Photography Bay

Digital Camera News, Reviews and Tips

 

New HDSLR Hub from Shane Hurlbut and B&H Photo

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Cinematographer Shane Hurlbut has teamed up with B&H Photo to create the new HDSLR Hub, which is anchored by a series of educational of videos beginning on February 28, 2011. There are six episodes in this series, which runs through April 4, 2011, and aim to cover gear, workflow and more.

If you want to take your video-capable DSLR seriously, this would be a good place to start.  You can find the teaser video above, while the series will launch next Monday at HDSLRhub.com.

Associated Press Sees Canon 5D Mark II as a “Game Changer”

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In the above video from Beet.TV, Vice President & Director of Associated Press Broadcasting News, Kevin Roach, talks about writers taking on video projects and photographers adding the 5D Mark II to their arsenal in order to tell a story beyond a single frame.

No doubt the 5D Mark II is a game changer; however, Roach’s commentary on the AP’s approach to news gathering and what this new era of DSLRs has done for the AP is interesting nonetheless.

Locked in a Vegas Hotel Room with a Phantom Flex

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Tom Guilmette put together this great video of his night alone with a Phantom Flex camera in a Vegas hotel room.  This camera captures 2,564fps at a 1080p native resolution.

While the footage the camera produces is stunning in its own manner, Tom’s editing makes the resulting video (and audio) just plain fun.  Check out Tom’s story behind the video (and why he was doing this in Vegas hotel room) over on his blog.

“Idiot With a Tripod” Deserving of Oscar says Ebert, Shot With Canon 7D

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During the snow storm in NYC a few days ago, Jamie Stuart grabbed his Canon 7D, a tripod and a heavy coat, then headed out into the elements to capture what Roger Ebert says “deserves to win the Academy Award for best live-action short subject. (1) Because of its wonderful quality. (2) Because of its role as homage. It is directly inspired by Dziga Vertov’s 1929 silent classic “Man With a Movie Camera.” (3) Because it represents an almost unbelievable technical proficiency.”

Canon 7D vs. ARRI Alexa: You Get What You Pay For…

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In still image files shot with the Canon 7D and other DSLRs, we have the luxury of using RAW format to capture each frame and get a tremendous amount of latitude (exposure and color range in over/under-exposed shots) out of those files in post production.  Unfortunately, when it comes to video capture, DSLRs like the Canon 7D spit out a highly compressed file that has nowhere near the amount of latitude you get from a RAW still image file.

While the below video comparison may seem silly in some respects for comparing a $1500 camera to a $65,000+ (depending on the configuration) camera, it is also very useful to those new to HDSLR video – as a way to demonstrate (1) just how limited these cameras are when it comes to capturing video, and (2) just how much more important a perfect exposure is when recording video. [Read more…]