to shoot from a multitude of imaginative angles. Easy one-button Live View activation now features Subject Tracking autofocus (AF), which automatically locks onto a moving subject. Even if the subject leaves the frame and returns, Subject Tracking AF maintains focus, making the D5000 ideal for capturing fast moving children and pets. In addition to Subject Tracking AF in Live View, the D5000 features Face Priority AF, which automatically detects up to five faces in a scene and focuses on the closest subject; Wide Area AF, which offers a large AF area for optimal hand-held shooting; and Normal Area AF, which provides pinpoint accuracy when shooting with a tripod.

The D5000’s D-Movie Mode allows users the exciting ability to record HD movie clips (1280 x 720) at a cinematic 24 frames per second with sound. Photographers will appreciate the quality produced whether creating vacation clips or intertwining still photographs and movies in a post-production creative montage. Additionally, the D5000 is compatible with a comprehensive assortment of AF-S NIKKOR interchangeable lenses to provide users with the ability to capture perspectives not possible with typical consumer video recording devices. When using any NIKKOR VR lens, D-Movie clips benefit from Nikon VR image stabilization, which automatically activates during recording to deliver added sharpness and image stability. VR image stabilization also extends the D5000’s performance in low-light situations. D-Movie clips are recorded onto an inserted SD or SDHC memory card and saved as Motion JPEG AVI files for easy editing with widely available video editing software.

Further bridging the gap between point-and-shoot cameras and more advanced D-SLRs are the D5000’s 19 automatic Scene Modes, which free users to capture beautiful images without having to manually adjust camera settings. With the broad range of automatic Scene Modes, including Sports, Portrait, Candlelight, Silhouette, Autumn Colors and more, D5000 is the perfect camera for anyone looking to make inspiring images in challenging photographic conditions.

The D5000 also incorporates a comprehensive set of in-camera editing features to make the most of captured images without the need of a computer. The D5000 also introduces several new Retouch features, including a Soft Filter effect, which applies a smooth appearance to faces or the entire image; Perspective Control, which helps correct distortions in perspective often encountered in photographs of architecture; and Color Outline, which creates monochrome outlines of objects in images by eliminating color and tonal gradations. The D5000 saves each of these edited images as a separate JPEG file, ensuring the original image is left unmodified. With Nikon’s exclusive Picture Control Settings, photographers can quickly select various image appearance profiles that include Standard, Neutral, Vivid, Monochrome, Portrait and Landscape settings. In addition, Picture Control provides the ability to create and store up to nine user-defined custom profiles to reflect each user’s personal preferences for hue, color saturation and image sharpening.

Extensive playback options allow users to review their photos in groups of four, nine, or 72 thumbnail images. Alternatively, users can select the Calendar View to easily group and select images by date. These playback features can be viewed either on the Vari-angle LCD or an HDTV with HDMI connectivity available via a dedicated HDMI port on the camera.

Proven Image Excellence

Consumers will immediately appreciate the benefits of the D5000’s 12.3-megapixel CMOS sensor coupled with Nikon’s exclusive EXPEED™ image processing system, which delivers highly detailed images with vibrant color reproduction and low noise across a broad ISO range. The D5000’s normal ISO range extends from ISO 200 to 3200, allowing for superior shooting in low-light conditions. Additionally, the D5000’s ISO range can be expanded to a Lo 1 setting of ISO 100 or a Hi 1 setting of ISO 6400, furthering the opportunities for previously impossible shots.

Nikon’s exclusive 3D Color Matrix Metering II, in conjunction with the EXPEED image processing system, contributes to the D5000’s ability to capture breathtaking images by instantly evaluating the exposure elements of each scene and comparing it to an onboard database of information from more than 30,000 images. These split-second calculations allow the D5000 to ensure the right exposure—even when conditions are extreme. To push creative boundaries even further, the D5000 allows picture-takers to also use Center-Weighted and Spot Metering for added personal control.

Smooth, Swift and Quiet Operation

The D5000’s 11-point auto focus system utilizes Nikon’s exclusive Scene Recognition System with Face Detection to help create the best possible images in a variety of shooting environments. Nikon’s 11-point AF offers best-in-class speed and accuracy, helping to ensure sharp focus, shot-after-shot. Single-point AF is suggested for static subjects, Dynamic-area AF for moving subjects, Auto-area AF for spontaneous shooting and 3D-tracking with 11 AF points for maintaining accurate focus on a subject moving throughout the frame.

Paired with Nikon’s AF-S NIKKOR 18-55mm f/3.5-5.6G VR image stabilization lens and the ability to shoot at four frames per second, the D5000 easily captures moments other cameras miss. Nikon’s VR image stabilization lenses reduce the blurring in images due to camera shake, allowing photographers to shoot hand-held at as many as three full stops slower than would otherwise be possible.*

The new D5000 also features the innovative Integrated Dust Reduction System, which offers both an electronic sensor cleaning when the camera is powered on and/or off and the Airflow Control System, which directs dust away from the sensor with every snap of the shutter. These functions work to clear image-degrading dust from the sensor’s optical low-pass filter, helping to ensure spot-free images. In addition, the D5000 features a Quiet Release Mode that reduces the mirror cycling noise for discreet shooting in sensitive situations, such as weddings and other ceremonies.

System Expandability

Photographers and enthusiasts alike can also appreciate the D5000’s system expandability, as the camera can work in conjunction with a variety of Nikon accessories including a broad assortment of NIKKOR AF-S interchangeable lenses. While the D5000 offers a versatile built-in flash, the camera is also compatible with Nikon’s Creative Lighting System and capable of Advanced Wireless Lighting when using the SB-900 Speedlight or the SU-800 Wireless Commander. For those looking to document their photo excursions with geo-tagging, the D5000 is compatible with the optional GP-1 GPS Unit, which automatically records latitude, longitude, altitude and time information when a picture is taken.

The D5000 also works seamlessly with Nikon’s powerful Capture NX 2 image editing software (available for purchase separately), for more advanced photographers seeking greater control over their post-capture images. Capture NX 2 simplifies the path to beautiful images with easy-to-learn editing tools and a highly versatile and elegantly simple interface, which streamline editing procedures.

Price and Availability

The D5000 outfit, which includes the AF-S NIKKOR 18-55mm f/3.5-5.6G VR lens, will be available at Nikon Authorized dealers beginning in late April 2009 at an estimated selling price of $849.95.** For consumers who want to configure their D5000 system or for photographers who need an additional D-SLR body for an existing system, the D5000 will also be offered as a body only for an estimated selling price of $729.95.** For more information, please visit www.nikonusa.com.

*As determined in Nikon performance tests
**Estimated selling price listed is only an estimate. Actual prices are set by dealers and are subject to change at any time.

Ricoh CX1 Reviews and Resources

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The Ricoh CX1 is a 9.29 megapixel point and shoot camera for those who are a little more serious about their point and shooting.  It features a 28-200mm zoom equivalent lens and allows you to capture what is essentially HDR images through a double shot mode.

The CX1 also features a 3″ LCD with 920,000 dot resolution, which is generally something reserved for pricier DSLRs.  The CX1 has a lot of potential – hopefully, it will live up to it.  Check availability on Amazon.com.

Ricoh CX1 Reviews

Trusted Reviews

The Ricoh CX1 is a very accomplished camera from one of the veteran names in the industry.

Digicam Review

Image quality is generally very good – with good colour, saturation and contrast. Noise is noticable but photos come out quite smooth with few hot pixels, compared to the competition, and detail is generally good (until ISO800 and above).

Buy-n-Shoot

Within it’s price range, the Ricoh CX1 is a solid unit both literally and performance-wise that ought to be considered as a contender for your business.

Ricoh CX1 Press Release

Tokyo, Japan, February 19, 2009—Ricoh Co., Ltd. (president and CEO: Shiro Kondo) today announced the development and release of the CX1, a new digital camera with a 7.1x optical wide-angle zoom lens (28-200 mm in 35 mm film equivalent focal length). The CX1’s expanded dynamic range of 12 EV equivalent makes it possible to capture high-contrast scenes in a way not possible with earlier models.

With new image processing engine Smooth Imaging Engine IV and a new high-speed image processing CMOS sensor installed, the CX1 achieves greater image quality while at the same time expanding dynamic range with its dynamic range double shot mode.

In addition, functions such as multi-pattern auto white balance (sets white balance based on the light sources of segregated areas of the image) and multi-target AF (shoots consecutive images at seven focal distances automatically defined by the camera) enable the new CX1 to create beautiful images giving an almost naked-eye impression.

The CX1 has a large 3.0-inch 920,000-dot VGA monitor and high-speed continuous shooting functions at approximately 4 frames/second that make it even easier to enjoy photography. This is a digital camera that takes the design concept “A tool you will want to use every day” to a new level of perfection.

Main features of the new CX1

1. Greater image quality from a new image processing engine and new image sensor.
• The CX1 has the new image processing engine Smooth Imaging Engine IV and a new high-speed image processing CMOS sensor. In high-sensitivity shooting conditions, these enhancements result in greater resolution than previous models and also reduce noise without compromising color reproduction.
• The addition of a customized circuit to the image processing engine has made it possible to include a pixel output interpolation algorithm that expands the CX1’s dynamic range by up to 1 EV compared to conventional methods. This reduces whiteout in high-contrast situations and recreates the beauty seen by the eye.
2. Dynamic range double shot mode for excellent reproduction of both light and dark areas.
• The transformation of the image processing engine and the image sensor has enabled the CX1 to do high-speed continuous shooting. This, in turn, has made it possible to create dynamic range double shot mode, which takes high-speed consecutive shots of two still images with different exposures and then records an image that combines the properly exposed portions of each. Expanding the dynamic range up to a maximum equivalent to 12 EV, this mode makes it possible to record images that give an almost naked-eye impression.
• It is possible to also record a normal image in addition to the expanded-dynamic-range image so you can check the results immediately after shooting.
3. The multi-pattern auto white balance function gives the optimum color reproduction when shooting subjects mixing different color temperatures.
• For scenes with both shadow and sunlight and scenes mixing flash and natural light (or fluorescent light, etc.) during flash photography, this function can define white balance to fit the light source of each segregated area of the image. This enhances image quality in people-photography situations that were difficult to shoot with the old auto white balance function.
4. High-definition 3.0-inch 920,000-dot VGA monitor.
• The large, high-resolution LCD monitor has a wide viewing angle and high contrast. The screen has a fluorine coat to prevent soiling, a hard coat to prevent scratches, and an anti-reflection coat to give greater visibility even outdoors in bright sunshine.
• The optimum fonts are used for high visibility on the VGA monitor, and greater camera operability is achieved with an enhanced setting-screen design easily readable at a glance. There is also an 81-image playback screen display function useful when checking images during playback.
• Image framing during shooting is now easier as a result of the addition of a shooting information display frame which does not superimpose shooting information over the image itself.
5. With the multi-target AF function, the camera automatically finds seven focal distances and shoots at each one in succession.
• The camera automatically decides seven focus points and does high-speed consecutive shooting of seven images while shifting the focus to each point. After shooting, you can select the image with the preferred focus. This function is effective for scenes (such as flowers) where there is a narrow range for a sharp focus.
* The consecutively shot images are recorded as a single MP file (a file format with multiple still images in a single file).
6. Enhanced high-speed continuous shooting functions catch the decisive movement of moving subjects.
• In continuous shooting mode, it is possible to do high-speed continuous shooting at approximately 4 frames/second for still images with the maximum number of pixels.
* Continuous shooting speed will vary depending on shooting conditions, card type, card condition, etc.
• The M-continuous plus shooting function does continuous shooting that saves the 30 images (30 frames/sec.) taken during the one second or so before the finger is removed from the shutter release button or the 30 images (15 frames/sec.) taken during the two seconds before. By taking your finger from the shutter release just after the decisive moment has passed, you can be sure that you caught it.
* Image size is fixed at N1728 (2M).
* The consecutively shot images are recorded as a single MP file (a file format with multiple still images in a single file).
• With ultra-high-speed continuous shooting, the CX1 shoots 120 images (120 frames/sec.) during an interval of about one second after the shutter release button is pushed, or 120 images (60 frames/sec.) during an interval of about two seconds.
* Image size is fixed at N640 (VGA).
* The consecutively shot images are recorded as a single MP file (a file format with multiple still images in a single file).
7. A 7.1x optical zoom lens (equivalent to 28-200 mm focal length for 35 mm cameras) in a body optimized for ease of use as a photographic tool.
• Ricoh’s original double retracting lens system has made it possible to fit a 7.1x optical wide-angle zoom lens in a body that is both easy to carry and easy to operate.
• This lens can handle a wide range of shooting situations, including powerful telephoto shots as well as wide-angle shooting of both expansive landscapes and interior scenes with limited distance between camera and subject.
8. Popular macro photography functions.
• With the macro photography functions you can get as close to the subject as 1 cm for wide-angle* and 25 cm for telephoto. *Equivalent to 32 mm focal length for 35 mm cameras
• When shooting up close in easy shooting mode, the camera will automatically switch to macro mode so you can enjoy macro photography without the inconvenience of mode switching.
9. A wide range of functions inspired by the “A tool you will want to use every day” concept.
• Electronic level utilizing an acceleration sensor.
• Image sensor shift blur reduction function to reduce hand-motion blurring.
• Face mode that automatically identifies subject faces and optimizes face focus, exposure, and white balance.
• Easy shooting mode for photographic fun with simple operations.
• Minimum shooting distance display function that shows on the monitor the minimum shooting distance, which changes depending on the zoom setting.
• Aspect ratio (vertical/horizontal ratio) 1:1 square format photography function.
• Image flag function to enable the quick display of specific images from among those in the camera.
• The ability to switch from frame to frame with the still image display remaining enlarged in playback mode.

CX1 Option
Accessory Name Model
Rechargeable Battery DB-70
Battery Charger BJ-7
Soft Case (black) SC-90BK
Soft Case (brown) SC-90BN
Neck Strap ST-2
Cable switch CA-1
AC adapter AC-4g
* The “dynamic range” of a digital camera is range of light intensity that the camera is able to process.
* The term “MP file” used in this document refers to “Extended MP files” conforming to the “multi-picture format” standardized by the CIPA. (The file extension is MPO.) With MP file images recorded by the CX1, a selected frame can be extracted and saved as an individual JPEG image within the camera.