Wedding photographer Brian Adams and wedding videographer Rainer Flor took it upon themselves to shoot an entire wedding with an iPhone 4. Before you turn your nose up at the thought of it, check out their results below. [Read more…]
RED EPIC at 300fps
Eric Kessler let Philip Bloom take his new RED EPIC for a spin and also volunteered to be a test subject while members of the Kessler Crane crew threw glasses of water at him. The result a rather entertaining slow motion mashup of Kessler’s abuse.
Check out the full rundown of the operation over at Philip Bloom’s site.
Moleskine Mini Planners Stop Motion Video is Insanely Detailed
Check out this cool little stop motion for Moleskine Mini Planners.
After you watch it, pause and think about how it was made – and then watch the behind-the-scenes video below. [Read more…]
Ready for HDR Video? It’s Coming in the AMP Camera
While HDR photography has its fans and foes, HDR video is likely to fuel the fire even further if the tech in the AMP video camera becomes widespread and affordable.
The AMP camera claims to offer up to 17 stops of dynamic range as the result of capturing simultaneous video on 3 separate senors – with each set to different exposure values. The Gen II AMP camera stores raw data to SSD hard drives and, based on the company’s FAQ, it looks like they are working on increasing the memory buffer for longer recording times.
Check out the demo video below that shows off some of the footage and explains some of how the camera works. [Read more…]
The Great Camera Shootout 2011
Zacuto has posted Episode 1 of The Great Camera Shootout 2011. Last year’s, Shootout scored an Emmy and this year’s series is shaping up to be even better.
In the 2011 edition, the Shootout compares a dozen different pro-level cameras (and film): [Read more…]
Quotable: “The Future Of Photography Is Convergence”
Over at A Photo Editor, there’s an interesting interview with Vincent Laforet concerning the future of photography. In it he discusses where these photo and video cameras are heading, including how new technology will affect the vision required to capture “the decisive moment.”
Here’s what’s important, if you can shoot 120 frames or 96 frames per second at a high resolution, it removes one of the single most difficult aspects of being a photographer, which is to capture the “decisive moment.”
Head on over to A Photo Editor the the complete interview.
Nikon Working on Preset Focus Pulls for Future Cameras
A recently published Nikon patent application shows that Nikon is working on implementing programmed focus pulls in video-capable cameras.
Essentially, the patent application describes the process of setting a starting focus point on the camera’s LCD and then an ending focus point. The camera will then automatically (and smoothly) rack focus between the two points as you record video. [Read more…]
RED Scarlet Rolling at 120fps
The fabled RED Scarlet just keeps getting sexier – particularly now that they’ve uploaded some 120fps footage shot with a Scarlet prototype in a hairy lighting setup. [Read more…]
The Government’s War on Cameras
Don’t Lose Your Camera in the Snow
Poor kid just got a new camera and now his mom is going to kill him for losing it in the snow.
My wife told me about this video after the family won the grand prize on America’s Funniest Videos. I’d say the kid is getting a pretty good start to his film making career.
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