After giving the new Z series time to simmer with the Z 6 and Z 7 full-frame cameras, the Nikon Z 50 launches at the lower end of the product line as the first DX-format camera in Nikon’s mirrorless space. [Read more…]
Canon adds a new macro lens to its APS-C DSLR line with the new EF-S 35mm f/2.8 Macro IS STM lens. The new macro lens features built-in Macro Lites around the front element. The lights can be configured to illuminate only the left or right side, or both sides for a typical ring light illumination. [Read more…]
In this short video, Gary Fong takes a look at full frame, APS-C and 1.0-type cameras to see how the depth of field is affected at the same effective focal lengths.
The challenge, of course, is that you must change the actual focal length of your lens to accommodate the same field of view on cameras with different sensor sizes. Invariably, this changes the depth of field so that the camera with the smaller sensor appears to have a much greater depth of field, while the full frame camera has a much shallower depth of field.
Gary’s demo is a nice practical demonstration of how these different camera sensors provide different images when shooting the same scene from the same position.
The upcoming Tokina AT-X 11-20mm f/2.8 PRO DX lens went up for pre-order today at a $599 retail price. It should start shipping on March 2, 2015 for both Canon and Nikon mounts.
This is an APS-C format lens, which results in about a 17.5-32mm full frame equivalent field of view. It has a nine-blade diaphragm and internal focusing. Check it out here at B&H Photo.