Last week, I wrote about how Sony should build an A7 camera with a Canon EF mount. The premise behind the post was about Sony gaining market share and continuing to make bold moves. It’s a bit of a pipe dream but, holy crap, would that shake up the market.
Ricoh has finally started it teaser campaign for the upcoming full frame Pentax DSLR. Teaser images now appear on the Ricoh website, revealing bits of the Pentax full frame camera in shafts of light.
The text accompanying the teaser images reads: “Full Frame by Pentax, 2016 Spring Debut.” [Read more…]
In this short video, Gary Fong takes a look at full frame, APS-C and 1.0-type cameras to see how the depth of field is affected at the same effective focal lengths.
The challenge, of course, is that you must change the actual focal length of your lens to accommodate the same field of view on cameras with different sensor sizes. Invariably, this changes the depth of field so that the camera with the smaller sensor appears to have a much greater depth of field, while the full frame camera has a much shallower depth of field.
Gary’s demo is a nice practical demonstration of how these different camera sensors provide different images when shooting the same scene from the same position.
We’ve seen many examples of the Sony A7S and just how good it is in low light. Well, here’s another that proves it is the low light king for affordable full frame cameras.
In this short preview video, Tony Northrup walks us through the high ISO settings of the Sony A7S, Sony A7 II and Nikon D810. The Sony A7S’ reach up to ISO 409,600 puts it just head and shoulders above the low light capabilities of the Nikon D810 and the A7 II.
Whether its the right overall camera for you, however, requires examining what you need out of the camera day to day. For low light shooting though, the Sony A7S remains in a league of its own.