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Nikon AF-S 16-35mm f/4G ED VR and AF-S 24mm f/1.4G ED Lenses

February 8, 2010 By Eric Reagan

Nikon AF-S 16-35mm f/4.0G ED VR Lens

Nikon has announced two new FX format lenses – the AF-S 16-35mm f/4G ED VR and the AF-S 24mm f/1.4G ED. [Read more…]

Filed Under: Nikon Tagged With: 16-35mm, digital camera, dslr, lens, Lenses, Nikon, Nikon AF-S 16-35mm f/4.0G ED VR, photography, zoom lens

 

Canon PowerShot SX210 IS, SD3500 IS, SD1400 IS and SD1300 IS Reviews and Resources

February 8, 2010 By Eric Reagan

Canon PowerShot SX210 IS

Canon has introduced a number of new point and shoot cameras for its Spring 2010 lineup – the SX210 IS, SD3500 IS, SD1400 IS and SD1300 IS. [Read more…]

Filed Under: Canon Tagged With: Canon, digital camera, photography, point and shoot, sd1300 is, sd1400 is, sd3500 is, sx210 is

Canon Rebel T2i Reviews and Resources

February 8, 2010 By Eric Reagan

Canon Rebel T2i

The Canon Rebel T2i (the Canon EOS 550D in markets outside the US) is an 18MP DSLR that serves as a replacement to the popular Rebel T1i.  The Rebel T2i offers a number of advancements, including an improved metering system and a number of HD video recording options.  The Rebel T2i should be available in March 2010 at an initial retail price of $899 packaged with the EF-S 18-55mm IS lens or $799 for the body only. [Read more…]

Filed Under: Canon Tagged With: 550d, Canon, digital camera, dslr, eos, photography, rebel, rebel t2i, t2i

An Open Letter to Nikon re: the 50mm f/1.8 Lens

February 7, 2010 By Eric Reagan

Nikon 50mm f/1.8D Lens

Dear Nikon,

I think you are doing a great job with your cameras, lenses and accessories.  The entry-level series that started with the smaller form-factor Nikon D40 through the current D3000 and D5000 has been a real hit.  The D40 is a fantastic little camera that you have continued to build upon over the past several models in this line.  The D5000 is now one of the best bang-for-your-buck DSLR cameras on the market.

I understand that you needed to pull the AF motor out of these camera bodies in order to make them smaller.  I totally get that.  I will also say that you have done a good job with your lens selection since the D40 was introduced.  There are so many great AF-S lenses available now and you seem committed to continuing this trend.  To that end, kudos to you.

That said, we are all missing one crucial AF-S lens that is not in your lineup at this time – an AF-S 50mm f/1.8 lens. [Read more…]

Filed Under: Nikon Tagged With: 50mm f/1.8, digital camera, lens, Lenses, Nikon, photography

Ricoh CX3 Reviews and Resources

February 3, 2010 By Eric Reagan

Ricoh CX3

The Ricoh CX3 is a 10MP point and shoot camera with a back-illuminated CMOS sensor, a 10.7x optical zoom (28-300mm equivalent) and has the ability to capture HD video.  The CX3 should be available in February 2010 at an initial retail price of $399.99.

Ricoh CX3 Availability

Amazon

Adorama

Ricoh CX3 Reviews

Cnet UK

Digicam Review

PhotographyBLOG

Photo Review

Ricoh CX3 Press Release

Ricoh today launched its latest model in the acclaimed CX series of digital compact cameras. With a pedigree of award-winning predecessors, the new CX3 features a host of innovative features, this time including a back-illuminated CMOS sensor to deliver a new level of detail in low light photography.

The essential difference between conventional sensors and the CX3’s improved CMOS sensor is its construction. Using a revolutionary structure to more efficiently capture light coming through the lens, this new sensor greatly increases sensitivity while also reducing noise. When combined with new noise-reducing technology borrowed from the Ricoh GR Digital III, the result is dramatic – beautiful images that have maintained their original resolution, tone characteristics and colour saturation, even at night.

While image quality has been addressed, Ricoh’s commitment to bringing professional photos within reach of the amateur continues with the CX3. A new “scene auto mode” has been added which identifies the image subject and automatically selects the most appropriate scene mode. Whether taking photographs of panoramic landscapes, portraits of the family, action shots at the tennis or getting up close with wildlife, the CX3 takes the guess work and hassle out of mode selection.

Ricoh has also made an effort to increase shooting options with the eagerly-anticipated addition of a 1280 x 720 pixel HD movie function. Adding to its cinematic appeal, the CX3 offers a number of aspect ratios including 16:9 which creates images in a size that delivers maximum impact on a wide-screen television.

Among the other key features, the popular dynamic range double shot mode has been further refined. Using this mode, the camera takes two images with different exposures almost simultaneously, then combines the best exposed parts of each image into a final recorded version. With the introduction of the CX3, photographers are now able to specify the tone range to be given priority – whether it be the highlights or the shadows. Five new settings have also been added to control the dynamic range expansion effect – choose ‘auto’ or four levels ranging from very weak to strong. In scenes which include mixed light, for example, a bright sunlit background with people in the shadowed foreground, images are faithfully recreated with the same detail seen by the naked eye.

The CX3 inherits the 10.7x (28-300 mm equivalent) optical wide-angle zoom lens from its predecessor which, when combined with super-fast continuous shooting speeds of 5 frames per second, user-friendly auto focus (AF) functions which automatically respond to subject movement and scene modes including ‘pets’, ‘high contrast black & white’ and ‘miniaturise’, the photo possibilities are endless.

Available from leading electronics retailers and camera specialists from February 19, the Ricoh CX3 features an inlay handgrip and is available in black, violet and two-tone grey-pink.

Filed Under: ricoh Tagged With: 720p, cx3, digital camera, hd, hd video, high definition, photography, ricoh

Olympus E-PL1 Reviews and Resources

February 3, 2010 By Eric Reagan

Olympus PEN E-PL1

The Olympus PEN E-PL1 is a 12.3MP Micro Four Thirds camera that features a number of improvements over the original E-P1.  The E-PL1 features a built-in pop-up flash, a direct record button for recording HD video, along with expected features like sensor-based image stabilization and full time live view on the 2.7-inch LCD.  The E-PL1 will be offered in a kit with a 14-42mm f3.5/5.6 zoom lens.

The Olympus E-PL1 was first available in March 2010 at an initial retail price of $599.99.

Olympus E-PL1 Availability

B&H Photo

Amazon.com

Adorama

Photography Bay Resources

Olympus E-PL1 Review

Olympus E-PL1 Hands-On Review

Olympus E-PL1 Reviews

Neutral Day

Imaging Resource

Digital Camera Info

DP Review

Cnet UK

Let’s Go Digital

Cnet

Geek.com

Engadget

PhotographyBLOG

The Digital Story

Adorama

[Read more…]

Filed Under: Olympus Tagged With: digital camera, e-pl1, interchangeable lnes, micro four thirds, Olympus, PEN, photography

Olympus M.Zuiko Digital ED 9-18mm F4.0-5.6 and 14-150mm F4.0-5.6 Lenses

February 3, 2010 By Eric Reagan

Olympus M.Zuiko Digital ED 9-18mm F4.0-5.6 and 14-150mm F4.0-5.6 Lenses

Along with the E-PL1, Olympus has announced two new lenses for the Micro Four Thirds system – the 9-18mm F4.0-5.6 and 14-150mm F4.0-5.6 lenses.  With the 2x crop factor of the Micro Four Thirds system, these lenses are the equivalent of an 18-36mm and a 28-300mm lens, respectively, on a full frame camera.

The Olympus 9-18mm f/4-5.6 lens should be available in May 2010 at an initial retail price of $699.99.  Check availability on Amazon.com.

The Olympus 14-150mm f/4-5.6 lens should be available in June 2010 at an initial retail price of $599.99.  Check availability on Amazon.com.

More details in the press release below. [Read more…]

Filed Under: Olympus Tagged With: 14-150mm, 9-18mm, digital camera, Lenses, micro four thirds, Olympus, photography

Hasselblad H4D-40

February 2, 2010 By Eric Reagan

Hasselblad H4D-40

The Hasselblad H4D-40 is a 40-megapixel medium format camera geared toward high-end 35mm photographers.  The H4D is packaged with Hasselblad’s Phocus 2.0 software for processing images from the camera.  The H4D-40 ships from Hasselblad with the camera body, viewfinder and 80mm lens for $19,995.

More details in the press release below.

[Read more…]

Filed Under: hasselblad Tagged With: digital camera, h4d, h4d-40, hasselblad, medium format, photography

Fuji FinePix HS10 Reviews and Resources

February 2, 2010 By Eric Reagan

Fuji FinePix HS10

The Fuji FinePix HS10 is a superzoom bridge camera that is situated between point and shoot cameras and DSLRs.  The Fuji HS10 is a larger form-factor than traditional compact point and shoot cameras, and is more along the size of shape of DSLRs.  However, the Fuji HS10 is paired with a built-in 30x zoom lens, which offers a zoom range equivalent to 24-720mm.

The Fuji HS10 also features a 10MP CMOS sensor and is capable of capturing images at a speed of 10 frames per second for up to a 7 shot burst.  The HS10 can capture 1080p HD video, and includes a high speed video function that captures 1000 frames per second for ultra slo-mo video.

The Fuji HS10 will be available in April 2010 at an initial retail price of $499.95.

Fuji HS10 Availability

Amazon.com

B&H Photo

Adorama

Photography Bay Resources

Fuji HS10 Review

Fuji HS10 Hands-On Review

Fuji HS10 Reviews

Imaging Resource

Cnet

Neocamera

Camera Town

Photo Review

ePhotozine

PhotographyBLOG

Fuji FinePix HS10

Fuji FinePix HS10 Press Release

Valhalla, NY, February 02, 2010 – FUJIFILM North America Corporation today announced its most impressive line of high speed, high performance D-SLR-styled digital cameras with the introduction of the Fujifilm FinePix HS10. Serious photographers seeking the versatility and performance of a D-SLR system without the bulk or expense now have the perfect solution in the shape of the new Fujifilm FinePix HS10. The latest addition to Fujifilm’s award-winning range of big zoom ‘bridge’ cameras offers an unprecedented feature set that combines a powerful Fujinon 30x (24-720mm equivalent) manual optical zoom lens with sophisticated photographic controls, advanced functionality and D-SLR-like handling in a single compact, affordable unit.

“Utilizing Back Side Illuminated CMOS sensor technology capture married to class-leading Fujinon optical design, the FinePix HS10’s unique mix of advanced technologies brings several new features designed to make achieving professional-looking pictures easier than ever to the FinePix range,” said David Troy, marketing manager, Consumer Digital Cameras, Electronic Imaging Division, FUJIFILM North America Corporation, “and all the while maintaining Fujifilm’s legendary image quality and low-light shooting performance.”

Powerful Lens
With a range that would require at least two or three bulky lenses on an SLR to capture the same zoom capabilities, the FinePix HS10’s built-in Fujinon 30x Wide-Telephoto zoom lens encompasses nearly every photographic requirement in a single compact unit. Furthermore, because the lens and body on the FinePix HS10 are built as a closed unit, it eliminates the possibility of dust on the image sensor.

The twist-barrel manual zoom control enables the photographer to make precision adjustments, and zooming is faster and more accurate than comparable powered zoom lenses in the same class of camera.

The class-leading Fujinon 30x optical zoom covers a uniquely versatile 24-720mm (equivalent on a 35mm camera) range from true wide-angle to ultra telephoto. From sweeping landscapes, interiors and large group shots to distant sports or wildlife action, the FinePix HS10 can handle nearly any photographic challenge. In addition to the impressive zoom capabilities, the Fujinon lens ensures optical quality across the entire range. Fujinon lenses are acclaimed by photographers, broadcasters (as the world’s leading manufacturer of television camera lenses) and industrial users across the globe. Fujinon lenses are also used in orbital satellites to capture high-resolution photos of the surface of the moon.

Triple Image Stabilization
Triple Image Stabilization combines a mechanically stabilized CMOS sensor with high ISO sensitivities and advanced multi-frame digital stabilization for total anti-blur protection. Together these technologies reduce the blurring effect of both handshake and subject movement to provide sharp, clean and clear results even at the longest zoom settings or in the most challenging lighting conditions.

High Speed, High Definition
Capturing action with the FinePix HS10 is so easy it feels like cheating. Whether you’re shooting stills or movie clips, the FinePix HS10’s cutting-edge sensor and processing technologies open up a range of high speed capture modes and unique shooting possibilities.

While shooting sports action or wildlife, or simply trying to keep up with fast-moving children, the FinePix HS10 will give users an edge with up to 10 frames-per-second of high speed continuous shooting1 at the maximum 10-MegaPixel setting. The FinePix HS10’s unique Best Frame Capture Mode means users don’t need the reactions of a pro sports photographer to get professional results either; in this mode the camera continuously records images from the moment the focus is activated, then saves up to seven shots captured before the shutter button is released.

The FinePix HS10 also features a full HD movie mode (1080p) with stereo sound, and the camera’s mini HDMI portallows users to easily display ultra clear high definition photographs and movies on high definition televisions. A new Super High Speed Movie function can freeze action and capture breathtaking movies at up to 1000 frames per second for amazing slow-motion movies that reveal the hidden world of events that normally occur in the blink of an eye.

Advanced Modes, Limitless Expression
The FinePix HS10 boasts several unique features and modes designed to expand shooting possibilities and to take the work out of creating genuinely eye-catching images.

• Motion Panorama Mode
Captures an ultra-wide panoramic view in a single sweeping shot. As the camera pans across the scene (left/right or up/down), the FinePix HS10 captures a series of shots in rapid succession. The shots are then stitched in-camera to produce a seamless panorama.

• Motion Remover Mode
Remove moving subjects from your shots. This mode captures 5 images of a scene in quick succession; the five images are then analyzed and combined in-camera to produce a single image2 where anything moving in the scene is removed.

• Multi-Motion Capture Mode
Previously only possible with highly specialized equipment, this mode captures 5 images of a moving subject in rapid succession and combines them into a single composite image** containing multiple sharply-captured views of the subject motion.

• Multi-Frame Image Stabilization
Combines high and low ISO exposures of the scene being photographed to reduce blur caused by camera shake without significantly increasing image noise. The FinePix HS10 also sports the remarkable ‘Pro Low Light’ mode, first seen on the FinePix S200EXR and F70EXR, which combines several exposures into a single image for ultra-low noise output in low light.

Low Light Performance
Thanks to Fujifilm’s award-winning sensor and processing technologies FinePix cameras have become market leaders in low-light performance, setting the standard for high sensitivity, low noise results in the most challenging shooting conditions. The FinePix HS10’s BSI-CMOS sensor continues this tradition with an innovative new design that significantly increases the light gathering ability of every pixel, resulting in a 200% increase in sensitivity over a conventional CMOS sensor. Combined with Fujifilm’s image processing expertise the new sensor produces stunning richly detailed low noise images, even when shooting in very low light.

The improved sensitivity isn’t just for taking noise-free photographs at night: it also allows the use of high shutter speeds in daylight required when shooting at telephoto end of the FinePix HS10’s 30x optical zoom, or when attempting to capture fast-moving subjects. Photographers no longer need to worry about blurred pictures with such a long telephoto as they can rely on the FinePix HS10 to produce clear, sharp output even at higher ISO settings.

A True Photographer’s Camera
As well as a range of advanced automatic functions – including Fujifilm’s acclaimed SR Auto mode – and scene modes designed to produce perfect ‘point and shoot’ results, the FinePix HS10 sports a full complement of sophisticated manual and semi-automatic shooting modes and photographic controls. The extensive external controls give the more advanced photographer direct access to virtually every control they will need for uninterrupted shooting, and the body includes dedicated command buttons for quick and easy key functions such as ISO, white balance, focus and metering.

The large command dial, manual focus ring, twist and zoom lens barrel, bright, clear electronic viewfinder, high quality tilting LCD screen and deep hand grip ensure the FinePix HS10 handles at least as well as a digital SLR, despite its compact dimensions. AA batteries (ships with alkaline) provide excellent performance (up to 300 shots with Alkaline batteries) combined with the convenience of a universally available format when shooting for extended periods away from main power.

The FinePix HS10 also offers these additional features:

• 3.0” High-Contrast Tilting LCD and Electronic View Finder: The FinePix HS10 is fitted with a high contrast 230K-pixel 3.0” LCD and Electronic View Finder. To improve user interaction with the camera, Fujifilm for the first time has included a clever sensor to the side of the EVF (Electronic Viewfinder) that automatically switches the picture between the EVF and the LCD screen when the eye is withdrawn.

• Face Detection and Automatic Red-eye Removal: To provide perfectly exposed and focused portrait shots, the FinePix HS10 is fitted with Fujifilm’s latest Face Detection technology which is able to track up to 10 faces simultaneously, at almost any angle to the camera. The system instantly corrects red-eye and then saves both the original and the corrected image file automatically.

• Combined RAW/JPEG shooting: The FinePix HS10 has the ability to shoot both a RAW and JPEG shot simultaneously. RAW is for ultimate quality shots via post processing, JPEG is for great quality with no need for further post-production work.

The FinePix HS10 will be available in April 2010 at a retail price of $499.95.

110 fps up to 7 shots

2 M or S resolution output image

Filed Under: Fuji Tagged With: digital camera, dslr, finepix, Fuji, hs10, photography, superzoom, telephoto

Fuji FinePix F80EXR Reviews and Resources

February 2, 2010 By Eric Reagan

Fuji FinePix F80EXR

The Fuji FinePix F80EXR is a 12MP point and shoot camera featuring a 10x optical zoom lens (27-270mm equivalent), 3-inch LCD and 720p HD movie capture.

The Fuji F80EXR should be available in April 2010 at an initial retail price of $299.95.

Fuji F80EXR Availability

B&H Photo

Amazon

Adorama

Fuji F80EXR Reviews

PhotographyBLOG

Neocamera

Cnet

[Read more…]

Filed Under: Fuji Tagged With: digital camera, exr, f80, f80exr, finepix, Fuji, Fujifilm, photography, point and shoot

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